The Barefoot Contessa

1954

Crime / Drama / Mystery / Romance

3
Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 72%
IMDb Rating 7.1 10 8302

Synopsis


Uploaded By: FREEMAN
Downloaded 30,704 times
April 26, 2018 at 11:02 AM

Cast

Humphrey Bogart as Harry Dawes
Ava Gardner as Maria Vargas
Edmond O'Brien as Oscar Muldoon
Warren Stevens as Kirk Edwards
720p.BLU 1080p.BLU
1.06 GB
1280*694
English
NR
23.976 fps
2hr 8 min
P/S 3 / 5
2.06 GB
1920*1040
English
NR
23.976 fps
2hr 8 min
P/S 4 / 8

Movie Reviews

Reviewed by Boba_Fett1138 6 / 10

Just couldn't care about the story or characters.

This movie sounded like a good idea. It's about the rise and fall of a female movie star and focuses on the upper-class society and the world of Hollywood but in truth and honesty the movie is just too much of a drag, due to the fact that the story just never seems to take off and the characters are not very compelling ones.

It probably foremost is the pace that makes this movie its story come across as slow and dull. It seemed like an interesting idea to tel the story of this actress from the viewpoint of several male characters she met throughout the entire movie. However this way of storytelling instead causes the story to feel like a messy one. I also just don't see how this movie is a good one as an inside-Hollywood movie or social commentary perhaps. The movie to me just seemed pretty pointless and it wasn't going anywhere. It all still could had worked out had the characters been better ones.

You can't really blame the actors for not letting the characters work out well enough for the movie. I mean when you have actors like Humphrey Bogart, Ava Gardner and Edmond O'Brien involved, you can hardly blame the acting can you?

The movie is just too much talking and not enough drama or romance involved. I didn't very much liked watching this movie and didn't feel involved with it enough but nevertheless I also couldn't hate it. After all, it certainly ain't no bad movie but it still is one that comes across as being uninteresting and pretty pointless overall.

6/10

http://bobafett1138.blogspot.com/

Reviewed by BuddyBoy1961 8 / 10

Bittersweet tale of success leading to tragedy

Scouting talent for an upcoming film to be shot in Italy, a trio from Hollywood (writer/director Bogart, producer Stevens and publicist O'Brien) travel to Spain to scope renowned local dancing sensation Maria Vargas (Gardner). Immediately, they are struck by her beauty and presence. In fact, Gardner has a profound effect on every man she meets...though the effect is as unique as each man she encounters. Stevens sees a talent to be exploited for all it's worth and O'Brien sees only huge marquees and dollar signs. But Bogart, after a couple of brief but revealing conversations with Maria, sees so much more. Expecting a naive Spanish peasant eager to grab at the brass ring, he finds instead a woman as smart as she is beautiful, whose main motivation is to enjoy the challenge and escape that a Hollywood career might offer a woman who will nevertheless always value the simpler things in life. Even with her inate beauty and uncommon savvy, to Maria's detriment she does not have eyes in the back of her head. Told in flashback the viewer experiences her success in Hollywood and her quest to find the true love of a man (Brazzi) that has always eluded her.

In the hands of Joseph Mankiewicz, "The Barefoot Contessa" frequently bristles with crackling dialogue (would you have expected less?). Unique to this contribution from Mankiewicz is the portent that hangs over the film. As the details of Maria's life are expounded, empathy for her fate increases accordingly. Impeccably well-cast, this is actually an ensemble film. Gardner is luminous as Maria, though she is not solely dependent on her looks to carry the film--she gives a real performance. Bogart is stalwart and sympathetic as Maria's protector. And O'Brien, in an Academy Award-winning turn, is sly and oily as the single-minded publicist who changes allegiances as often as his sweat-soaked shirts. Lensed by the great Jack Cardiff and shot largely in Italy, the European ambiance, as well as the snappy dialogue, push the credibility of the premise a notch or two above so many other so-called exposés of Hollywood excess and pretense.

Reviewed by scorpio-x 7 / 10

Ava Gardner carries herself--and the film--beautifully.

"The Barefoot Contessa" is a greatly underrated film--which is rather surprising, when you consider the amount of talent involved. First, there's the brilliant script by Joe Mankiewicz, who was always at his best when dissecting Hollywood and its denizens. The movie's best scene may be the Hollywood party where Kirk Edwards gets his comeuppance, all booze, boredom and viciousness ("What she's got, you can't spell. And what you've got, you used to have."); although the scenes of the pathetic/glamorous European jet set are also excellent, the way Mankiewicz can create a small line or gesture that delineates an entire character. Really, the only time his touch fails him is toward the end, when Maria meets her Count and things get a bit melodramatic.

Also magnificent is the cinematography by the always-brilliant Jack Cardiff, who invests everything with color-drenched glamour. (Did you know that, along with shooting such visual masterpieces as "Black Narcissus," "The Red Shoes" and "Pandora and the Flying Dutchman," Cardiff was also the cinematogrpaher on "Rambo: First Blood." Yikes.) Edmond O'Brien won a well-deserved Academy Award for his portrayal of the sleazy PR man Oscar Muldoon, managing to bring hints of depth and dimension to a character that could have easily been pure caricature. Another fine, if brief, supporting turn comes from Mari Aldon as Edwards' long-suffering mistress, Myrna (especially her "I'm just a scared tramp" exit line).

Still, what makes this film work is the presence and performance of Ava Gardner. See "The Barefoot Contessa" and you will understand why many have thought her to be the most beautiful woman ever to grace the screen. She is simply breathtaking. Ava's appearance alone is enough to give credibility to Maria Vargas' legendary magnetism--and, without that, the whole film would fail, as it's really just about three men standing around one woman's coffin, wondering that made her tick--but it's her work as an actress that raises the character from beautiful blank to irresistible enigma. Even when her dialogue is a bit trite and soap-opera, she manages to make it believable by making shallowness appear to conceal depth (if you get what I mean), and even does a fine job with the accent. This was the film that earned her the tag "the world's most beautiful animal," but Ava Gardner was much more than that.

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