Where's Poppa?

1970

Action / Comedy

6
Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 70%
IMDb Rating 6.7 10 1452

Synopsis


Uploaded By: FREEMAN
Downloaded 101 times
September 16, 2016 at 01:31 AM

Director

Cast

Rob Reiner as Roger
George Segal as Gordon Hocheiser
Garrett Morris as Garrett
Paul Sorvino as Owner of 'Gus & Grace's Home'
720p.BLU 1080p.BLU
598.23 MB
1280*694
English
23.976 fps
1hr 22 min
P/S 3 / 4
1.26 GB
1920*1040
English
23.976 fps
1hr 22 min
P/S 0 / 3

Movie Reviews

Reviewed by VivienLeighsnumber1fan 9 / 10

A True Comic Classic!

The brothers Hocheiser make a solemn promise to their dying father that they will "never put their mother (Ruth Gordon) in a home." But brother Gordon (George Siegel) gets stuck with the old dingbat and she is wrecking his life. His law practice is falling apart, his sex life nonexistent, and he can't even hire a nurse to take care of the wacko. Then, suddenly, a nurse-- the girl of his dreams comes along, but mother has other ideas. This wonderful, creative, hilarious 1970 classic comedy directed by Carl Reiner with its gallows humor could not be made today. We have lost much of our artistic freedom to political correctness, commercial timidity and lack of creative talent. But don't take my word for it, ask Mel Brooks who has remarked that some of his movies could not be made today either. Fortunately we can get the video. The movie does require a somewhat offbeat taste to appreciate. Everything and everyone is in a kind of reality warp, the Hocheiser family, the Central Park muggers, the police, the nurse Louise (Patricia Van Devere). The movie is also comment on life in America in 1970, and on how family members manipulate each other with guilt. Finally, I like the ending the movie was released with, it really does work better artistically.

9/10

1970 87 minutes Rated:R CC.

Reviewed by gitano1 10 / 10

One of the funniest movies of all time

I saw this movie originally in 1970. It was a co-feature with a movie called Sunday Bloody Sunday which is what we actually went to see. When this film came on my first reaction was, What the hell! Within minutes I was laughing and the laughs never stopped. I lived in Seattle at the time, but I had grown up in New York City, so the events of the film had a special cache for me. The parts that occurred within Central Park were incredibly funny, and the Taxicab scene is a true classic. I have seen a lot of films in the intervening years and have attempted several time to find a copy of this film (I was finally successful this morning). Despite the years since first seeing it and all that I have seen since nothing has ever topped this film for just plain fun. Carl Reiner is a true comic genius.

Reviewed by Gavno ([email protected]) 7 / 10

Once Upon a Time there was a school of American Black Comedy

...and it produced some low budget, but VERY memorable films. The genre seems to have been based around New York City. Most of them owe more than a little bit to the '60s vintage British version of Cinema Verite expressed in films like A TASTE OF HONEY and THE L SHAPED ROOM... and further back yet to the French films like THE 400 BLOWS.

The Americans added humor to the mix.

LITTLE MURDERS, THE PRODUCERS, and THEY MIGHT BE GIANTS were some of the better known products. They were made by directors and actors who had huge amounts of enthusiasm, social commentary crying out to be expressed, and intelligence... but not a whole mountain of money to put their visions on film.

They spun off major studio products with big name actors and production values like A NEW LEAF, HAROLD AND MAUDE, and PETE 'N TILLIE.

Enter WHERE'S PAPPA?... one of the "transition" films, firmly between the "No budget" New York stuff, and the later "Low Budget" Hollywood productions that they spawned.

Like MOST of the genre, WHERE'S PAPPA? takes on a sacred cow... dealing with older, dependent relatives (in this case, the hero's mother), and saying the things about it that we ALL think but DON'T DARE say out loud for fear of being thought a monster. In this case, we wrestle with the decision to put Mama into a nursing home. A hard choice... but it has it's comic aspects, which get explored fully.

George Siegel does a GREAT job in the lead, the perfect foil for Ruth Gordon. Ron Liebman's a standout as Siegel's brother. As in his roles in UP THE ACADEMY and WON TON TON, THE DOG WHO SAVED Hollywood, Liebman shows off a deft skill in handling comedic material.

Incidentally... look for Garrett Morris from the original Saturday NIGHT LIVE crew as a mugger in Central Park!

____________________________________________________________

BTW... I'm editing this review after the fact, because I made an interesting discovery about the film.

There are at least TWO DIFFERENT VERSIONS of it out there.

Having watched the TV version for a long time, when I recently came up with a copy of the Laserdisc version I was startled to see that the ending on the disc is completely different, and somewhat longer!

In a totally unsettling and quite uncomfortable way, it completely reverses the commonly seen ending's decision and solution to the story's central problem... and today, it would probably earn an R rating... if it's implications didn't get the original ending CENSORED, that is! The Freudian hints left a bad taste for me... I can see exactly WHY the filmmakers changed it.

____________________________________________________________

If irreverence is your bag, you'll enjoy WHERE'S POPPA?

Read more IMDb reviews

0 Comments

Be the first to leave a comment