Tarzan

1999

Action / Adventure / Animation / Family / Music / Romance

158
Rotten Tomatoes Critics - Certified Fresh 88%
Rotten Tomatoes Audience - Upright 74%
IMDb Rating 7.2 10 172226

Synopsis


Uploaded By: OTTO
Downloaded 265,111 times
May 31, 2012 at 04:18 PM

Director

Cast

Tony Goldwyn as Tarzan
Glenn Close as Kala
720p.BLU 1080p.BLU
601.91 MB
1280*720
English
NR
23.976 fps
1hr 28 min
P/S 13 / 46
1.20 GB
1920*1080
English
NR
23.976 fps
1hr 28 min
P/S 4 / 46

Movie Reviews

Reviewed by Aerie-2 10 / 10

Wow!! An 11 out of 10, if possible...

... or no, a 15, maybe.

This is right up there with 'The Lion King' and 'Mulan'. I had the treat to see this last night, and through it all, even the toddlers in the theater loved it! People have said this is a breakthrough animation-wise, but story-wise, this is like mind-blowing. Tarzan himself is the first truly deep Disney male character since ... I can't think of a really deep Disney male character, except perhaps Simba from The Lion King. Tarzan has everything that makes you realize that, though he's raised by apes, he's truly human, and even his upbringing can't hide that (C'mon, if you were raised your whole life thinking you were an ape, and then suddenly find out you're really something else, wouldn't you also be disturbed?)

From the first to the last scene was awesome. Tarzan and the ape Kala's backgrounds were told briefly, poignantly, and emotionfully. There's (intelligent) humor and love, which only add to the film, and there's an obvious love between Tarzan and Jane. Someone here said they're not in love, that it's obvious, but I have to strongly disagree. The scenes between them are funny and give you a feeling that there's a strong attraction (and not just because Jane's interested in studying apes). And even Jane's father, though he's a small background character, he helps the plot along, and while you'd describe him as "dithering", he has his own funny bone (When Jane is describing Tarzan to him by drawing a picture on a blackboard, she starts to go on about his 'wonderful eyes', and in the midst of her daydream, her father comments, "Would you like me to give you and the blackboard some private time?" Riot!).

No, Clayton's not a Jafar or a Gaston, but he's not really the enemy here; he's just an antagonist to help along Tarzan's inner conflict. The real enemy would be Tarzan's battling against his 'true' world (the one with humans) and the one he's grown up with (the one with apes). Clayton just resembles a threat to Tarzan's ape family. In the past, villains were a direct challenge to the hero; here, he is a threat, sure, but he's not the whole movie here. I like it better this way. In real life, there's rarely a big evil soul against you, and Clayton seems like a realistic greedy, nasty guy, rather than the cliche megolamincal weirdos of most animated features.

I loved Phil Collins. And while it's great hearing Ariel sing, I think background music was better for this particular movie. I couldn't see Jane or Tarzan singing; it makes the whole thing almost unrealistic.

Tarzan himself was wonderful! Charismatic, emotional, outgoing, and at the same time, goofy and boyish. The scenes between him and his ape mother, Kala, were so tender. I haven't seen such wonderful emotions in live-action movies. And even Kerchak ... let me tell you something about him. Even my mom said he was real. I don't think he was too mean. He felt threatened by Tarzan's presence. It wasn't out of superiority. When Kala first shows baby Tarzan to him, Kerchak is worried about the existence of other humans in the jungle, which might endanger his family of apes. He only worries about his family, too, and I suspect that, while he keeps a stoic face over the death of his own baby ape in the beginning of the movie, he's not ready to adopt another baby (if one of your kids died, would you be so willing to adopt another right away? I know I wouldn't).

The Lion King, Mulan, and Tarzan all have the same thing in common; they all show true emotion and character, unlike the basic fairy tale fluff like Cinderella and Bambi (nothing against fairy tales, but I like to see true-to-life stuff, you know?).

This is a must-see. If Disney keeps this up, adults may start to change their views of animated stuff. It ain't just for lil' kids anymore! :)

Reviewed by Elswet 8 / 10

Excellent Disney fare. One of the best.

Okay. They rewrote the whole legend. But Disney has an unerring way of doing that. Anyone remember Pocahontas? They even changed Cinderella, Snow White, and every other Disney Masterpiece sitting on your shelves, so why does it matter that this, too, was changed?

