Sorry to Bother You

2018

Comedy / Fantasy / Sci-Fi

22
IMDb Rating 7.3 10 11627

Synopsis


Uploaded By: FREEMAN
Downloaded 113,827 times
October 10, 2018 at 10:45 PM

Director

Cast

Armie Hammer as Steve Lift
Tessa Thompson as Detroit
Rosario Dawson as Voice in Elevator
Lily James as Detroit's White British Voice
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB
936.13 MB
1280*534
English
R
23.976 fps
1hr 51 min
P/S 140 / 569
1.77 GB
1920*800
English
R
23.976 fps
1hr 51 min
P/S 225 / 1,151
935.85 MB
1280*534
English
R
23.976 fps
1hr 51 min
P/S 283 / 972
1.77 GB
1920*800
English
R
23.976 fps
1hr 51 min
P/S 1,397 / 7

Movie Reviews

Reviewed by smleblanc-94565 4 / 10

It's a uhhhhhhh . . . . experience

Ok so I literally created an account just to review this movie let's go

I saw this movie last night with a few of my friends. None of us knew anything about this movie going in other than it had something to do with telemarketing and was highly rated online. Afterwards, we had to go get some ice cream and sit down for a bit to scream and process what the hell we just watched.

This movie is a surreal fever dream that has a few great scenes and something interesting to say about the socio-political atmosphere of the US right now, but is mostly just a total mindscrew of a movie with no real purpose or direction. The whole movie is confusing, feels like it's 4 hours long, and the goddamn horse-people freaked me out so much I felt like I was gonna have nightmares.

I'm honestly really conflicted about this movie because it took some really interesting risks and clearly had some thought put into it, but it took such a bizarre turn that I genuinely feel like I can't understand what just happened. Obviously, it wasn't my kind of movie but if you go into it expecting a wild, nonsensical LSD trip then go for it, I guess.

But beware the horses. I'm scared to sleep

Reviewed by Jared_Andrews 8 / 10

The WTF Movie of the Year

Sorry to Bother You is a strange, surreal, hilarious satire guided by the intentionally unsteady hand of rapper-activist turned debut director, Boots Riley.

It dabbles in commentary on media, society, race and working-class issues-so many poignant messages, some more successfully delivered than others. The fearless absurdism will likely distract some viewers from a couple of these messages, but I'm okay with that. I take this wonderful creation much more for its entertainment value than anything else.

The messages that do resonate should come through clearly. Riley's story doesn't shroud itself in murky metaphors. It tells us exactly how to interpret the bizarre world he has created.

Rising star LaKeith Stanfield plays Cassius 'Cash' Green, a deep-thinker who lives in his uncle's garage with his artistic girlfriend named Detroit (the invaluable Tessa Thompson). It comes as no surprise that a man who goes by Boots would opt to give his characters unusual names. These two are just the beginning.

To collect enough scratch to keep up with his rent and put gas in the rusty bucket he drives, he takes a job as a telemarketer. When a wise elder advises him to use "white voice" to improve his sales, Cash starts to rake in the green.

After he rises the ranks of the telemarketing world, ascending to the divine status of power caller, he attracts the attention of an eccentric, drug-fueled CEO, Steve Lift (Armie Hammer). His company, WorryFree (a place where employees feel anything but) hides a dark new idea. But when the secret leaks to the public, his stock unexpectedly skyrockets, and Lift is declared a pioneering genius.

The rational-minded public undoubtedly opposed Lift's plan, but big business carried on. As union organizer Squeeze (Steve Yuen) explains to Cassius, "if you show people a problem, but they don't know what to do about it, they just learn to get used to it."

If you think you have any of this plot figured out, think again. It makes a radical left turn in the third act that will tempt some viewers to jump ship. My advice: stay on board. Even if you don't want to totally buy in, just hang around to see where this new direction leads.

The film flies along with such easy energy early, then hits turbulence when trying to figure out how to end this thing. Riley introduces so much psychedelic madness that by the end it's nearly impossible to wrap up the story. But at some point, one must come down from every trip.

Even with as jarringly fantastical as it is, in many ways this movie also feels incredibly real. As Riley puts it, he strives to "break down reality to help us better understand it." Mission accomplished.

Reviewed by idennis32 6 / 10

Starts off strong, ends poorly.

I had high hopes for this movie and it fullfills half of it. I saw this at a special screening in Baltimore Parkway theatre yesterday and I still can't believe how strong the first of the movie is and how it gets derailed so quickly.

The movie is about Cassius Green, a man who gets a telemarketing job and rising to the ranks using his "white voice". The concept alone lets people know the film deals with themes of identity. But this theme is tarnished by the big plot twist.

SPOILER ALERT:

The big twist is that the telemarketer's goal is to mutate workers into horse like beings in order to use them as labor and control them by making them snort this capsule that can be mistaken for cocaine. Sounds silly right? Because it is. None of that made sense literally came out of left field and you have to deal with for the last 30minutes - hour of the movie. And the ending has Cassius turn into the horse like being and come and destroy the big bad guy's mansion. It totally ruins the previous themes and becomes a weird, forced sci-fi movie. It's as if the director wanted to mash Get Out with District 9 together. It just doesn't work.

The movie overall is hilarious. Literally the movie is PACKED with jokes from start to finish. The dubbing of the "white voice" is odd as sometimes the actors expressions and the voice don't match up. The animatronics are horrendous like TMNT 3 Bad. But the real crime is how they ditched this really thematic angle of the story dealing with identity crisis and how Cassius is selling out to "the man" due to his greed and traded it for a weird sci fi scene about mutation and how they're making slaves out of us.

Although creative, the film suffers from its storytelling and for that it gets a 6/10. There's much to enjoy but you'll end up confused in the end.

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