The Hurt Locker

2008

Action / Drama / History / Thriller / War

269
Rotten Tomatoes Critics - Certified Fresh 98%
Rotten Tomatoes Audience - Upright 84%
IMDb Rating 7.6 10 373071

Synopsis


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September 10, 2011 at 02:23 PM

Cast

Evangeline Lilly as Connie James
Ralph Fiennes as Contractor Team Leader
Anthony Mackie as Sergeant JT Sanborn
Jeremy Renner as Sergeant First Class William James
720p.BLU
800.11 MB
1280*720
English
R
23.976 fps
2hr 11 min
P/S 39 / 171

Movie Reviews

Reviewed by banteros 1 / 10

Boring, irritating and senseless

There's a good reason why this film pulled in only $16M at the box office. "A full-tilt action picture", "Ferociously suspenseful." Yeah right. If the hype on the DVD cover were true, this film would have rocked the box office. This movie was irritating with it's inaccuracy and boring with it's lack of plot.

It started with the opening scene. It was very gritty, suspenseful and tense... until the guy with the cell phone showed up. "Put down the phone!" Really? I've never been military but even I knew at this point that man would have been instantly shot, as proved by the reviews I've read on here by military types.

And this continued throughout the movie. Time after time this three man bomb squad behaving as if they were the Justice League of America (except for the one time when the nut case on the crew went into Baghdad by himself. At night. For no particular reason, as it turned out.) By the time we got through the sniper scene I was seriously annoyed and just wanted the movie to end so I started fast forwarding in tiny increments.

What a complete waste of time. Why is the Hollywood hype machine pushing this so madly? Is it a longing to make sure James Cameron doesn't win again?

I'm glad I didn't pay to watch this.

Reviewed by Dogwhiz 10 / 10

Strong contender for best movie of 2009

Quite easily the best movie of 2009 and the best war movie since Black Hawk Down and maybe even beyond that, The Hurt Locker does something that few other war movies seem to be able to do. Rather than focusing on rapid-action combat scenes and the oh-so-emotional mental breakdowns that all soldiers seem to dramatically endure in Hollywood (Platoon, much?), it emphasizes the relationships of soldiers and the intensity of everyday living in Iraq– intensity that doesn't diminish when the guns are holstered. And that's where you'll see the real difference.

The film introduces a seemingly new and unique idea by following a U.S. Army Explosive Ordinance Disposal (EOD) team as they go around defusing potential bombs all around town– a concept that allows the typical fast-action war theme to take a backseat to the dramatic intensity of the three team members' escapades and arguments. It's all about survival and this time around, it's the calm, isolated atmosphere and the feeling of never being truly safe that creates the ever-present suspense. The exceptional editing is partially to thank for such constant energy and pace. Quick transitions ensure that there is never a dull moment and the audience is always thrust into the middle of the action. Plus, director Kathryn Bigelow employed some amazing cinematography (thanks to Barry Ackroyd, United 93) and some of the best shaky hand-held-cam and zoom work I've seen yet. It seems that, for some, this might be a turn-off, but personally, I believe those who complain about shaky cam need to take a closer look at its purpose and realize that it's far more effective in establishing a documentary-like feel for raw and engaging films such as this one.

The interaction between the soldiers is a key point of the film and the entire project is clearly intended to be largely character-driven. You will more than likely find yourself sympathizing with all of the main characters at some point and several others along the way. More than just observing a character's breakdown at the scene of war such as in films like Jarhead, The Hurt Locker immerses the viewer in the world of the characters themselves and practically forces you to care for them– and I mean that in the best way possible. And perhaps the difference is also partially distinguished by the quality of acting. And if there's anyone who deserves recognition for their acting, it's most certainly Jeremy Renner, who surprises with a top-notch performance as Staff Sergeant William James. His performance will have you laughing at bits of humor scattered throughout, gasping in disbelief at one point, shedding a sympathetic tear at another, and yelling at him in exasperation in yet another scene. The characters are never two-dimensional and the film always manages to provide constant reminders that all of the soldiers are just normal people in war situations, driving its purpose home even more effectively. Anthony Mackie and Brian Geraghty are impressive in their own roles and share great chemistry both with each other and with Renner. The relationships between the three follow no stereotyped guidelines and their interactions are almost always unpredictable. Further down the billing, Guy Pearce and Ralph Fiennes also give solid performances worth mentioning.

Overall, The Hurt Locker is a movie that keeps you on the edge of your seat the whole way through and packs a visual and cinematographic punch without the over-the-top Hollywood action scenes and special effects. While the storyline may be inaccurate when it comes to certain little details (as many war vets have noted), it's a unique one and allows for much more realistic and well-rounded characters. You'll walk away with your heart still beating fast for a good while after the credits roll and it'll make you think for an even further extended period of time. Everything about its design and execution will stick with you.

--The Motion Picture Underground

Reviewed by lolatengo 1 / 10

Offensive, to put it mildly

I have to add my voice to the list of people who really disliked this movie. Imagine a German director making a movie in 1948. Imagine the director asking us to feel sympathy for the soldiers because it was very cold in Russia. (I'm not saying that the United States is a perfect analogy to Nazi Germany, because that would be a grotesque exaggeration.) I actually do have sympathy for all of those young Germans who lost their lives in WWII. But the rest of the world would be appalled to find that this was the take-home message from World War II for the Germans. Bigelow asks her viewers to feel this very emotion for Americans in Iraq.

If there were other scenes that provided a different take on the situation, the hot desert scene would be insignificant. But every Iraqi in the movie is used simply to show how sensitive an American is, or how afraid an American is, etc. The Iraqis are allowed no existence of their own, they are simply plot devices. Don't America's major critics see this?

Some have said that this movie isn't political. By this, they seem to mean that it doesn't criticize the war. This movie is in fact deeply political in that it completely objectifies the "enemy," and glorifies war as a potentially exciting escape from domesticity.

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