Finding The Way Back is an incredible drama that's emotional and powerful, managing to use an extremely familiar narrative effectively. Ben Affleck gives a phenomenal and personal lead performance that's easily one of his best. Al Madrigal and Janina Gavankar are both great and all of the young cast are all really good. Gavin O'Connor's direction is excellent, it's extremely well filmed and well paced. The music by Rob Simonson is fantastic.

Greetings again from the darkness. So much beer and booze. It would be easy to classify this latest from writer-director Gavin O'Connor as a sports movie. After all, he has given us two excellent ones in MIRACLE (2004) and WARRIOR (2011). However, as with those two films, there is much more going on here. This is about grief and addiction, and the difficulties in mending a life in tatters.

Jack Cunningham likes his morning shower. It helps get him prepare for a day of construction work and get over a late night of drinking. What's unusual about his morning routine is that he drinks a beer while taking his morning shower, and then fills his Yeti with gin as he takes his post at the building site. Jack is played by Ben Affleck, who has returned to the screen with a serious acting gig after his fling as Batman. Of course, anyone who even casually keeps up with Hollywood gossip knows Mr. Affleck and his character here have in common a drinking problem. In fact, the actor filmed this immediately after his latest rehab stint. It's quite possible that the collision of real life and fiction explain why this is Affleck's best performance in many years (at least since HOLLYWOODLAND in 2006). He re-teams here O'Connor, who directed him in THE ACCOUNTANT (2016).

Jack is a former high school basketball star whose life has turned out much differently than expected. His construction job is beating him down, alcohol abuse is slowly destroying him, and he recently split with his wife Angela (Janina Gavankar) after a tragedy. Has he hit rock bottom? It's likely he thinks so. As happens so often in life, an opportunity presents itself. The head Priest at his former catholic high school asks him to step in as basketball coach after the current coach has a heart attack. The team is terrible, and has been that way since Jack graduated 25 years ago. After a painful-to-watch evening of decision-making, Jack accepts the job.

As you would expect, it's a team of misfits who have little concept of teamwork. Affleck excels as a coach who evaluates the talent he has and devises a strategy to not only improve individual player performance, but also inject the philosophies of teamwork and cohesion and commitment. He does this with the help of Algebra teacher slash Assistant Coach Dan (Al Madrigal, "I'm Dying Up Here"), who appreciates what Jack brings to the position, but is also protective of the boys and the school mission.

Jack manages to stay sober while coaching, but we see how fine that line is for an addict. Life suddenly rears up and plops an emotional situation that is simply too much form him to handle. It's here when we realize that while it appeared coaching the team gave Jack a glimmer of hope for a better life, it also allowed him to ignore the personal issues and relationships that had driven him to the bottle. The basketball scenes are the most fun to watch, but it's the realistic life elements that elevate the story. It's excruciating to watch Jack re-telling glory days stories to his 'buddies' at the local neighborhood bar, only to be helped home by the same old man who used to carry his father home from the same bar. The perpetuation of misery is a story that is all too relatable for many.

Jack's good qualities are evident when he's prodding ultra-quiet point guard Brandon (Brandon Wilson) into taking on a leadership role and thinking of his future, but that's contrasted with his inconsiderate treatment of his sister Beth (Michaela Watkins) and Father Mark (Jeremy Radin), the team/school Chaplain. It's the two sides of Jack that so clearly resonate with those who have experienced addiction. This is a guy who botched his college/basketball opportunity, but managed to build a new life, only to have it snatched away in the cruelest way possible. It's imperative that he come to grips with all of that in some place other than the bottom of a beer mug.

The outstanding screenplay comes from Brad Ingelsby (OUT OF THE FURNACE, 2013), and with director O'Connor and the cast, the film has a throwback to the 70's feel ... gritty and realistic. This is not the smirking, strutting stud we are accustomed to seeing with Affleck. He seems immersed in the role and brings an understanding to the struggles, the rehab, and the importance of a support system. Redemption played a huge part in the classic HOOSIERS (1986) and most every other rag-tag sports team in movies, and THE WAY BACK shows us there really is no going back ... instead, we must deal with life in order to move on.

This film will not be taking any major awards, but I found myself being drawn in by it's simplicity. An alcoholic seeking redemption with basketball as a backdrop was also the subject of the 1986 film "Hoosiers", but it was there more as a sub-plot to the principal story. Ben Affleck was effective here in his role as Jack Cunningham, and it's not evident at first why he's as angry as he is, often ending his evenings being helped home from the local gin mill by a loyal friend who did the same for his father. The family dynamic of his childhood came into play, but even more so, the loss of a child leading to the breakup of his marriage was highly instrumental for his seeking solace in a bottle. The coaching job he was offered by the administrators of Bishop Hayes High School helped Jack discover a side of himself that proved beneficial for members of the team, although things reached a point with his drinking and cursing that eventually forced Father Edward (John Aylward) to take a disciplined stand. As much as one roots for Jack's success though, the film ends inconclusively with a number of threads left hanging, thereby thwarting closure for the viewer. Jack doesn't really win his battle with alcoholism, doesn't get rehired as coach, or reach any sort of understanding with his estranged wife, thus leaving the viewer to use one's own imagination as to where his life goes next. I would have preferred a more definitive ending, even if that meant setting aside a feel good resolution.