It matters on several different levels, but the most important reason it matters is because Disney, in their positioning among the children's entertainment market, is in the unique position to actually teach these legends, these snippets of history, these morals and ethics, to the children of their audiences, rather than proffering sugar-coated, merchandized over-glorifications in exchange for the great American dollar.

That having been said, this is still an entertaining introduction to the legend, but I highly suggest "Greystoke: The Legend of Tarzan, Lord of the Apes," (1984), directed by Hugh Hudson. It is the most faithful adaptation I've ever seen, and a highly enjoyable adventure, which carries a PG rating and is safe for most ages to view.

A lot has been said about the deep canvas effect used throughout the jungle scenes, and I must admit that I found the technique highly effective and extremely well done. I do computer graphics myself, and I was very impressed with the 3D effects throughout, including the water variants and textures used in the ship scenes, the fire effects used in the jungle, and the smoke effects from the guns used by the poachers. The textures and backgrounds were absolutely stunning, and for me, as a graphics artist, that's what I look for when I view a quality animation.

Very good endeavor.

It rates an 8/10 from...

the Fiend :.

Reviewed by ElMaruecan82 7 / 10

The last Hurrah of Disney Renaissance...

1999 was a cinematic year marked by the seal of originality and self-questioning that fitted the upcoming New Millennium timing, it is also the year where animated movies like "Toy Story 2" and the "South Park" movie came out and they were so in-line within the modern mood of their era, that they might overshadow "Tarzan" despite not being as visually breathtaking.

Indeed, for all its spectacular jungle canvas and spellbinding animation (the animators really outdid themselves), not to mention its heartfelt story not devoid of a few existential undertones, "Tarzan" might be too 'classic' for its own good. The film is often noticed for being the last of the Disney Renaissance era, and it is true that if we forget the sorry streak of straight to video sequels of the early 2000's, Disney had definitely surrendered to the CGI wave after that. But "Tarzan" was made a bit too late, when the pulse of animation was beating in 3D and when the torch of traditional animation had already passed to Hayao Miyazaki. "Chihiro's Travel" is light years ahead of "Tarzan".

I liked Tarzan a lot despite my criticism, I loved the relationship he had with his environment and the character of Kala, his adoptive mother voiced by Glenn Close, who is certainly one of the most memorable mother figures of Disney canons. There must be something about Close's voice as she was also remarkable as Homer Simpson's mother. The character of Jane is also a nice twist on the usual love interest figure and Minnie Driver delivers a fine performance as a girl always in good mood, curious about everything and whose awkwardness with Tarzan is both touching and funny.

I loved the lighthearted tone of the encounter between Tarzan and Jane, the way they both try to communicate (we get it that the English spoken with animals is just the usual artistic license and that it's meant to be a series of articulate grunts and adequate body language) and how a well-meaning Tarzan tries to fit between the two worlds. Voiced by Tony Goldwyn, Tarzan is certainly deeper than most Disney protagonists, torn between the love and friendship of some and the defiance of other, most notably, Kala's mate, voice by Lance Henrikssen, who refuses to recognize him as a son.

We do root for Tarzan, he's certainly an engaging hero but just when ou try to except something really worthy of this character, the film just never feels like delivering something reasonably new and fresh, if we except the splendid special effects, but from the trailer, viewers already knew about the surfing across the trees sequences, perhaps one of Disney's greatest moments. The problem is that the relationships, as original as they are, fail to blow the mind of an audience who's seen "The Jungle Book", "Beauty and the Beast" or even "Pocahontas".

The blame might also be on the weakness of the main villain (Brian Blessed) and the too distractingly old and goofy father (Nigel Hawthorne), I couldn't believe he would be Jane's father but Disney has a tendency to make little goofy midgets fathering beautiful and tall women, at least Tarzan looked like his real parents. Both the bad guy and the professor were rather dependable and maybe the story could have worked better without them, but I guess the purpose of the film was to culminate with a men vs. animal confrontation with Tarzan as the common denominator, but they could have found a more original climactic action sequence.

The songs are touching and poignant like Phil Collins' songs but in a year where the "South Park" movie provided at least three Oscar-worthy songs, I won't forgive the Academy for having taken the easy choice. So I won't develop that chapter and will conclude by saying that "Tarzan" is certainly the last hurrah of Disney Renaissance and a great animated film in the sense that the animation is great and the story engaging but not to the point you'd want to watch it a second time.

I'm a father and since today is Christmas, I just remembered I often bought Disney DVDs to my daughter and "Tarzan" is one of the rarest ones, there must be a reason, don't you think?

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