Underworld U.S.A.


Crime / Drama / Thriller

Rotten Tomatoes Audience - Upright 83%
IMDb Rating 7.5 10 2164


Uploaded By: FREEMAN
Downloaded 19,594 times
April 10, 2018 at 07:19 AM



Cliff Robertson as Tolly Devlin
Samuel Fuller as Himself - Trailer Host
720p.BLU 1080p.BLU
816.44 MB
23.976 fps
1hr 39 min
P/S 0 / 6
1.55 GB
23.976 fps
1hr 39 min
P/S 3 / 3

Movie Reviews

Reviewed by ccthemovieman-1 7 / 10

In A Word: Tough

Written, directed and produced by Sam Fuller, this is a tough, straight-talking, no nonsense film noir. This is like a 1940s noir but it's 1961 instead. So, instead of the boxy cars, of the Forties you have long- finned late 1950s automobiles. Otherwise, it''s the same genre.

You get the same film noir photography: black-and-white with lots of nighttime shots and a lot of tough characters. I just wish they had at least really likable person to root for, but I didn't find any. The "hero," played well by Cliff Robertson, is a tough, revenge-obsessed guy and that's basically the storyline as he tracks down the hoods who beat up and killed his father.

Even though the rest of the cast doesn't have big names, many of the faces are familiar and all are good actors. This is an earlier "Point Blank" film seven years before that came out - same kind of story.

Of the women in here, I found Dolores Dorn the most interesting.

Reviewed by secondtake 7 / 10

Action and intensity make up for some second rate aspects...

Underworld U.S.A. (1961)

Sam Fuller's movies have an edgy, reckless quality to them, as if lacking propriety. Which is good. What Underworld U.S.A. lacks in subtlety it makes up for in surprise and a kind of sultry sizzle, something very different than more usual "romance" that other crime and noir movies have. There is some second rate acting throughout, but if you accept some of this as "style" and go with the flow, it's click along nicely. In fact, the lack of star power makes the film a hair more everyday, and therefor a hair more realistic in a good way. And the lead male going solo through much of it is first rate, Cliff Robertson.

Not that this is actually believable--it feels contrived all the way--but it has a modern interpersonal selfishness and sometimes cruelty that is fun to watch. The plot? Great enough. But the searing looks, the slaps, the brooding closeups. This is movie-making! Certainly an influence on Tarantino.

As a black and white crime film with a slightly low budget feel, this naturally comes labelled as a film noir. And there are some similarities. But it's also a crime drama, more directly, and it explores (and exploits) the violence of cops and robbers circa 1960. There a lot of unsavory types involved, and some crisp filming. If you like other Sam Fuller films, you'll like this one.

Reviewed by MartinHafer 9 / 10

One of the last great American film noir movies.

The exact definition for 'film noir' is a tad vague. While some elements of noir are easy to agree upon (they are gangster/crime films and tend to be gritty and realistic), others are not. To me, a noir film MUST be made in black & white. As to my interpretation of noir, you would have to say that after the early to mid-1960s, noir disappeared in America because films were then all made in color--though they continued to make a few noir films in France--using black & white a bit longer. In light of this, UNDERWORLD USA would have to be among the last American noir movies--and probably the last great one. Now the fact that I loved this film surprised me--though I knew that Sam Fuller could make some dandy films. What made me assume the worst was that I just couldn't imagine Cliff Robertson in the lead in such a dark and gritty style of film. Boy was I wrong--as he proved to be more than equal to the task.

The film begins with Tolly Devlin a teenager and well on his way to becoming a career criminal. However, this is interrupted by the beating death of his father by several unknown assailants. The only one young Tolly saw was a guy who was soon sent to prison for life--and it would be tough for Tolly to cross-examine him to find out who did it--after all, he wanted revenge. In an odd move, Tolly appeared to work hard to be caught so he, too, could make it to state prison to talk to this killer. Years pass, but finally he's able to talk to the guy--who is on his deathbed. He learns the other men's identities and comes up with an amazingly intricate plot to get them--intricate because now, a decade later, these men are very, very powerful gangsters. Just approaching them and killing them would be very difficult.

I don't want to talk about all the ins and outs of the plan, but in the process several unexpected things occur. First, he actually is able to help the crime commission by taking out these gang members and works closely with them. It is NOT because he has any fondness for law & order but they are a means to his end...period. In addition, he helps a young lady who is caught up in the mob and begins, for the first time, to actually care about someone. Slowly, you see humanity appearing within Tolly and by the end of the film, he is, for the first time, thinking of something other than himself or revenge. As for the ending, it is dandy--making the film well worth seeing.

There really isn't anything much to complain about here. The story is original and exciting, the acting is very good and the film appears to have been very well made--though it does lack some of the interesting camera work some noir films employed--not a problem, but I do like the dark shadows and smoke used in some examples of this genre. There is an interesting mistake, however, in the final climactic scene. Tolly falls into a swimming pool and only minutes later, as he's running from the gang headquarters, he's inexplicably dry!! And, for that matter, the death scene at the end is a bit overdone--but not in a way that particularly harms the overall film.

If you care, I have seen just about every film Sam Fuller made and I would say that this and STEEL HELMET are probably his very best. He had an amazing knack for making lower budget films that still delivered lots of action and suspense--a lot like super-high quality B-movies.

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