Action / Comedy / Horror / Thriller

Rotten Tomatoes Critics - Rotten 17%
Rotten Tomatoes Audience - Spilled 30%
IMDb Rating 5.4 10 12907


Uploaded By: OTTO
Downloaded 501 times



Boris Karloff as The Monster
Brent Spiner as Talkshow Guest
Peter Berg as Jonathan Parker
812.63 MB
23.976 fps
1hr 49 min
P/S 0 / 4

Movie Reviews

Reviewed by lastliberal 5 / 10

Come on, boy, let's take a ride in my Volts Wagon.

Now this was a weird idea; a serial killer (Mitch Pileggi, The X-Files) that feeds off electricity.

His nemesis was a high school boy (Peter Berg, Collateral, Cop Land) who hit a goalpost and had dreams about his kills - including his own family and girlfriend (Camille Cooper). Wow!

The body count rose as the killer had to move from body to body. Then comes the final battle, which I imagine would not ever be seen again as they chased through TV show after TV show. It was something to see.

This was more action flick than horror, although it did have it's share of blood and gore.

Reviewed by BA_Harrison 3 / 10

Shockingly awful.

Shocker sees horror director Wes Craven attempting (but failing) to replicate the success he enjoyed with A Nightmare On Elm Street (1984), bringing to the screen another supernatural psycho in the form of serial killer Horace Pinker (Mitch Pileggi), who uses black magic to free his spirit as he is being zapped in the electric chair. Transferring from body to body, Pinker is able to continue his grisly murder spree, AND have a little fun with Jonathan Parker (Peter Berg), the high school football star who was instrumental in Pinker's arrest.

Craven not only rips off his own ideas, using dreams as a major plot device, but also mimics the horrible tongue-in-cheek style of the later Elm Street movies, his killer a wisecracking figure unable to be destroyed by normal means. The result is a real stinker of a movie, boasting a lousy central performance from Berg (whose whiny nasal delivery is unbearable), lots of dreadful visual effects, and a plot that makes very little sense, all capped off with a sequence that is easily one of the worst things Craven has ever committed to film (and that's saying something): a battle that takes place inside a television set, with Pinker and Jonathan travelling through several TV shows, the plucky high-schooler eventually using the TV remote to control his enemy. I'm not entirely sure what Craven was aiming for, but the result is embarrassing in the extreme—even worse than BB the robot in Deadly Friend.

N.B. I just remembered the moment where Pinker disguises himself as a massage chair, which is as bad as, if not worse than, the TV channel hopping scene.

Reviewed by tdrish 6 / 10

silly, unique, slick...but not scary

By the time Shocker came around way back in 1989, it was clear that Wes Craven was getting burnt out on all his hard work. This movie does have a lot of creativity, and other key factors that help make it a good movie, however,there are other key elements that drag it down to hell. My first complaint with Shocker...way too many special effects. I'm talking special effects, after special effects, to more needless special effects, to the fact that it's just pure silliness that Craven finds the need to abuse all these special effects. Examples include hero Jonathan Parker falling into a bed full of water ( a dream sequence never explained), to psycho killer Horace Pinker coming to life as a human recliner ( you think that's funny, you have to actually see it!) Shocker is not a bad movie to watch, it's certainly not boring, however, Craven has several other titles, earlier titles I may mention, that are worth having a look before you dive into this fest. I'm strongly advising this for fans only. If you've never watched a Wes Craven movie, I strongly recommend Invitation To Hell or A Nightmare On Elm Street. This one came a year after The Serpent And The Rainbow ( my personal Craven favorite!), and it's literally night and day compared to Shocker. Shocker also lacks a whole lot of logic, but if you're not an over thinker like me, you just may be lucky enough to over look it. I think it's quite funny, just to point out, that the cops in this movie cannot seem to find Horace Pinker, the killer, despite the fact that he's driving around in a TV repairman truck with his name clearly visible right on the side of the truck. They have to depend on someone who is...actually dreaming about the killings before they even happen. ( What is it with Craven and the whole dream thing, anyways?) Surprisingly violent for a Wes Craven film, this one also takes a broad approach into the mind of serial killer, before and after his death on the electric chair. When he is executed, well, they just did him a favor. Now he's a disembodied entity, going through power panels, and even using other people to inhibit through an actual possession. ( Possessing a child? You just lost a star, Wes!) A whole lot of silliness in this one, especially towards the end of the movie, when they're feuding through different TV channels, different TV shows, and different movies. ( Sound different? IT IS!) It's slick, silly, unique, but it lacks a whole lot of scares that we're so used to with a movie written and directed by's almost a letdown. Rest In Peace Wes are truly missed by many ( and I'm one of them.)

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