Sometimes the most fascinating stories related to World War II have nothing to do with battle action or strategic planning. And when celebrities from other disciplines are involved, the narrative can often defy credibility. Such was the case of actress Hedy Lamarr, who helped develop a torpedo guidance system that couldn't be jammed while still a German citizen (see "Bombshell: The Hedy Lamarr Story"), or the story of corporate lawyer turned scientist, Alfred L. Loomis, who's team developed microwave radar and automatic anti-aircraft weapons during the war to help defeat the Nazis (see "American Experience: The Secret of Tuxedo Park"). Along the same lines is this story of Morris 'Moe' Berg, a fourteen year veteran as a catcher for the Boston Red Sox, who turned his linguistic skills and penchant for secrecy to good use as an agent for America's Office of Strategic Services. Berg is one of the most ambiguous and mysterious characters one could possibly imagine, someone who kept his sexual identity a secret and who quite accurately was described as a walking enigma by people who knew him.

As an espionage story, this film moves along at a steady pace following an extremely brief look at Berg's (Paul Rudd) Major League baseball association. He virtually self recruits himself into government service by virtue of his extensive language skills, eventually being tapped for an exceedingly dangerous mission to assassinate the head of the Nazi nuclear weapons program, Werner Heisenberg (Mark Strong). There are moments in the story when one might doubt his resolve to kill another human being, but the story deftly weaves a number of scenarios that bring Berg to that fateful moment when he's face to face with the acclaimed scientist, and Berg's salient intellect discerns that Heisenberg would not commit to developing a weapon that would aid the Nazi cause. The scene is done very subtly, and even then leaves room for doubt about Heisenberg's intentions, but the same scenario offers his response to the inevitability of Germany losing the war - "Is this really a secret"?

In keeping with Berg's secretive nature, the closing narrative mentions that he was nominated for the Presidential Medal of Freedom for his wartime service, but he refused the honor without ever stating why. In the role, actor Rudd effectively portrays the enigmatic quality that must have inspired the real life Morris Berg, another in a long line of relatively unsung war heroes who's deeds helped turn the tide for the Allied cause.

Based on a true story of Morris "Moe" Berg, a man who played catcher for 14 years with the Boston Red Sox. He was a highly educated non-practicing Jew with was fluid in many languages. After Pearl Harbor, he contacted a friend who landed him a job with the OSS. Eventually his task would be to assassinate Werner Heisenberg, who was possibly making an atomic weapon for Germany.

I love history stories where I don't know the outcome. What I will say is a .245 lifetime hitter is far better than any sandlot player. The film was dreadfully slow, but I needed to know the ending. I also thought Paul Rudd was not the best choice for the lead. Granted he had to be dead pan, but maybe a bit cocky would of helped the tale.

The title, which sounds like a JD Salinger rip off, might keep folks away.

Guide: No F-words. Sex scene. No nudity.

Moe Berg (Paul Rudd) is ordered to assassinate Werner Heisenberg (Mark Strong), the leader of the Nazi nuclear effort and the father of Quantum Physics. Moe was a journeyman Major League baseball catcher better known for his odd cerebral mannerisms. Estella (Sienna Miller) was his long-time girlfriend although he has homosexual encounters. For the mission, he is joined by Heisenberg acquaintance physicist Sam Goudsmit (Paul Giamatti) and military liaison Robert Furman (Guy Pearce).

The true story is rather interesting which keeps this a compelling watch. I do have several issues with the movie itself. First, the title has to go. It may work for a book but it lacks the power for a movie. It should be something more like Killing Heisenberg. Second, Moe Berg remains a mystery despite some very compelling scenes. I still don't get his relationship with Estella. Quite frankly, it would be more interesting to have the innuendo than trying to figure out his deal. His reply to the queer question is perfect. As for the meeting in Zurich, I like everything except the final foot chase right out of every other spy movie. It needs to be more than that. The audience needs something to indicate that the Germans are not close to the bomb. It's in the conversation. Moe needs to bring up the 5% and Heisenberg needs something brilliant. I don't what that is but the movie needs it. This is intriguing history and Paul Rudd is doing more than his amiable everyman.