The Visitor

1979

Action / Horror / Sci-Fi

20
Rotten Tomatoes Critics - Certified Fresh 79% · 19 reviews
Rotten Tomatoes Audience - Spilled 43% · 250 ratings
IMDb Rating 5.2/10 10 4504 4.5K

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Plot summary

An ancient intergalactic warrior arrives on Earth to put a stop to a demonic child's plot to reproduce Satan's next generation of evil.


Uploaded by: OTTO
January 04, 2019 at 11:40 PM

Top cast

Lance Henriksen as Raymond Armstead
Franco Nero as Jesus Christ
Shelley Winters as Jane Phillips
John Huston as Jerzy Colsowicz
720p.BLU 1080p.BLU
813.89 MB
1280*720
English 2.0
NR
23.976 fps
1 hr 48 min
Seeds 4
1.71 GB
1920*1024
English 2.0
NR
23.976 fps
1 hr 48 min
Seeds 21

Movie Reviews

Reviewed by utgard14 4 / 10

"Sateen was a mew-tant."

The plot, as I hopefully understand it, is that Satan (or Sateen, as this film calls him) fathers children with supernatural powers. One of these children is 8 year-old Katy, who has telekinetic powers and a heavy Southern drawl. An intergalactic traveler called The Visitor must battle the child for the fate of the universe....or something like that. There's also some stuff about an evil hawk, some bald aliens, and a crazy-eyed Jesus with a bad blonde wig.

Nonsensical Italian-made claptrap that combines '70s fascinations with the occult and aliens. It's an awful movie that rips off many better movies, made watchable by some striking imagery and interesting casting. John Huston, Lance Henriksen, Sam Peckinpah, Mel Ferrer, Shelly Winters, and Glenn Ford are all in this. That says more about the state of their respective careers at the time than it does about the quality of this production. Incoherent but good for some laughs. Dig that terribly out of place soundtrack, too.

Reviewed by MartinHafer 2 / 10

It helps if you are stoned while watching this film.

Imagine a movie that is a remake of "The Omen" combined with "Close Encounters of the Third Kind", a bad and incredibly pretentious art film AND copious amounts of LSD. If you can imagine this, then you pretty much have imagined "Stridulum"! It is odd...but not in a good way.

The story has a lot of cameos by various famous folks....many of which really makes no sense and seem as if they were done by only giving the actors PART of the script! As for the story, it's hard to describe....and I won't even try. Suffice to say that it's confusing and the ending is a real mess. I saw a few people actually liked it...I thought it was just a cheap, poorly made film (that car scrash sequence especially) that tried to be artsy...and mostly failed.

By the way, IMDB says that Sam Peckinpah (who acted instead of directed in this film) kept forgetting his lines and had to be dubbed. What they didn't say is that Peckinpah's alcoholism by 1979 was so very advanced it likely was the reason he couldn't complete the scenes as needed. What a sad waste.

Reviewed by Leofwine_draca 6 / 10

Bizarre mix of the boring and the fascinating

From producer Ovidio G. Assonitis comes this rip-off of THE OMEN which may be lacking in coherence and plot structure, but makes up for that in having a mainly famous American cast to give it some box-office draw. The only difference this time is that the child is a girl instead of a boy, but the usual accidental deaths are all present, along with a number of people on the sides of both good and evil fighting over her.

This surreal movie opens with John Huston facing a snow-covered girl with reptilian eyes in a barren desert where the sky is green and a huge storm brews around them. I think this symbolic opening is supposed to remind us of THE EXORCIST and that movie's prologue with Max Von Sydow facing Pazuzu in the desert. The special effects are unconvincing but nonetheless interesting, giving the movie a weird, surreal kind of look, a theme which runs throughout. After this we are introduced to Jesus Christ (played by Italian favourite Franco Nero) who tells a group of skinhead boys the battle between good and evil is still going on! A bizarre prologue to be sure but things are just going to keep getting weirder.

Finally, after about twenty minute, the plot begins for real. Barbara Collins is visiting a basketball game with her daughter, Katy, and her lover, Raymond (Lance Henriksen). Katy makes the basketball explode and thus her favourite team wins. We soon learn that the girl is possessed by evil and has a familiar, in the form of an eagle, to do her bidding. Her eyes also turn silver occasionally via some spooky-looking contacts. Henriksen, it soon transpires, is part of an evil organisation and has been charged with the task of getting Barbara pregnant again (as she gives birth to evil babies).

It's pretty hard to watch this film and keep track of what's going on, because of the sheer lack of coherence in the plot and the wealth of ultimately unexplained things that happen. The evil group that Ferrer leads is never fully explained as to its roots or why it affects them when the child dies. Similarly, the character of Huston is never fully explained or the bald-headed boys in the 'hospital'. The movie is pretty dated, with some appalling fashions (especially in the gigantic sunglasses that Katy wears occasionally) and a cool funky '70s music score (a highlight). Two black accident repair men turn up for a spot of wisecracking comic relief! The special effects are lacking but imaginative, and there's a fine stunt involving Ford crashing his car which is executed well.

The various deaths are about as gory as in THE OMEN, with brief flashes of a bloody eyeball being pecked or a knife driving into a throat. There are some standout moments involving Katy making a metal partition crash down onto a hot dog stand in her attempt to kill Huston, the aforementioned green sky dream sequences, and the ending, in which Katy is attacked by hundreds of birds. There's also a fun hall-of-mirrors sequence seemingly stolen from ENTER THE DRAGON.

The cast is a good one and makes up for the script's deficiencies. Mel Ferrer, a genre staple in this period, makes good use of his cold, creepy eyes as the chief villain. Lance Henriksen basically reprises his role from DAMIEN: OMEN II but is underused. Shelley Winters is good value as a bible-bashing nanny, while director Sam Peckinpah makes a brief cameo as a doctor. Glenn Ford is pretty good as a detective hot on Katy's trail who comes off the worse for wear, while John Huston is excellent and understated as the central crusader for good.

Paige Conner, though, goes over the top as Katy and comes off more as annoying and whiny than frightening or evil; she's pretty unconvincing and not a patch on Linda Blair. The final chief cast member is the familiar-looking Joanne Nail who struggles through an awful role which subjects her to a ton of abuse, like being accidentally shot, propelled into a fish tank, thrown down a flight of stairs, and garroted; it's pretty disturbing the amount of misfortune that happens to her, especially when she's in the wheelchair, and in this the film echoes Lee Remick's unfortunate character in THE OMEN.

I would liken this movie to EXORCIST II in that, overall, it is a flop and disappointingly disjointed, but it has some key artistic scenes that make it worth a watch. Of course, if you're a fan of any of the actors appearing in it then I would recommend it too, to see how they handle being in such a film. Sometimes boring and sometimes fascinating, THE VISITOR is worth tracking down for fans of the bizarre.

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