The Reflecting Skin

1990

Drama / Horror / Thriller

8
Rotten Tomatoes Critics - Certified Fresh 83%
Rotten Tomatoes Audience - Upright 78%
IMDb Rating 7 10 6314

Synopsis


Uploaded By: FREEMAN
Downloaded 16,968 times
December 09, 2018 at 07:25 PM

Director

Cast

Viggo Mortensen as Cameron Dove
Lindsay Duncan as Dolphin Blue
720p.BLU 1080p.BLU
777.08 MB
1280*714
English
R
23.976 fps
1hr 36 min
P/S 1 / 10
1.49 GB
1920*1072
English
R
23.976 fps
1hr 36 min
P/S 1 / 7

Movie Reviews

Reviewed by bwedin 10 / 10

Best abuse film this abuse specialist has ever seen

As a psychologist who has worked with child abuse victims and their families for over 30 years, and as a survivor of horrific child abuse myself, I would say that The Reflecting Skin is the most psychologically accurate depiction of child abuse that I've ever seen. And certainly the most uncompromising in terms of not romanticizing the victim. In The Reflecting Skin--SPOILER ALERT--the central victim is an 8-year-old farm boy, who is traumatized at one time or another by nearly everyone in his life. His mother, Ruth, rejects him and punishes him with water poisoning. His father, Luke, commits suicide in front of him. A depressed young widow, Dolphin Blue, terrorizes him with details of her husband's suicide and remnants of his corpse she has saved in a cigar box. Even his beloved older brother, Cameron, who himself is a victim of both his mother's incestuous advances and the US military's atomic testing program in the Pacific, is sometimes physically and emotionally abusive towards him—at one point showing him the photo of a Hiroshima baby with "reflecting skin," from which the film takes its names. But unlike the usual tearjerker Hollywood movie about child abuse, Seth is no more an "innocent angel" than is his brother or his father or his friends who get murdered. At the point we meet Seth running through a Van Gogh-colored field with a huge toad in his hands, he is already turning into the next generation of abuser—happily blowing up that toad with air the same way his mother blows him up with water. And he manages to retaliate against one of the adult abusers in his environment, Dolphin Blue, in the process. But he doesn't mean to kill her. Yet that is where his silence about the gang of serial killers he sees roaming the country roads in a black Caddy finally leads. That is the realization that finally shatters him. But what alternative to silence does he have? The best chance he has of stopping the killers is when Sheriff Ticker tries to force him into spilling his secrets. Yet the sheriff is so verbally abusive to Seth—even to the point of threatening to split Seth's head open to get the truth out of him—that Seth freezes and says nothing. Like most abused kids Seth believes that he's entirely on his own. And to judge from all the negative reviews of this film he has reason to feel that no one will understand him and know how to help him. Because of all the abuse he's already internalized at the point the film begins, he is no more lovable as a victim than the mummified fetus he tries to make his friend.

Reviewed by Ashman711711 4 / 10

Mixed Feelings

I've seen many films and many movies(yes I believe there to be a difference. this particular piece has me scratching my head a bit.

I get the metaphor of how terrible the innocence of childhood can be, how not having the perspective of an adult can totally perplex the more serious tones.

The boy is meant to feel isolated, this is characterized by the open landscapes and wheat fields -both serene like some old Americana oil painting and starkly cold, lonely even. In this film the boy is bombarded with all kinds of different things. Death of children, allegations of homosexuality or child molestation(never clarified), his father's suicide,incest, the confusing ramblings of age and death from his widow neighbor(whom he believes to be a vampire).

I do get the message, it's literally told to us by Dolphin-she slaps of in the face with it verbally in case some have missed the point. This I feel doesn't make up for some of the more disturbing moments.(dead fetus anyone?) yes he is innocent as to what it is but damn, those were some disturbing scenes. The frog scene as well I get it they don't realize their folly, or about death so they laugh with glee at its demise.

The older brother character wasn't all that confusing and was easy to see he possibly was going through radiation poisoning due to his involvement in the pacific during his duty and how some of those symptoms could be misinterpreted by the boy as being the victim of vampirism.

Yes I understand the entire metaphor of the film, how the car of hooligans represent death, how he didn't feel like he needed a ride just yet. I do feel this film quite pretentious in its execution of said metaphor and was very close to imitating the boys final scene a a reaction to having viewed this over repeating, indulgent, pretentious piece of work.

Reviewed by PaulLondon 10 / 10

American Gothic

British playwright, author and scriptwriter Phillip Ridley turned his hand to directing for this beautifully beguiling film about a child's view of a bewilderingly complex world. The protagonist-Seth-is confronted by the horrors of mortality when he meets the mysterious "vampire", Dolphin Blue, a lonely widow he encounters when he and his friends explode a frog in front of her. The film follows Seth through his deepening understanding of the fragility of existence.

A highly evocative and stylised tale of small town life and death set amidst swaying corn fields and clear blue skies, but, there is a foetus in the barn and death drives a black car through town... Not for all tastes, this is a poetic piece of Americana that will probably appeal to fans of David Lynch. Ridley's vision is not a cheery world view but one in which cruelty and fate stalk the innocent hand in hand. This is a beautiful and tragic piece of work and I just wish there would be a DVD release soon

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