The Disappearance of Eleanor Rigby: Him

2013

Action / Drama / Romance

115
IMDb Rating 6.9 10 8173

Synopsis


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Director

Cast

Jessica Chastain as Eleanor Rigby
James McAvoy as Conor Ludlow
Bill Hader as Stuart
Viola Davis as Professor Lillian Friedman
720p.BLU 1080p.BLU
752.40 MB
1280*720
English
R
23.976 fps
1hr 29 min
P/S 2 / 12
1.43 GB
1920*1080
English
R
23.976 fps
1hr 29 min
P/S 1 / 2

Movie Reviews

Reviewed by Tanay Chaudhari 7 / 10

"The Disappearance of Eleanor Rigby: Him" - Existentialism in Pursuit of Love-Lost

"Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering." —Nicole Krauss, "The History of Love"

"The Disappearance of Eleanor Rigby: Him" seems like an intermediary phase in the stories of – Conor(James McAvoy) and Eleanor(Jessica Chastain) - where quite is left to be answered.

Based on the "Them" version, and in pursuit to know the subjective sides, where they try to reclaim their love and lives in the aftermath of a mutual-tragedy, the male-perspective evolves into Conor being utterly perplexed about their status as a married-couple for been left high-and-dry by the grieving Eleanor, who "kept on walking away" from their painful past. Conor's life been vacated by the death of their infant-son and Eleanor leaving him to apparently "try a different version of herself", all he wished for was "some time to talk it out" before she "disappeared-off to wherever it was she disappeared to", clearly trying to get hold of the present through the past.

A little redundancy flows in instances, between this separated couple (not really 'estranged', with unbinding love), due to which, the film raised naturally a lot of doubts about the nature, the causes and the future of Conor and Eleanor's relationship – which could perhaps be best defined on the lines of "existentialism", marked by "a sense of disorientation and confusion in the face of an apparently absurd world" (in this case – a meaningful, yet worthless seeming world in the lives of the protagonists where no sense of belongingness was able to be attained) - the apparent reason when on occasions Eleanor wished to be "(at) someplace good" with Conor, who "went soft" in his ever growing longing for her.

Even though, their falling lives couldn't find a ground till the time they do really move away from each other and starting again on different notes – Eleanor going-off (to a French university to study anthropology) and Conor joining his not-so-loved father's (Ciarin Hinds) restaurant business and being present-orienting with his chef-friend Stuart (Bill Hader) and kittenish co-worker Alexis (Nina Arianda) – reaching a point where he could stop regretting his past, and hoping that Eleanor does so too.

However, as once William Shakespeare said about not all love-stories have their – "Journeys end in lovers' meeting" – so does this one. However, a surreptitious hint towards a confluence could be seen in its culmination; worthy of the efforts put in while watching the three-parts of this trilogy.

Though, one must pay heed to the order – "Them", "Him" and "Her" - to gain a momentum of understanding of a larger picture, in this intricately and meticulously written film by Director Ned Benson.

Verdict – A different film-viewing experience, with the subjectivity based versions and a rare on-screen chemistry between McAvoy and Chastain.

Rating – 7/10

Reviewed by NateWatchesCoolMovies 8 / 10

Complex, unique film

The Disppearance Of Eleanor Rigby (nothing to do with the Beatles song except a brief reference by a character) is a thoughtful, exceptionally well made film about a couple dealing with an immense tragedy that has put a weight on their relationship, forcing them to take some time apart. James Macavoy, an actor who continues to impress, and Jessica Chastain, always amazing, play the two with diligent feeling and palpable hurt. Now, there's three different edits of the film. His, which is mostly his side of events following the breakup, where Macavoy takes center stage and we see his life. Hers, which shows us where Chastain ends up, and how she is coping. The third version, Theirs, is a truncated version of both stories, leaving out a lot of key scenes and important beats. His and Hers together come out to about four hours of movie watching, but if you're going to invest yourself in their story, you owe it to you self to watch them both, starting with His. Because there is four hours of their story, they are allowed to develop and interact in a fashion that feels far more genuine and lifelike than a rushed two and a half hour movie. Macavoy is an aspiring cook who runs a small café with his friend and sous chef (Bill Hader, fiercely funny) and yearns for Chastain, angry at life for throwing them the curveball it did. He moves in with his father (Ciaran Hinds gives phenomenal work), a successful restauranteer. Chastain moves in with her folks as well, played by Isabelle Huppert and William Hurt. Hurt, who hasn't been around that much lately, makes up for that by anchoring a key scene with Chastain. It's interesting that he gets to play her father in a film, because they both share a measured, baleful, hypnotic grace in their work, and seeing them interacting was a treat for me, being an immense fan of both their work. Now, the film is more than the sum of its parts, but I mean that in a good way, since the parts themselves are so brilliantly done as well. It's what we expect from the romantic drama Avenue, but because we see an extended fluidity to the work, a narrative free from the fractured conventions of usual editing styles, we feel right there with our two protagonists, every step of the way. More films should break the mold and try to be more than just segmented movies, and use immersion techniques like this to draw us in. Coupled with that unique method of delivery comes a sincere commitment from actors and director alike, to explore an aspect of life and relationships that many see as unpleasant or upsetting, yet can still make for beautiful work. Well worth a watch.

Reviewed by Ethan Middleton 7 / 10

An Interesting Concept and Perspective On A Relationship

One thing that I do like about this film is that when this movie does show scenes where the characters are in love with each other, it's very well done. At least the performances are. When these two are in a scene together, you can get a good vibe of what they're feeling. It could be them in love, depressed, scared, or anything that involves emotion. This movie does focus on the emotion of James McAvoy.

It's not just the emotion however. You do know very well that McAvoy is still in love, he cares, and the movie does focus on that, but it also focuses on his work job. That may not seem like it is interesting, but it does add a bit more to what McAvoy's character is dealing with, because it's not going completely well with his work space either.

The title of the movie is a good one. It seems like it came from a novel you would find somebody reading at a coffee store, but it is an original title and film. This movie does a decent job on it. Chastain isn't in this movie that much, you are curious where she is when she's not involved in the story. When she does show up, you question what her motivation is to why we're seeing her, and part of the fun is that we have to see the other film to see her motivations and other stuff.

My few complaints about this film is that the concept of this story does seem interesting, however it isn't a very compelling story. Like I said, part of it is because we don't know what Chastain's character is thinking, but nothing really grabs you unless it's a scene with McAvoy and Chastain together.

Which leads me to a specific scene involved with them. Now I'm not going to spoil it because spoilers are no fun. We really don't know what the real reason is why these two split up and when the movie does reveal why, it gives a bigger impact on how the characters reacted when they're together, which to me, makes those scenes a tiny bit more enjoyable.

Also without spoiling anything about the ending, it was very abrupt. I'm pretty sure there is more to it when you see the Her film, but that ending really seemed unnecessary.

The concept of the story is being told is interesting. But when it only focuses on James McAvoy's character, the movie isn't the most entertaining and compelling thing. Yet it when McAvoy and Chastain share the screen, it gets interesting because you can feel their emotions and those scenes with them are well done and compelling, especially one scene that is a big part of the story. The ending may make more sense if both films are scene, but Him is a decent movie that might be even more enjoyable once Her is watched.

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