The Sound and the Fury


Action / Drama

IMDb Rating 6.4 10 634


Uploaded By: OTTO
Downloaded 20,542 times
March 28, 2015 at 08:02 PM



Yul Brynner as Jason Compson
Joanne Woodward as Quentin Compson / Narrator
Jack Warden as Ben Compson
Stuart Whitman as Charlie Busch
720p.BLU 1080p.BLU
815.80 MB
23.976 fps
1hr 50 min
P/S 0 / 2
1.84 GB
23.976 fps
1hr 50 min
P/S 0 / 6

Movie Reviews

Reviewed by bill_golden 5 / 10

Mediocre take on Faulkner novel

Leonard Maltin describes this film as a "strange adaptation" of the rather dense and difficult William Faulkner novel of the same name. Perhaps the lesson here is that the book is indeed unfilmable. The movie takes numerous liberties with the novel and generally omits large portions of it. I can't help but feel that Yul Brynner, with his peculiar accent, was miscast as Jason Compson. In the book, Jason is the youngest sibling of Caddy and Benjie; here he is described as an adopted son, and not "blood" kin. We also have a completely made up sibling named Howard, who does not exist in the book. The novel takes place in the late 1920's with many flashbacks, here the present day is the mid 1950's. Despite its shortcomings, including a rather overbearing and jazzy music score which doesn't really fit, The Sound and The Fury does have its merits, starting with the always watchable Joanne Woodward as young Quentin Compson, presumably around 18 years of age and still in high school. The photography was fine and the ambiance, both inside and out, of the deteriorating Compson mansion was spot on. The small town atmosphere of Jefferson, MS was captured nicely. I would recommend this film to Faulkner buffs and Joanne Woodward fans. Just don't expect too much.

Reviewed by blanche-2 6 / 10

southern turgid drama

"The Sound and the Fury" from 1959 is based on the novel by William Faulkner, and from what I understand, it's pretty loosely based.

I can't speak for the book, but the film is certainly derivative, reminiscent in some of its themes of "A Streetcar Named Desire," and even "Gone with the Wind," as it deals with the idea of the old, gentile south versus the new south.

Yul Brynner is Jason Compson, head of the Compson family, and guardian of Quentin (Joanne Woodward), whose mother Caddy (Margaret Leighton) took off years earlier. As a result, Quentin is a troubled young woman, looking for love in all the wrong places and trying to break from her family. The rest of the family is your typical southern dysfunctional - Ben, the slow brother who doesn't talk, and Howard (John Beal), the alcoholic brother. I had a little trouble putting the family together - Ben, Howard, and Caddy are all siblings, and Quentin is Caddy's daughter; I guess Jason is a half-brother or stepbrother, evidently from Russia. Anyway, Jason is the brains of the outfit, determined to drag the family kicking and screaming into the 20th century and providing for them.

Caddy returns to the house with Jason's permission, and Quentin, who has needed a mother and waited her entire life for her mother to return, finds she's not much use. Caddy as played by prominent Broadway actress Leighton is Blanche Dubois, dragging herself home to Belle Reve. She is either a nymphomaniac or just promiscuous; my money's on the former.

The story seems to have been reduced to stereotypes and follows along with several films made at that time, including "The Long Hot Summer" and "Cat on a Hot Tin Roof." Except for his accent, Yul Brynner gives a solid performance - mysterious, magnetic, and a dominant presence, and Woodward is excellent as Quentin, a young woman trying to find herself. Ethel Waters gives a wonderful performance as the housekeeper, Dilsy, who has seen all the children grow up and is smarter than all of them.

Just okay.

Reviewed by miss_lady_ice-853-608700 4 / 10

Faulkner meets Tennessee Williams

This is "based on" William Faulkner's classic novel, The Sound and The Fury. If you were wondering how they managed to get the nifty incomprehensible narrative onto the big screen...they didn't, instead opting for all the clichés of the Steamy South.

Of the two Quentins in the novel, the filmmakers decided to do away with male Quentin and instead focus on Caddy's illegitimate daughter. This did not upset me as much as it does some fans of the novel- all Quentin really does is lust after his sister. The scene in which the incestuous desire is most apparent is transposed to the big scene, except it's girl Quentin (Joanne Woodward) being forced to say her sleazy travelling circus artist's name by her "uncle" Jason (Yul Brynner).

In this film, the novel is re-done as Quentin's coming-of-age. Jason is now adopted rather than being her blood uncle so the writers can have their cake and eat it. Quentin is Jason's only hope to save his adopted family's good name: his adopted sister Caddy (Margaret Leighton)is an ageing nympho; one brother is an alcoholic; and the other one, Benjy, is a mentally-retarded mute. The parents were no good either.

It's almost a parody of Southern Literature: nymphos, lushes, incest, lust, and it's quite entertaining on this level. However, the casting choices were poor. Joanne Woodward has a lovely Southern accent but she was pushing thirty when she played seventeen-year-old Quentin, making her look more like an idiotic woman rather than a schoolgirl (although this family are a bunch of misfits). Yul Brynner does not exactly come to mind when you think of a Southern brute but he is suitably brutish and sensual. Jason in the book was hardly sensual but the film-makers need their romance.

Margaret Leighton isn't that bad as Caddy. It's not clear why her brothers would be so infatuated with her but she fills the role of decadent mother quite well.

Whoever is playing the travelling circus man is risible, as is the person who wrote the dialogue. We get a bunch of clichés, pseudo-meaningful lines and illogical flirtation. It all looks like somebody filmed a dud Tennessee Williams play.

If you're looking to punish a student too lazy to read the novel, please show them this film. Unless you desperately need your fix of steamy Southern melodrama, I would return to Tennessee Williams. Poor William Faulkner must have got a bit of a shock when he saw this.

Read more IMDb reviews


Be the first to leave a comment