Every year, with bated breath and absorbing one trailer after another, a huge audience of Marvel fans waiting for movies within their beloved universe. The cinematic world created by Marvel Studios will very soon celebrate its decade and for such a long time, directors from the camp of the "reds" managed to create a lot of bright, inspirational and truly steep bands about superheroes.
While the competitors are trying to keep up with the MCU, the creators of the Marvel universe from the world of cinema - roared to its fullest. Space budgets that allow you to attract great actors and show incredible beauty special effects - the best motivation for the creator, allowing you to unfold "in full" from a professional point of view. Nothing distracts the directors of Marvel from the main thing, the work. They completely give themselves to their projects, from that and watch them a pleasure.
"Thor: Ragnarok" was no exception. Moreover, the third part about the adventures of God of Scandinavian mythology can rightly be called the most ingenious film MCU. Why? Let's try to understand with you, once again chanting the thankful tirade Marvel for a similar approach to filmmaking.
The director of the third "solo" film about the Torah was the New Zealand comedy director, a man who was not deprived of a sense of humor, 42-year-old Taika Vaitichi ("Real Ghouls.") Tyka, of course, did not have experience in producing blockbusters and shot mostly low-budget comedy dramas. But, as we know, for the Marvel bosses, long ago, not an indicator of "experience and payback." For the "Red Bosses", as we saw in the example of Favreau and Gunn, the main thing is excitement and "fire" in the eyes of the creator. caught fire "to put the film, then his own, giving himself up to work completely, then he is an ideal candidate for a director's chair.
If you compare solo films about the Torah with solo ribbons about other heroes of Marvel, then Goldilocks clearly "loses" to colleagues on all fronts. Too serious were the films about the hero Chris Hemsworth, devoid of superhero gloss ... Like a dry breakfast from a company that you do not like - yes, at times tasty, but not at all. And the fault in this was both the studio and the directors, which this studio assigned. The first film about the Torah was staged by Cannes laureate, who was shooting dry dramas, and the second tape was filmed by a serial director who worked on classy multiseries ("Sopranos", "Rome"), but having no idea what and how works in a big movie From the appointment of Taiki to the post, from the very beginning it looked like a cry of the soul of the MCU bosses - if he does not cope, then no one will cope.
First of all, the third film about the Torah completely changed its positioning. Down with the fresh supply of Scandinavian mythology to the comic! Now the ball is ruled by humor! And not just stupid jokes inappropriately, but ingenious, bursting typical Marvel banter patterns, riveting to the screen from the first minutes of viewing. Over the years, each of us has become accustomed to the typical construction of films of a superhero genre ... A skeleton over which history is built up. So Taika and his team, not giving a damn about the "canons" and "covenants", lit up to the full, deriding the scheme used by "fellow workers" from year to year.
"Mjolnir" The Torah can only hold a decent one, and it is forged from a dying star, which gives the hammer an incredible striking force? Turn it into dust for the first ten minutes of the timing! And there are many such moments in the film. To laugh will have to be loud and long, from scene to scene, from dialogue to dialogue.
In addition to good humor, the film features wildly powerful female characters. No, not as sleek, like a Wonder Woman getting up to his full height of the trench, inspiring frightened to death of men ... And the real, live, as far as possible within the comics. For them, there is not enough pathetic-fresh nonsense that poured into the ears of the characters of the previous films. From now on they need motivation to risk their lives. Now they will not go into hell after the phrase "We need to save Asgard!", It's not enough for them. They need to be persuaded, to gain confidence with their leadership qualities and only then ask for help. And even after that, it's completely "not a fact" that they will agree.
A separate line of praise for the third film about the Torah, I want to mention the inimitable Jeff Goldyublum in the image of Grandmaster. The character of Jeff, a dictator in miniature, running a planet-dump, where gladiatorial fights predominate. He disposes of lives like a ringing coin in his pocket, "squandering" her for his own pleasure. Emancipated, charismatic and incredibly attractive character. I sincerely hope that one day we will see this hero, performed by Jeff and the Collector from the "Guardians", performed by Benicio Del Toro. Why not? In comic books these two are best friends!
The result. "Thor: Ragnarok" is a film that gives a vivid understanding of how much the "standard" molding schemes of the Marvel Studios are molded. Taika Vaitichi, through the prism of humor and ridicule, hints: "It's time to change the positioning." Hell, even if James Gunn acknowledged this by comparing the "Torah" with the "magical cassette from the 80's", what are the other MCU directors waiting for? The time of serious people is gone, Marvel.
Continue in the same spirit, beat on all the strings at the same time!
"Father, she destroyed the hammer ..." "What about you, God of hammers?"
Action / Adventure / Comedy / Fantasy / Sci-Fi
Action / Adventure / Comedy / Fantasy / Sci-Fi
Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela.
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February 28, 2018 at 07:14 PM