The English Patient


Action / Drama / Romance / War

Rotten Tomatoes Critics - Certified Fresh 84%
Rotten Tomatoes Audience - Upright 83%
IMDb Rating 7.4 10 156702


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March 07, 2015 at 09:35 PM


Ralph Fiennes as Count Laszlo de Almásy
Colin Firth as Geoffrey Clifton
Willem Dafoe as David Caravaggio
720p.BLU 1080p.BLU
996.21 MB
23.976 fps
2hr 42 min
P/S 4 / 90
2.27 GB
23.976 fps
2hr 42 min
P/S 8 / 45

Movie Reviews

Reviewed by john_siv 8 / 10

Strong movie, if a little underwhelming

Cinematically beautiful, well paced and superbly acted drama that kept me well engaged throughout. Despite this though, I was a touch underwhelmed due to the reputation this has as an Oscar-winning tearjerker. What holds this film back from greatness is the lack of likeability of the lead character. Don't get me wrong, Ralph Fiennes is on incredible form with the script he's given, but am I the only one that can't quite get behind a character that so blatantly and unscrupulously makes a play on a married woman? I was rooting more for Colin Firth to take him out with the duster than for the romantic leads to 'live happily ever after'. I just can't shed any tears for the woes of a pair of romantic leads that are so boldly engaging in adultery. That so many people have done I think speaks more about the decline in moral standards in society than anything else.

Wonderfully made picture, but the questionable morality holds it back from true greatness. The production code used to get stick back in the golden age, but it was there to make sure pictures were made to deliver the right messages.

Reviewed by mkelly54 10 / 10

A Devotion to the Emotions, Tragedy and Turbulence of World War II.

The most impressive aspect of The English Patient is its devotion to the emotions, turbulence and tragedy of the time, World War II. With the world turned upside down by a war and the end of Europe's royal class, viewers are taken on a visually stunning journey of love, betrayal, constant loss and the ever-so-slow passing of the central character, Count Laszlo de Almasy, brilliantly played by Ralph Fiennes. Many reviewers term this a "reader's movie," and so it is. It's also a movie of the visual and musical arts, with scenes throughout the work stretching the bounds of fixed concepts. I often listen to the soundtrack by Gabriel Yared, with wide swaths of themes reveling in the adventures of archeologists in the Sahara and discoveries of Italian monastic art. Countering the classic themes are popular jazz and big band pieces from the 1930s and 40s, with de Almasy renowned for knowing the lyrics to every piece from the era. The characters throughout the story are classic, which weaves an enduring tableau of emotions, memories and the realization that as much as many view each era as different, there is always a sense of the retelling of stories, best stated with Casablanca's song, As Time Goes By. Lastly, there's a simple reason The English Patient earned nine Oscars, including Best Picture and Best Director for Anthony Minghella: It's one of the best movies of all time.

Gabriel Yared, composer and wide range of popular pieces from the 1930s and 40s.

Reviewed by martin-intercultural 8 / 10

Good film, slightly overrated

I watched this film 20+ years after its original release. I did have some apprehensions - e.g. I thought it was "about the war"; and I knew for a fact it was very long. Overall, it has aged well. To my relief, the plot is not so much about the war, but rather about civilian people swept up in the war. Was the movie too long? It was. Not necessarily boring or dragged out sort of long, mind you. But I do think the tale could have been told just as powerfully in 90 minutes as it was in 162: The man with no face - use him to frame the story; lose the rest. Punjabi guy searching for landmines and/or washing his hair? I am all for a good interracial romp, onscreen and off, but really -- what did he add to the story? Cut. The Willem Dafoe character? Cut. Lastly, and not to be a complete heretic: I love French cinema, and I can see how the part-Slavic La Binoche may have been a revelation to 90s US audiences, what with her Deneuve-esque power of projection coupled with a Bette Davis-style ability to "do nothing" in the face of great turmoil. Personally I found her role in this film to be one of a glorified narrator, whose presence could have been confined to under ten minutes. And not only that. In truth, some of her zany but wholesome antics, midway through, set in the ruins of the bombed-out cloister, actually brought to mind the words "Nokia. Connecting People". Sorry; they did. Ultimately, all of the above contributes little to, and greatly pales in comparison with, the main story, acted out solidly by Ralph Fiennes and rivetingly, refreshingly yet timelessly by Kristin Scott Thomas. This is where the wow factor is; we didn't need the distractions which only served to bloat this saga to nearly three hours in length.

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