The Lost City of Z


Action / Adventure / Biography / Drama / History

Rotten Tomatoes Critics - Certified Fresh 88%
Rotten Tomatoes Audience - Upright 64%
IMDb Rating 6.6 10 48937


Uploaded By: FREEMAN
Downloaded 1,427,433 times
July 01, 2017 at 03:55 PM



Tom Holland as Jack Fawcett
Charlie Hunnam as Percy Fawcett
Sienna Miller as Nina Fawcett
Robert Pattinson as Henry Costin
720p 1080p
1.02 GB
23.976 fps
2hr 21 min
P/S 35 / 512
2.16 GB
23.976 fps
2hr 21 min
P/S 24 / 419

Movie Reviews

Reviewed by journalsjournalsme 3 / 10

The film takes place in the 20th century, where British explorer Percy Fawcett journeys into the Amazon to discover evidence of a previously unknown civilization.

I'm sad to say that I was disappointed by this film in almost every aspect. It seems to me that the biggest problem it has is the pacing. For a two and a half hour long film, pacing is important to keep the viewers engaged and this movie just gets it completely wrong. It feels like three movies clumsily stuffed into one, and as if that wasn't enough, it adds a bunch of utterly irrelevant scenes which could have easily been cut out of the movie entirely. I, for one, was expecting to see at least some beautiful cinematography, but the movie fails to deliver even in the aesthetic aspect. I was also expecting to see a lot more of the actual journey to the Amazon, but instead we got scene after boring scene in England, where nothing of importance really happens. After about an hour and a half I was left wondering how so many critics found this movie watchable, desperately trying not to fall asleep. To make matters even worse, Charlie Hunnam delivers an awful performance and makes for an overall uninteresting lead. Surprisingly, the only performance worth watching in this film was, out of all people, Robert Pattinson. I'm certainly glad he's moving away from his Twilight years and I hope to see him in more roles like this one in the future. Overall, this was a forgettable, boring, mess of a movie.

Reviewed by Ben Baber 2 / 10

If the book is as captivating as the film, I'm glad I haven't read it!

I found the experience of watching this film to be akin to that of listening to a person living with dementia telling you about their life, with an adoring relative interjecting only to say "Oh he was lovely!" every now and then.

It is, in essence, a series of episodes vaguely summarising various events of Fawcett's life. Occasionally but briefly in intricate detail, but predominantly with a general lack of substance. To return to my analogy, I imagined myself at one point saying "That's incredible! Tell me how you felt at that moment, did you realise right then the magnitude of your discovery? Tell me about the gruelling journey home, was it fraught with peril?" Only for the storyteller to continue.. "So I arrived back in London...".

No! Please give me more details. I've dedicated over two hours of my life to hear your story, but I've come away with roughly the same amount of information as I could've gleaned from the back of a primary-school student's pencil case. You know, like the ones that just have a time-line with monarchs' names or some such alongside, but are lacking in any further description.

On the plus side, it was quite nicely shot at points although it did feel as if this, coupled with the apparent fact that this film was shown in selected, more 'prestigious' and therefore expensive theatres/screens were little more than candid narcissism and was tantamount to the director pleasuring himself in my face for the price of my £16 ticket. Additionally, and somewhat bizarrely, the first 20% of the film had a near-constant and somewhat mediocre musical score, immediately followed by a scene wherein some mediocre opera playing within earshot of the characters could be easily mistaken for a continuation of said score. This was intrusive and unnecessary, and although it didn't continue throughout the duration of the film, this did not excuse its inclusion in the first place.

Due to the lack of detail or any attempt at interconnection between what I shall continue to refer to as 'the episodes' with a deliberate lack of capitalisation as I don't consider them worthy of a title, alongside abrupt changes in setting, the experience could also be likened to that of being held hostage in a stranger's living room as they mindlessly alternate channels between a Channel5 period drama and a recap of a Blue Peter trip to the Amazon told from the perspective of a donkey wearing blinkers, such is the lack of momentum and detail. Dialogue is painfully slow and, were this not the case, the running time could've been significantly shortened or better still been put to good use in filling in at least some of the notably absent detail. I am an advocate of a move away from the 90minute format of most films but this does nothing to support that argument.

There is also a borderline-distasteful adoration of Fawcett's alleged delivery of faux-profound proclamations worthy of being printed on the back of a market-stall iPhone case. I am left unsure of whether this was artistic licence or if Fawcett really was that much of a nob. Similarly, little reference is made of his questionable attitude toward the role and capability of women or his insistence upon prioritising the recognition of his peers and reclaiming of the status of his family name over the emotional well-being of his dependants.

Ultimately, his blind faith led only by local legend and a randomly placed Russian fortune teller, and failure to commit to his children led Fawcett either to his death and that of his son or, according to this film, to his decision to remain in the utopia he may have discovered, thus abandoning his wife and remaining children and leaving them only with a faint hope that he survived. The former is likely more plausible, though the latter would come as no surprise.

In summary The Lost City of Z is a vacuous, self-indulgent and ultimately forgettable portrayal of what may have been a great man, but likely was the exploration equivalent of a modern-day philosophy student embarking upon a degree in order to suspend the responsibilities of adult life.

Recommended as an alternative to viewing your Auntie's slide show of sunburn-heavy holiday snaps from her latest trip to Alicante or similar Sun holiday destination.

Reviewed by herveherve 1 / 10

The Lost Art of Script Writing

This is the first review I have ever contributed to IMDb which I use on a regular basis to inform my viewing choices but I feel compelled to write it as the high ratings are so unjustified I feel I have a duty to share my experience and balance the 7.4 (!!!!) score. I went into this with high expectations... every ingredient was present to potentially make this my new favourite movie, unfortunately the script and narrative (if they originally  had one at all) failed to deliver.

My main problem was the narrative. The story takes place over a few decades and follows the efforts of Fawcett to discover the "Lost City of Z". He embarks on 3 "perilous" expeditions going up the Amazon but no sense of danger or suffering is at any point conveyed by the narrative.

 The 3 trips are each expedited under 20 minutes of screen time. We have absolutely no idea of the time involved (apparently the expeditions lasted a few years each) nor any feeling towards the hardships the crew faces. To make matters worse, new crew members keep appearing out of nowhere and at some point even a horse!! which was nowhere to be seen on the raft in previous scenes. If this was not enough.... the raft keeps going downstream when they are supposed to go UPSTREAM, towards the source of the river.... oh well, I could have lived with these inconsistencies if I had a character to root for. Unfortunately we never feel any sympathy towards any of the protagonists. The character development is non existent and not helped by the fact the acting is very stiff at the best of time and downright awful for most of the movie. I didn't find Charlie Hunnam convincing as a Hell's Angel in SOA but he is seriously laughable as an English Army officer. This absence of feeling and empathy is also to be experienced towards the wife and children he leaves behind, every time he embarks on one of those trips. We simply do not care for them.

I obviously did not go into it expecting a new Fitzcarraldo or Apocalypse Now but for a movie which should have dealt with a man's obsessive doomed quest for a Lost City, the jungle and/or the river should have been part and parcel of the movie, a character in itself, an omnipresent entity. No such thing. The whole movie could have been shot in a winter garden for all I saw... You never have the feeling you are in the mud with the protagonists. The only feeling you experience is one of utter detachment and an urge for the movie to finish as soon as possible.

Extremely disappointed. Do not believe the hype!

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