The King of Marvin Gardens was Bob Rafelson's experiment at doing a film where the leads are switched around- the actors playing them, anyway. You rarely get to see Jack Nicholson in the role of the quiet, observant, and really more intuitive characters in any film, and to see it in his prime in-between doing films like Carnal Knowledge and The Last Detail is a revelation. Every once in a while he pulls out a performance that is attuned to a sensibility that is surprising, even if the film is not. One of those that worked best was About Schmidt. But this time in Rafelson's vision, he plays second fiddle to the more personable, idealistic, talkative, pushy, and far more conflicted brother played by Bruce Dern. For Dern this is also a somewhat different role, as he often could play roles with a good deal of dialog well, though with also a lowered guard. Here he plays a guy with lots of ideas, and those of which he really wants to impress upon his more detached but not too unresponsive brother. It's a mix that works, though it's very understandable why I've only seen it once, and not only do I not really desire to see it again, it's not too much of a wonder why its still one of the real underrated films of the 70s.

Keep in mind it's not just the men to see here, but Ellen Burstyn too, in one of her other great parts of her real prime, as she plays Dern's depressed, loopy, over-the-top girlfriend. She has her counterpart too in Julie Anne Robinson. Her character is maybe a little more like Nicholson's, though not really as withdrawn. These are all characters who are estranged, if not from themselves then from each other, and amid the big plans in the (correctly chosen) sights of dreary Atlantic City they're cast against a glow that just poses a kind of nothingness for them. And in the end, when tragedy strikes, it finally comes when the emotional cork gets pulled completely off. And bookending the film are Nicholson's monologues on the airwaves to his listeners, whomever they may be, and they're some of my favorite scenes I still remember from the film. If it's less than really memorable and affecting like the best of 70s subversive cinema, it's because its content in its low-key ways. It's a smart movie that isn't really at the heights of Five Easy Pieces- Rafelson's masterpiece that's also low-key in its way but reaches higher in psychological hang-ups- but it does come as close as anything the director's done since. Most noteworthy is the challenge of reversing the roles for Nicholson and Dern pays off in that independent-film way. Look for Shining co-star Scatman Crothers in some scenes late in the picture.

For weeks I saw ads for this film, but because I didn't live in an area around art theaters, I didn't get to see it on its feature run. Finally, it showed up on Arts and Entertainment and I saw the commercially chopped up film. It is really quite a good movie, with a young Jack Nicholson and Bruce Dern at the center of it. It involves a get rich quick scheme from some pretty shady characters with mob connections. This is all about performances, especially that of Dern. He has played some great characters over the years. Usually, they are quirky and often threatening. He is an idiosyncratic actor with that unique way of speaking. Nicholson is more of a straight man her, but the chemistry they create on the screen is excellent. Ellen Burstyn, who was really a hot commodity at this time also puts in a very sound performance. This was a bit under-appreciated, probably because the stars were just getting rolling.

David Staebler (Jack Nicholson) is a Philly talk radio DJ taking care of his grandfather. He goes to Atlantic City to find his black-sheep brother Jason (Bruce Dern) in jail. Monopoly originated from Atlantic City and Marvin Gardens is the property right before Go To Jail. Jason tells David to find Lewis to set off a mercurial scheme to get a gambling license with Japanese investors. Jason has an even bigger plan to live big in Hawaii. Sally (Ellen Burstyn) is Jason's girlfriend and Jessica (Julia Anne Robinson) wants to be a pageant queen.

I would like this movie so much more if I understood the proper plan and what Jason is trying to do with his scheme. Jason is so weaselly that he never really explains what's going on. On the other hand, that's what so real about Jason. He's no mastermind and it could be perfectly realistic that he has no plans. The question becomes what David is thinking about. Bruce Dern is absolutely brilliant as the unstable brother. This is a well-acted movie but I don't really understand what's going on.