This was Paul Newman’s third of four films about legendary figures of the American West – the others being William “Billy The Kid” Bonney in THE LEFT HANDED GUN (1958), Butch Cassidy in BUTCH CASSIDY AND THE SUNDANCE KID (1969) and William “Buffalo Bill” Cody in BUFFALO BILL AND THE INDIANS, OR SITTING BULL’S HISTORY LESSON (1976) – and his first of two in a row with director Huston – the other being the espionage thriller THE MACKINTOSH MAN (1973; which, incidentally, was partly filmed in Malta).

The last three Westerns all came at the tail-end of the genre and, apart from being in a decidedly comedic vein, can also be dubbed “Revisionist”. Newman essays the titular figure as a character part, with his handsome features hidden behind a scruffy beard (his hair has all gone white by the end) and little display of his trademark ruggedness and mischievous charm. Ironically, despite the phenomenal box-office success of movies like THE STING (1973) and THE TOWERING INFERNO (1974), the Seventies weren’t particularly distinguished for Newman as an actor and his performance here is arguably his best work of the decade!

The film is generally elegiac in mood (especially during its last act when the Old West is all but vanquished in the name of progress) and episodic in nature, with a plethora of stars turning up for just one sequence or scene: Anthony Perkins as a preacher, Tab Hunter as a convicted murderer, Stacy Keach as an albino badman who terrorizes the town, John Huston himself as the owner of a sideshow attraction (an amiable beer-guzzling bear which eventually comes in handy to the Judge), Roddy MacDowall – who has the largest role of all is an ambitious lawyer (he’s subsequently appointed mayor and eventually becomes an oil tycoon), Anthony Zerbe as a mugger, and Michael Sarrazin – whose “participation” extends merely to sharing a photo with Jacqueline Bisset (as the Judge’s daughter)! The latter, then, provides undeniable eye-candy along with Victoria Principal (radiant in her film debut) as Bean’s Mexican lover and Bisset’s own mother – while Ava Gardner’s Lilly Langtry only shows up at the very end after Bean himself, who worshiped the celebrated actress, has died; Ned Beatty is also quietly impressive as the most loyal of Bean’s gang (who actually prefers tending bar to performing his duties of deputy!).

The best/funniest bits are: Bean assuming control of the town after a near-lynching, Principal shooting repeatedly at a whore (a potential rival for Bean’s affections) and being thrown to the ground with the force of each blast, Bean’s entire gang shooting in unison at a drunkard who dared take a potshot at Lilly Langtry’s portrait, Keach’s cartoonish demise, and Bean and Gang’s epic Last Stand. As had been the case with BUTCH CASSIDY’s Oscar-winning “Raindrops Keep Fallin’ On My Head”, the film features a recurring song motif in “Marmalade, Molasses And Honey” (music by Maurice Jarre, lyrics by Alan and Marilyn Bergman) – which also ended up nominated, but is nowhere near as memorable as that Burt Bacharach/Hal David classic (though Jarre’s score, in itself, is quite good). For that matter, neither is Huston’s film up to the George Roy Hill masterpiece – though it’s certainly better than the talky Robert Altman-directed Buffalo Bill pic.

By the way, William Wyler’s THE WESTERNER (1940) had been another film which centered around Judge Roy Bean: played as a semi-villain by Walter Brennan, that characterization had led to his third Oscar. I own it on VHS but, since this month’s schedule is absolutely crammed with movies I need to watch in tribute to someone or other (including JUDGE ROY BEAN itself to commemorate the 20th anniversary of Huston’s passing!), I couldn’t possibly fit it in...

Wanted bank robber Roy Bean (Paul Newman) arrives in a dusty Texas town. He is quickly robbed by the locals and dragged behind a horse with a noose. After being saved by Maria Elena (Victoria Principal), he returns to take his revenge by shooting the whole lot of them. He appoints himself the new judge as he lays out his own brand of law and punishment. He is a dedicated fan of Lily Langtry (Ava Gardner) and later makes an enemy of Frank Gass (Roddy McDowall).

This movie doesn't have a narrative flow. It's one incident after another. He hangs one person after another. It needs to build tension over time. It needs to build up a villain. In this case, it's Frank Gass. This needs to be a battle between Roy Bean and Frank Gass. Instead, Frank is almost a side character and the climatic battle is nothing more than a physical bombast. The most emotional moment comes at the end. It's telling that Roy Bean isn't there. All in all, this is fascinating for some of the performance, the great cast, and the idea within the premise.

If you're looking for a factual account of Judge Roy Bean, this is not the film. One has still to be made for veracity. You won't find it in the old television series that starred Edgar Buchanan as the judge nor will you find it in the old William Wyler western, The Westerner, that got Walter Brennan an Academy Award for playing Roy Bean.

But if you're looking for good rollicking entertainment than this is the film for you. I have to believe that Paul Newman must have loved making this film, because it allowed him to be colorful, outrageous, and overact like a ripe Virginia ham. John Huston as director doesn't hold him in check in any way and the results are grand.

In fact the real Roy Bean (1825-1903) lived a good deal longer and had a longer career than what is shown here. He was probably more of a hell raiser than what Huston and Newman give us. He had more children than the one daughter played by Jacqueline Bisset towards the end of the film. Huston did incorporate some of the legend, it is true that he had a stiff neck as a result of a hanging attempt.

Please note that the real Bean did die in 1903 so the whole last 20 minutes or so of the film is pure fabrication. But it's great stuff.

His obsession with fabled actress Lillie Langtry is also part of the Bean legend and it is true. They never did meet, but it is a fact that Lillie as played here by Ava Gardner did visit Bean's town now named Langtry, Texas after Bean's death here and in real life.

Victoria Principal made her screen debut in The Life and Times of Judge Roy Bean as the woman who nurses him back to health after some unfriendly bandits nearly lynch him and who becomes his wife. It's hard to believe that this is the same woman who played a much different Texas female in Pamela Barnes Ewing on Dallas.

Huston assembled a good supporting cast for Newman besides those I've mentioned, Anthony Perkins, Tab Hunter, Ned Beatty, Roy Jenson, Bill McKinney are some of them. My favorite is Stacy Keach as the crazed Albino killer who challenges Bean. His demise at Newman's hands is the image I carry most from this film.

I think when you see The Life and Times of Judge Roy Bean it will be the same for you.