Yellowstone Kelly



Rotten Tomatoes Audience - Spilled 33%
IMDb Rating 6.6 10 777


Uploaded By: FREEMAN
Downloaded 9,191 times
September 06, 2018 at 03:22 PM



Claude Akins as Sergeant
Clint Walker as Luther 'Yellowstone' Kelly
Edd Byrnes as Anse Harper
Warren Oates as Corporal
720p.WEB 1080p.WEB
759.86 MB
23.976 fps
1hr 31 min
P/S 6 / 13
1.45 GB
23.976 fps
1hr 31 min
P/S 10 / 16

Movie Reviews

Reviewed by Scarecrow-88 7 / 10

Yellowstone Kelly

A well-reputed fur-trapper, Apache-scout, and frontiersman, Luther "Yellowstone" Kelly, decides to "hire on" a teenaged Anse Harper (teen idol, Edd Byrnes) against his better judgment but grows fond of the boy. Always a loner, Kelly felt (up until he meets Anse, and later Arapaho beauty, Wahleeah (Andra Martin)) he was best on his own, but Anse is a gentle-voiced, non-combative, polite young man who does what he's told to the best of his abilities. Soon, Kelly and Anse run up on the Sioux (led by Gall (John Russell) and his fiery, antagonistic nephew, Sayapi (Ray Danton)), while journeying back to Kelly's cabin (traveling through "the snake" into the "high country" of Montana (where the "springs get quite green")). Saving Gall's "woman", Wahleeah (who wishes to return to her own people), from certain death, Kelly earns brownie points and is allowed to leave (along with Anse). The Calvary (with the likes of Claude Akins and debuting Warren Oates, as well as, Rhodes Reason and Gary Vinson) want to drive out the Sioux by taking an accompaniment of soldiers through "the snake", but Kelly warns against such foolishness. Kelly, though, understands that the White Man will eventually take the land due to strength in numbers.

Clint Walker is hired for his screen presence and build (the camera of director Gordon Douglas shoots Walker's Kelly as if he were a towering legend, with the expected close-ups of his non-violent, peace-desiring, conflict-weary face) more than any serious acting chops, but I never felt he wasn't adequate in the part. It isn't like Kelly needed the "method touch" or anything. Edd was probably casted to secure the teen-youth market; he is the moral compass that questions the choice of Kelly to allow Wahleeah to return to the Sioux as she clearly is held by them against her will. Kelly has that dilemma upon him…Wahleeah escapes from the Sioux, stealing one of their ponies in the night, successfully making it to Kelly's cabin. Kelly makes a stance towards Gall regarding Wahleeah; because she's still in bad health due to her past injuries, Kelly refuses to allow Gall to escort her away when Wahleeah is in no shape to travel. Sayapi is the main heavy of the film as the prideful, aggressive, hostile Sioux warrior questioning Gall's judgment and bravery, soon responsible for tragedy involving Anse (who intends to take Wahleeah to her people despite Kelly's orders to keep her in the cabin), earning Kelly's vengeance. Of course, there's the battle at the end (as expected by these kinds of western adventures) where the Sioux engage Kelly and the remaining survivors left of the Calvary with guns firing, dust kicked up, and bodies hitting the ground. "Yellowstone Kelly" is surprisingly violent, with plenty of knife and gun violence, especially when Kelly goes after Sayapi and the Sioux in his company. This wouldn't be complete without fisticuffs so Walker tolerates the heckling of Akins and Oates up to a point until he has no choice but to lay the smack to them (yep, a water trough and window are used to subdue the rude soldiers who mocked Kelly by calling him an Indian; Kelly respects Native American tribes, and he doesn't even make much of a fuss when the soldiers first rib him in a bar, but a stagecoach dust up pushes him too far).

The script doesn't actually bang the patriot drum, with some sympathy towards tribes affected by White Man's colonization of their land. Russell, as Gall, follows the lead of many Caucasian actors "dressed in red face" as he carries a "man-of-few-words, pillar of strength" approach to the Sioux leader not to be disrespected and not quick to rush into anything without thinking of the consequences. There's a great scene where Sayapi seems ready to approach Kelly (against Gall's wishes) when Gall grabs him by the throat in a clinch and makes the kid fall to the ground…this tells you that Gall is in charge for a reason. Gall's built for it while Sayapi goes too far and winds up just as he does by film's end. There's something that stayed with me regarding how Kelly tells Gall to take his men and go because the land no longer treats them well…the script has a lot of this (saying that the former occupants of a land that had been there's for ages is taken from them, with White Man telling them to find somewhere else to call home).

Reviewed by NewEnglandPat 7 / 10

Colorful western is a hidden gem

Warner Brothers came up with a winner in this film of a fur trader who finds himself caught in the middle of a cavalry-Indian just wants to run his trap lines in Montana high country but proposed treaty-breaking by the government poses the threat of an Indian uprising. The film dwells a bit on a sub plot that has Kelly saving an Indian maiden's life as well as playing wet nurse to a tenderfoot who seeks to win the trapper's friendship and respect. There is a fine battle scene between the soldiers and the Indians, one of the best of its type and is the film's high point. John Russell, Ray Danton and Claude Akins are among the cast names that contribute greatly to fine story. Andra Martin is striking as the Arapahoe girl and a point of contention between Kelly and the Sioux warriors. Edd Byrnes is okay as Kelly's young helper. Outstanding camera work and music score make this forgotten western one of the genre's best pictures.

Reviewed by alexandre michel liberman (tmwest) 8 / 10

unpretentious, good western

When the Clint Walker westerns showed up in the late fifties, they had to compete with the traditional actors like John Wayne, James Stewart, Randolph Scott, Audie Murphy, etc... No doubt it was hard to be a newcomer, with those guys there. That's why I missed his films, but the long wait gave me the thrill of seeing "Yellowstone Kelly" now, when westerns are so few, and we have seen most of the old ones. An unpretentious film, but with a top director, Gordon Douglas, an excellent script by Burt Kennedy, good actors like Edd Byrnes, Ray Danton, Andra Martin, Claude Atkins, and a great performance by John Russel as the chief Gall. It is a plain western story, with a sensual romance between Clint and Andra Martin, where they barely touch each other, but Wahleeah (Andra Martin) is very specific about " who looked at her" and "who she looked at" (guess!). The scenery, the music, and the action scenes, also help to place what would otherwise be a conventional routine western, one step higher.

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