The Godfather: Part II

1974

Action / Crime / Drama

612
Rotten Tomatoes Critics - Certified Fresh 99%
Rotten Tomatoes Audience - Upright 97%
IMDb Rating 9 10 947023

Synopsis


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Cast

Robert De Niro as Vito Corleone
Al Pacino as Michael
Talia Shire as Connie Corleone
720p.BLU 1080p.BLU
1.30 GB
1280*720
English
NR
23.976 fps
3hr 22 min
P/S 45 / 518
2.70 GB
1920*1080
English
NR
23.976 fps
3hr 22 min
P/S 43 / 243

Movie Reviews

Reviewed by BiiivAL 8 / 10

The summit of Everest

The second part of the family crime saga about the mafia of the Corleone clan was an event that was widely celebrated in the cinema. In particular, six Oscar awards and a recommendation of prestigious cinematographic universities where our VGIK enters, but the main thing is not this, but that after forty years this film is watched and is still being revised, and in terms of staging a frame and accents, many contemporaries have much to learn from the maestro The Corypoles. As far as I heard, the director was not going to be engaged in the second film and the studio had to make concessions, in particular in the history of Vittorio it was partly to address the source, and the story of Michael's becoming as Godfather had to be fully compiled. I finally looked at the second film and I want to share my impressions and thoughts on this matter.

The second film was no less a legend than the original, not only having earned a well-deserved viewer's success and recognition of the members of the American Film Academy, but also entering the history of cinema as the best "sequel" of all time, in a number of polls - even bypassing the brilliant first picture. It was with the "Godfather, Part II" began the general fashion of assigning continuations in the headings of serial numbers written in Latin or Arabic numerals.

Coppola and Puzo deliberately sacrificed the dynamic development of the plot, placing a stake on "epic breathing", amazingly conveys the scale of personalities - a special kind of titans, from each decision whose lives depend. Even the Griffith principle of the "cross" installation comparison of the vicissitudes of the fate of the founder of a powerful family who fled from his native Sicily and with great difficulty conquering authority in America, and his heir does not contribute to an increase, so to speak, the speed of rotation of the flywheel of History. The denouement is constructed in such a way that, inevitably recalling the final frames of the original, holds, rather, the opposite thought. The next cycle does not end, when you almost physically feel the change of the "spiral coil", which knocks everyone: from the exiled Coroleone rivals to the last close person, eliminated for the committed treachery. On the contrary, everything returns to its own place, as if an unperformed prophecy is being fulfilled, or the Fate enters into rights, allowing for the time being to be illusions about free will. The final turns into a start, the ghosts of the past briefly come to life at a festive family table, and Michael's strong words sound even more dramatic and naive, outraged by his father's agreement with Tom Hagen: "I have my own plans for my future." Further - silence ...

At the same time, the first and second (as well as the third, released after a decade and a half) parts are not so much refuted as complement one another. The authors, as if expanding the initial socio-philosophical premises, are no longer limited to analyzing the actual functioning of the mechanism of the mafia "family", even significantly increasing the scale: forcing Michael to defend honor at hearings in the Senate and acquainting himself with the international interests of Corleone, as if it is a full-fledged transnational corporation. The opening of the sources of the power of Vito Andolini, on the one hand, based on the centuries-old patriarchal traditions of Sicily, proved to be stronger and more effective than modern state institutions, and on the other hand acting under pressure of circumstances, adapting to the brutal realities of the poor New York quarter. However, it can not be considered a coincidence that a memorable musical leitmotif permeates inexpressibly disturbing notes, accurately warning of the omnipotence of Rock. From the interesting is also the concept of unfolding two plot layers, where in parallel with Michael is shown also the history of the formation of Witto, in order to better show us the father's features in the son, and the son could show the paternal character. The evolution of the mafia is visible in a huge conglomerate that has engulfed the whole of America and many infrastructures are in their hands, these people have a huge influence on politicians and other power-holders. From the philosophical point of view, this film is about how difficult it is to become an independent leader, how to show that you do not attach yourself to the glory of the Father, but you yourself are able to make weighted and complicated decisions. In this respect, the drama of Michael Corleone, whose marital status at first was shaky, and the other clans conceived the evil, worked well ...

Actor's works leave no doubt that before you the screen life, when the human pain is reflected on the faces of the actors. Al Pacino is great in the role of Michael, the warm heart gives way to the pragmatism inherent in the Head of the Mafia clan. Young Vittorio performed by Robert de Niro was able to show charm and become the future of Don with him, too, there were many events that change character. All the actors here are in unity and show how it is necessary to plunge into the role, in all to see a lot of work for what each of the actors thank you very much.

Verifying: A great movie that is recommended to watch everyone as an example of clear, competent and well-coordinated work of the creators' team, the whole mechanism works like a clock and as a result of hard work we get no less legendary film, somewhere even ahead of the original. Timing mastodon (202 minutes) does not interfere with perceiving history and imbued with the content of the saga. Such films are not at once to understand their greatness and strength to be reviewed and analyzed, but this film (like the whole trilogy) should not pass you by. All good and pleasant viewing!

Reviewed by otsoar 10 / 10

Not my personal favourite, but as perfect as a film can get.

The Godfather is the mother of all mafia movies, and The Godfather part II is considered not just one of the best sequels of all time but one of the best films of all time. So you could say the expectations for this film were high.

I saw the original Godfather a few months ago and while I liked it, it didn't feel to me as amazing as people make it out to be. Part II on the other hand grabbed me right from the start and I loved every minute of it.

The film tells two stories simultaniosly. One is a direct continuation of the first film, in which Michael Corleone (Al Pacino) tries to balance his family life and leading the Corleone family's criminal empire. The other tells the story of a young Vito Corleone (Robert deNiro) who is the godfather from the first film. The two different stories make the three hour run-time fly by. The slices we get of each story are perfectly paced in a way that makes every scene interesting.

This film is also a visual masterpiece. The directing and editing are flawless and the production design is also amazing. The costumes and props bring the 50s and 1900s alive in a beautiful way. The score is also perfect for the film.

All the performances are great, but Robert deNiro and Al Pacino go above and beyond in this movie. They are the final piece in the puzzle for telling the coming up-story of Vito and the tragic tale of Michael.

It's films like this that truly deserve a "perfect" score of 10.

Reviewed by uzunmetraj 9 / 10

The Godfather: Part II (1974)

A sequel surpasses the original in many regards, The Godfather Part 2 is a haunting tale of betrayal, revenge and deception that is brought to life thanks to Francis Ford Coppala's amazing direction and the fantastic dual lead performances.

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