The Story: Terrorists take over an embassy. Terminal Force, an elite team of android counter-terrorists wipe out the terrorists but accidentally kill six hostages. Faced with shutdown, the androids go on the run. Police lieutenant Jack Floyd is partnered with Cain, the sole remaining T-Force android, & sent to find & destroy the renegade androids.

This effort by action director Richard Pepin is unstinting when it comes to ripping off other films. The first half-hour shamelessly rips off "Die Hard", with a well-dressed terrorist taking over a building. But after this second-rate scene, "T-Force", which retools itself as a robot version of "Universal Soldier", actually becomes enjoyable. Lead actor Jack Scalia should get an award for getting into a performance above the call of duty, making his role as the bitter robot-hating cop extremely likable. Bobby Johnston, in the role as Jack's android partner, works with him admirably. On the other side of the coin, Evan Lurie does another of his bad performances, spouting campy one-liners as he dispatches his victims. As is the case with all of Pepin's films, "T-Force" has a lot of action scenes, plenty of heavy artillery & massive explosions, ensuring that action junkies will get their fix and more.

At some point in the future, a scientist named Dr. Gant (Brooks) creates "Cybernauts", robots with very human characteristics used for law enforcement. Adam (Lurie), Zeus (Malibu, or McBee, or perhaps Malibu McBee), Mandragora (MacDonald) and Cain (Johnston) are bulletproof, never miss when they're shooting their guns, and have super-strength, among other superlative characteristics. However, when they're told the program that created them is going to be shut down, their "self-preservation" instinct kicks in. Zeus, Mandragora and Adam then proceed to go on a robot rampage. But Cain separates himself from the murderous bunch. He ends up teaming up with Lt. Jack Floyd (Scalia), a man who initially hates robots but eventually warms to Cain when Mayor Pendleton (Gray) ensures they have to work together as partners. Can anyone – or anything – stop these super-strong, deadly and emotionless killbots? Find out today! T-Force is an excellent example of what PM does best. It delivers the goods – it provides tons of viewing enjoyment, and totally fulfills what this sort of movie should be. Of course, the "T" in T-Force is short for Terminal, going along with what can only be described as the "Terminal" craze of movie titlings in the 90's. Terminal Force would have been a cool title, but shortening it to T-Force is even cooler. It starts with an amazing intro where the Cybernauts are posing in front of explosions, and we're treated to many more blow-ups where that came from.

Casting Malibu and Evan Lurie as robots was a stroke of genius, and these robo-meatheads (or MeatBots if you prefer), of course, have long hair. Why long, lion-like manes (and in the case of Cain, a propensity for wearing tight jeans) was part of the intentional design of the Cybernauts remains unexplained. But in addition to the plentiful shooting, blow-ups and fights, there are actually ideas and concepts embedded herein that make you think. No, seriously. The screenwriters must have been reading their Socrates, because there are some Crito-like meditations on the nature of law and society. Not to mention humanity. So, there are more real explosions – and ideas – in the final third of T-Force than in the past 20 years of Hollywood pap combined.

Playing the archetypal American man that the audience can identify with (he even has an all-American car, a 1977 Cadillac he names Ol' Betsy) Jack Scalia is at his absolute best here. Endowing Jack Floyd with a lot of energy, not to mention groany one-liners, he provides nice counterpoint to the robotic action. This blows away his performance in Dark Breed. I think we can safely say this is Classic Scalia. But giving him a run for his money is the guy who plays Alderman Peter (we think his name is Sean Moran). He gives everyone a run for their money, including two meatheads exchanging quasi-Shakespearan-style dialogue. Malibu and Lurie together is almost too much meathead for one movie, but at least T-Force reconstitutes the meat into something a little different this time.

So in classic 90's fashion we have tons of mindless killings and blow-ups, dialogue that's silly when it's not intellectual, exploding helicopters (and everything else), sax on the soundtrack, and of course the 90's-future-movie staple, VR. It's hard to ask for more, and the confluence of classic elements puts this ahead of the pack. PM delivers yet again, with a winner that is indeed T-Forceful.

Cheesy, cheesy, cheesy... like a big bowl of melted Velveeta. At the open, some group is breaking into some building, killing everyone in sight. They seem to be after "the ambassador"... the acting is pretty shady, along with everything else. The actors all say each line as if that one line is the most important line of the film. My favorite actor name in here is Clement von Franckenstein (really!)... he is the ambassador. Erin Grey probably best known for Buck Rogers and Silver Spoons, is The Mayor. I did not enjoy this at all... even the robots were arguing about what the "prime directive" is, when they decide to take over. Bad script, bad acting, bad direction. Don't waste your time. Some films are so bad, they are funny or fun, but it just doesn't happen here. Maybe it was meant for the kiddies, but there is a whole lot of cussing, so I wouldn't let the munchkins watch it! Find something else to do.