The January Man


Action / Crime / Mystery / Thriller

IMDb Rating 5.6 10 5618


Uploaded By: OTTO
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August 04, 2015 at 07:27 PM



Mary Elizabeth Mastrantonio as Bernadette Flynn
Susan Sarandon as Christine Starkey
Kevin Kline as Nick Starkey
720p.BLU 1080p.BLU
753.62 MB
23.976 fps
1hr 37 min
P/S 0 / 1
1.44 GB
23.976 fps
1hr 37 min
P/S 0 / 1

Movie Reviews

Reviewed by romanorum1 5 / 10

The January Man Wants to Strangle the January Girl

At film's beginning Alison Hawkins (Faye Grant) and friend Bernadette Flynn (Mary Elizabeth Mastrantonio) carouse during the New Year's Eve celebration (there is an undertone of lesbianism). After Alison is dropped off in her NY apartment, she is strangled by a maniac who managed to enter her residence. The newspapers scream that she is the eleventh victim. Mayor Eamon Flynn (Rod Steiger), orders police commissioner Frank Starkey (Harvey Keitel) to get his brother Nick (Kevin Kline) back on the police force to solve the crime. Nick, who is a little quirky, is a fireman, but when he was a cop he excelled in special investigation. Years earlier he was removed from the force for a graft scandal, but actually took a bribery hit for Frank. He agrees to return to the force. Police captain Vincent Alcoa (Danny Aiello), though, is not amused to see Nick return. Nevertheless, after a shouting match with the bellicose mayor, he is forced to concede.

Brothers Frank and Nick do not get along well. Before Frank married Christine (Susan Sarandon), she was Nick's girlfriend. Like the mayor and police chief, they argue. Nick soon becomes romantically involved with the mayor's daughter, Bernadette Flynn. At work the unorthodox Nick, who has a penchant for solving difficult situations, begins to put pieces together. Helping him investigate the case is his friend and neighbor, Ed (Alan Rickman). Ed, who paints nudes, is a computer guru who helps analyze when the murderer is going to strike next. Nick had already known that the strangler is clever and knows how to pick locks. Nick assembles the dates of the murders on his computer screen and then begins to analyze incredibly complex clues. He asks a fellow policeman what a prime number is. When the cop cannot answer Nick responds, "Any number that can only be divided by one and itself." He might have added, "without leaving a remainder" (above 2 the prime numbers are obviously odd). Nick, figuring out the days of the murders, is quite certain that the date of the next murder will be the fifth of January (the killer strikes monthly). Looking at the arrangement of the building locations of the various murders, Nick figures the constellation sign Virgo to locate the actual building (the killer strikes only at high rises). The strangler must be a computer whiz. The musical notes of Neil Sedaka's old song "Calendar Girl" play into it. Then Nick figures the actual apartment. A trap is set.

The movie, produced by Norman Jewison, and directed by Pat O'Connor, doesn't really work as a crime-erotic/romance-comedy. For one thing, inserting slapstick comedy elements into the denouement is ridiculous because the situation is supposed to be serious. Then there is the casting. Now these are all accomplished actors, but they are done in by the uneven mood and convoluted script by John Patrick Shanley, which leaves some questions unanswered (like the scandal). Keitel often frowns while Steiger often yells. Steiger overacts in his screaming confrontation with Aiello. Kevin Kline and Harvey Keitel are not especially convincing as brothers. Furthermore, they are like a Mutt and Jeff pair with Kline (6'2") towering over Keitel (5'7"). Ms. Mastrantonio, a handsome woman, looks nothing like a Flynn. Her performance is worthy, though, as is that of Alan Rickman.

There is just a slight resonance of mystery. The killer's identity is merely a backdrop ("He's a nobody.") while Kline's ingenious solution is implausible. The veteran actors and plot will generate some interest, although the New York City locations are not really used to good advantage except for the large apartment buildings necessary to make the situations work.

Reviewed by Predrag 6 / 10

How come this didn't work better?

This movie is not a typical "mystery thriller," at least not in the usual sense of the genre. The characters unravel intriguingly but very fluidly, and it is easy to relate to almost all of them (I bet we can all think of parallels in our own lives.) Theme-wise it is ostensibly presented as a suspense movie where an ex-cop (Kevin Kline) is re-instated into a homicide detective role to solve a brutal murder spree by a NY psychopath. There is an interesting subplot of unrequited romance between Kline's character and his brother's (who is commissioner of police) wife. Kline's artist friend, his new girl friend (the Mayor's daughter), and in fact the Mayor himself, are all amusing characters. But Kline is clearly the pivot of the movie, he turned what many might consider a very below standard screenplay and turned it into a very keepable film.

The first hour though really doesn't know what it wants to be. A murder, family drama, random eroticism, serial killer movie, comedy, thriller. It's all here and all flawed. Aiello has never been so typecast in a film, whenever he's on screen, he's just angry. Keitel just seem bemused by the whole thing and spends the majority of it staring at Sarandon, who I turn spends the majority of the film staring at Kline and stalking him. The rest of the cast are thankfully brilliant. Kline is as good as always, and is ably supported by Mastrantonnio, and another brilliant turn by Rickman. The film comes into its own when the Red Herring gets thrown in. The comedy and thriller aspect of the film meld into one and work, and it turns into a half decent movie.

Overall rating: 6 out of 10.

Reviewed by bronwood 5 / 10

This movie doesn't know what genre it wants to be!

Have just watched this movie for the first ( and probably the last) time with my husband. We were drawn to the fabulous cast, Kevin Kline, Susan Sarandon, Rod Steiger, Harvey Keitel, Mary Elizabeth Mastrantonio, Alan Rickman & Danny Aiello. For most of the movie we enjoyed the intrigue and quirky story. It is billed as action, crime, mystery and there was plenty of that. Now here is the spoiler: why, oh why did they decide to change it into a comedy at the end! I know in the movies logic is not a big thing, but I was asking my husband why she didn't just leave the key in the door, or at least hand them to him. The murderer wasn't going to notice if she had them or not. It just became a total farce from then on. The movie did not need that. We were both very disappointed in the slap-stick element in the last 10 minutes.

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