The Night of the Hunter

1955

Action / Crime / Drama / Film-Noir / Thriller

38
Rotten Tomatoes Critics - Certified Fresh 93% · 86 reviews
Rotten Tomatoes Audience - Upright 90% · 10K ratings
IMDb Rating 8.0/10 10 96831 96.8K

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Plot summary

In the Deep South, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.


Uploaded by: FREEMAN
June 19, 2018 at 11:25 PM

Top cast

Corey Allen as Young Man in Town
Robert Mitchum as Harry Powell
Shelley Winters as Willa Harper
Peter Graves as Ben Harper
720p.BLU 1080p.BLU
759.33 MB
1204*720
English 2.0
NR
23.976 fps
1 hr 32 min
Seeds 15
1.46 GB
1792*1072
English 2.0
NR
23.976 fps
1 hr 32 min
Seeds 70

Movie Reviews

Reviewed by Xstal 9 / 10

Nightmares of the Hunter...

You can run, but you can't hide, from a wolf in a sheep's hide, when he senses he can take, and he's happy to forsake, gets a paw inside to prise, no one to hear your frightened cries, as you're taken to a place, and hunted down without much grace.

Seldom will you encounter such a soulless character as Harry Powell through such an outstanding performance by Robert Mitchum. I remember watching this as a child and being quite disturbed by how nasty people can be. I've watched it several times since and the most recent viewing left me thinking I'd just watched a promotion for a church or some such religious organisation, so intense was the in your face piety of the dialogue and direction - which didn't enhance the experience if I'm honest.

Reviewed by Hitchcoc 9 / 10

Masterpiece of Cinematography

No subtlety here. Robert Mitchum plays a phony minister who has gotten wind of a stolen fortune from a condemned man in prison. The movie then launches into a obsessed assault on two children who know where the money is. He is one of the most complex villains in the history of the cinema. He is totally in control of every scene. Everyone buys into his gig and he uses religion to get what he wants. The young boy knows what the man is and protects his sister (a major task because she is totally clueless and innocent). When Mitchum kills the children's mother, slashing her throat shortly after their marriage, the kids take off down the river. The story is allegorical as the two try to find their way to freedom. Mitchum doesn't give up, but meets his match in Lillian Gish, who has taken the kids in. One of my favorite things about this movie is the strange screams that emanate from Mitchum when he is frustrated or in danger. He is so cocky and quirky that it's hard to imagine anyone falling for his hoo haw. See this for the incredible camera work especially. Some of the finest scenes in black and white cinematography are present here, particularly the use of shadows.

Reviewed by Lechuguilla 10 / 10

Breathtaking Imagery

Extraordinary, unparalleled, breathtaking ... that's how I would appraise the film's visuals, from DP Stanley Cortez. The images are all in B&W, and many have a noir design straight out of German Expressionism. Sharp angles, high-contrast "hard" lighting, and deep shadows amplify form, or rather distort reality, and as such project human experience as an exaggeration of the emotional.

Some of the images in "The Night Of The Hunter" are so enthralling that they will live on in the collective mind as long as cinema exists. Who can forget that famous underwater scene wherein a dead woman's body sits upright in a car with her hair flowing along the current like seaweed, accompanied by background music that is so dreamlike? One of my favorite images is the one wherein Willa Harper (Shelley Winters) lies in blissful repose on a bed as Harry Powell (Robert Mitchum) stands by a window in an unadorned room with angular walls that slope upward, as if in a church.

One of the most haunting, and famous, sequences has the two children, John and Pearl, in a rowboat, as they make a Homeric odyssey down a river, lorded over by giant spider webs, frogs, and rabbits. And then there's that electrifying scene with Rachel Cooper (Lillian Gish) in silhouette, sitting in a chair, holding a shotgun, as Harry Powell sings "Leaning On The Everlasting Arms". Cinematic brilliance extraordinaire!

Consistent with its expressionistic visuals, the story is presented from the POV of a child's nightmare. John and Pearl symbolize innocence, and the bogeyman comes in the form of an adult, a godlike man who cons the gullible townsfolk including the children's mom. Our good reverend Powell is less interested in saving souls than he is in finding all that loot stashed away somewhere. Thus, the film's underlying theme is at least as relevant now as it was fifty years ago; the film has not aged one bit.

Production design is sparse, true to the film's visual style and to the setting in Depression era West Virginia. The casting is perfect. Robert Mitchum has just the right look and voice for the part of Harry Powell. I like how he calls to John and Pearl ... "chill-drenn?" Lillian Gish is well-suited to represent ... reality.

And those two kids likewise are ideally cast. Love the way Pearl, with her round face and those rag-a-muffin curls refers to herself, in that Southern drawl, as "Pell". And the film's horror combines with humor in many scenes, one of which has "Pell" sitting on the ground with scissors in hand nonchalantly cutting up paper currency into paper dolls.

Acting is generally exaggerated, again consistent with what one would expect in a nightmare. Evelyn Varden, as Icey Spoon (love that name), hams it up in a gossipy, mother hen sort of way. And Shelley Winters effectively jitters her way through the film, ghostlike, her character lost in delusion.

The film's original score is haunting and mournful, and could hardly set a more appropriate tone: "Dream little one, dream; dream my little one, dream; oh the hunter in the night fills your childish heart with fright; fear is only a dream; so little one dream".

With its brilliant photography, its unpopular but deeply truthful theme, and its nightmarish story, Charles Laughton's "The Night Of The Hunter" is high up on my list of twenty best films of all time.

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