I suspect a lot of people didn't see or like this film because the subject matter was a bit close to home, especially with the gritty and realistic tone that so many NZ and Aussie movies had in that era with it culminating in Once Were Warriors in New Zealand and Mad Max in Australia with Mad Max going on to be eventually and inevitably Hollywoodised. As raw as Mad Max was I think Warriors would've been too raw for the Yanks. They like their action and drama but it has to be firmly in movie land, don't we all really.

I was 2 when this movie came out here in NZ but watching it now makes me nostalgic for the small towns, old cars and bush which is funny because there's a similar small town and bush about 30 mins drive away, not so many old cars though.

Good trip down memory lane if you grew up in the 80's with solid acting from Bruno and supporting cast members. I vaguely remember it having a bit of a cult following in the 90's along with Goodbye Pork Pie and Came a Hot Friday.

Roger Donaldson wrote, produced, and directed this combination of character study, melodrama, and thriller. Kiwi icon Bruno Lawrence stars as Al Shaw, a former pro racer who now operates a rural junkyard (the "Smash Palace" of the title). He spends so much time tinkering with vehicles that he has little time left for his wife Jacqui (Anna Maria Monticelli). Feeling unloved, she commences an affair with his best friend Ray (Keith Aberdein), a police officer, and takes their daughter Georgie (Greer Robson-Kirk) with her. He does not appreciate this turn of events, to put it mildly, setting in motion the ugliness that will soon follow.

Lawrence is brilliant in a largely unsympathetic role. Although the story eventually turns somewhat conventional as he takes it on the lam, he still provides enough "glue" to hold everything together. Monticelli is fine as the frustrated wife, and has plenty of her own effective moments. Young Robson-Kirk is adorable, and the film is at its best when focusing on the relationship between father and daughter. Aberdein, and Desmond Kelly as friend / employee Tiny, round out the superb main cast.

Although he doesn't invite a lot of sympathy (at least for the balance of the picture), Al is NOT one-dimensional: he genuinely loves his little girl, and it's understandable that he couldn't abide the thought of possibly not seeing her again. Then again, the three main adult characters are presented as real, flawed human beings who are not in the right all the time. The one character you really feel sorry for is the child, who you know is going to have some traumatic memories to last her a lifetime.

The film is deliberately paced for a while, eventually segueing into a more action-packed finale. (It does also have some well-executed racing sequences, as Al still participates in races whenever possible.)

Atmospheric, and grimly compelling, "Smash Palace" devastatingly illustrates what happens for children when their parents are irrational.

This third feature for Donaldson helped get him noticed by Hollywood, leading to his respectable American feature film career.

Eight out of 10.

Rather an unpleasant and tedious watch with mundane storyline and only workmanlike direction. Bruno Lawrence carries the film as the distinctly uncharismatic scrapyard owner although his scenes with the excellent young girl Greer Robson are some of the best elements. Indeed what I did like here is the scrapyard itself, a quite amazing graveyard of old busted and rusting vehicles and the amazing snowy mountain backdrop. I also liked the performance of young Robson and if more could have been like the birthday cake scene all might have been well. I also thought the last 5 minutes or so were very well done and at least I ended the film with a smile on my face. Goodness only knows why fledgling director Roger Donaldson took on Australian newbie Anna Jemison who really seemed to struggle and has some of the most embarrassing scenes I recall seeing, the drunken and bed ones in particular. Overall this is a dull and dreary affair with only the aforementioned junk yard and young girl likely to remain in the memory - oh and the ultra embarrassing full frontal in the street from Bruno Lawrence.