The Stunt Man

1980

Action / Comedy / Drama / Romance / Thriller

6
Rotten Tomatoes Critics - Certified Fresh 89%
Rotten Tomatoes Audience - Upright 75%
IMDb Rating 7.2 10 7585

Synopsis


Uploaded By: FREEMAN
Downloaded 37,471 times
April 23, 2018 at 09:09 PM

Director

Cast

James Avery as Man Playing Pinball
Peter O'Toole as Eli Cross
Barbara Hershey as Nina Franklin
Alex Rocco as Jake
720p.BLU 1080p.BLU
1.07 GB
1280*682
English
NR
23.976 fps
2hr 11 min
P/S 2 / 28
2.07 GB
1920*1024
English
NR
23.976 fps
2hr 11 min
P/S 6 / 25

Movie Reviews

Reviewed by Pinback-4 9 / 10

A true original comedy that wouldn't get made today.

This is a very funny and entertaining movie that doesn't fit into any one category. It's about a slightly crazed movie director who is making a WW1 movie in Southern California who hires a fugitive to replace his top stuntman. Peter O'Toole gives perhaps his best performance ever as the egomaniacal filmmaker who will do anything, perhaps even murder someone, in order to protect his artistic vision. The underrated Steve Railsback is good also as the paranoid Vietnam vet turned fugitive from the law. The action scenes are very funny and well-done, especially the rooftop chase. The music score is appropriately clever and matches what's happening on screen. Real-life stunt man Chuck Bail has a good part as a stunt coordinator who shows Railsback the ropes. The editing techniques help blur the line between reality and make-believe. The film is a bit too long, though, and some key scenes go on longer than necessary. These are minor complaints, however, because a film like this doesn't get made very often anymore.

Reviewed by Shawn Watson 10 / 10

Colors splash and re-arrange the sky, and reality...is yours to deny

It's called 'subjective reality', children. The fact that the truth depends on the angle you happen to be watching from gives us all our unique, if skewed and unfair, perception on life. We're all puppets in someone else's dastardly play and we never know when that person, that entity, that divine being will cut our strings.

This was director Richard Rush's dream project and it took him nine years to get it on the screen. And, of course, it would! It's multi-layered, original, funny and packed full of story and circumstance that makes you think. Why would any studio want to touch it? Fox even sat on it for two years before giving it a limited release. Even on its umpteenth viewing it delivers again and again, offering new angles and subtle clues.

The viewpoint of this metafictional masterpiece is Cameron (Steve Railsback), a Vietnam vet on the run from the law. He stumbles onto the set of a WWI movie and accidentally kills a stunt driver. The director of the movie is the eccentric and megalomaniacal Eli Cross (Peter O'Toole, in one of his best ever performances), who takes Cameron under his wing and protects him from John Law, as long as he keeps his mouth shut about the accident.

Cameron practices to be a stunt man and takes the place of the man he killed. But as the movie shoot becomes more elaborate and dangerous, he falls in love with the leading lady (Barbara Hershey) and starts to suspect that Eli is trying to capture his death on film.

Although it seems nasty, the movie is wonderfully light-hearted and the outrageous stunt scenes are backed up by an awesome score by Dominic Frontiere. I've been humming that theme since I was 12-years-old when I taped it off Channel 4 in December 1992. I didn't quite get it back then, but I nearly wore out that VHS watching it over and over. A long scene with Cameron running over a rooftop, as biplanes attack and enemy soldiers give chase, is pure joy. There is a great comic sense of humor in watching them trip over each other, fall off, and get blown up.

John Law do not back down on their suspicion of Eli and, through half-heard conversations and eavesdropping, Cameron's paranoia becomes increasingly justified. Because the movie is seen through his eyes we never quite know what is going on with Eli. Is he a madman, or just a crafty director? Would you believe that Peter O'Toole based his performance on his experiences with David Lean? Why he never won an Oscar (it went to Robert DeNiro for Raging Bull)- is beyond me. He truly gives the performance of his career, far exceeding even Laurence of Arabia. It also sucks that Rush never won for Director, or Adapted Screenplay. Had he been awarded the golden statuette, maybe he would have received more recognition. He's clearly a better filmmaker than most of today's hack artists.

You simply have to see The Stunt Man. It's an overlooked gem and, despite the wide praise it received, it has never really reached a large audience. Now is definitely the time to rediscover this forgotten classic.

Reviewed by youremythrill 9 / 10

I'm gonna get caught gushing!

One of my favorite movies of all time. Must admit that I'm a bit biased since Peter O'Toole's one of my favorite actors of all time. This movie has NEVER gotten the attention that it deserves. Maybe that's, in part, due to the difficulties involved in categorizing it. I don't even know in which section of the video store I'd start looking.

Peter O'Toole is so swell in it. I love that enigmatic character, movie director Eli Cross! Like the movie (and O'Toole, for that matter), he's so hard to cubbyhole. You like him, but you don't trust him. Like Cameron/Lucky (Steve Railsback's escaped convict character) does, you NEED to know exactly where his motives lie ... all in good time. You know Cross'll do whatever's necessary to get "the shot", but he's still got a conscience ... right? Would Cameron have been better off (read safer) just staying in jail ... hmmm?

All the action in the film circles around this question and while the viewer (and Cameron) decide what to make of Eli, it's a fun trip through the world of filmmaking (how realistic a trip, I've no idea). Great performances by O'Toole and Railsback, along with Barbara Hershey, Allen Garfield, Alex Rocco and Sharon Ferrell add so much to the suspense.

See this movie. You can feel how much fun it was for the cast to make. Look at Eli's devilish grin as he tries to soothe Lucky's worries. Try to imagine how many other movies have you sympathizing for an escaped convict. And don't worry if you don't know what to make of mad genius filmmaker Eli Cross because nobody else does either, and if they do, they ain't talkin' ... that might spoil the movie!

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