Seconds

1966

Sci-Fi / Thriller

3
Rotten Tomatoes Critics - Certified Fresh 90%
Rotten Tomatoes Audience - Upright 87%
IMDb Rating 7.7 10 13134

Synopsis


Uploaded By: FREEMAN
Downloaded 22,220 times
March 14, 2018 at 05:21 PM

Cast

Rock Hudson as Antiochus Wilson
John Randolph as Arthur Hamilton
Richard Anderson as Dr. Innes
Murray Hamilton as Charlie
720p.BLU 1080p.BLU
886.51 MB
1268*720
English
R
23.976 fps
1hr 46 min
P/S 2 / 9
1.69 GB
1888*1072
English
R
23.976 fps
1hr 46 min
P/S 2 / 12

Movie Reviews

Reviewed by Thomas Rucki 10 / 10

Seconds : a realistic tale of suffocating paranoia

"Seconds" is a fascinating and engrossing realistic fantasy tale that deals with the question of the identity and above all, the exploration of madness symbolized by the search of material happiness and the search of eternal youth which leads to the most claustrophobic fate. "Please be yourself !" can be the warning of this film. The innovative and the post-expressionist cinematography of James Wong Howe (the use of the 9.7 mm fish-eye lens, extreme chiaroscuro, tilted low angle shots, hand-held camera shots) combined with the stylish graphic work of Saul Bass and a cold, taut and harsh music of Jerry Goldsmith makes it like a Faustian tragedy with a Kafkaesque approach. The whole film is about distortion. The twisted vision of the main character trapped in his own nightmarish world, full of "re-borns" and "employees". But the real nightmare is the dreary routine of his existence. For instance, the scene of the train when Arthur Hamilton is reading his newspaper and feels suddenly sick with his life. We see very short shots of the train window and his sad face. The more oppressive scenes are silent just extreme close-ups of faces. Perhaps, the best film directed by John Frankenheimer and the best paranoiac film ever created. "Classic" is a weak word to define this masterpiece of modern terror. "Seconds" is the last film of the John Frankenheimer's paranoiac trilogy, without forgetting : "The Manchurian Candidate" and "Seven days in may".

Reviewed by dr_foreman 10 / 10

the best midlife crisis film

Midlife crisis films are rare beasts, but everybody loves them. Look at the success of "American Beauty," probably the most stereotypical depiction of middle-class America that I've ever seen. Quite shallow in its way, "Beauty" was a hit because of its subject matter - it tackled some taboos and had the nerve to portray the problems of "ordinary" people. But you know what - it had been done before, and better, here.

"Seconds" is the story of a middle-aged banker who undergoes surgery to become - this part is really a gas - Rock Hudson! He's given an outlet to escape from his loveless family life and tedious job, and he becomes a swinging painter/playboy with a beautiful house on the coast. Of course, he soon finds that good looks and money are no substitute for what he really wants - some kind of genuine intimacy in his life.

Is this message a bit too predictable? Oh, I dunno - we all seem to agree that the pursuit of wealth is an empty one, yet we indulge in it all the same. The social problems explored in "Seconds" are still very much with us, and our awareness of these problems certainly hasn't solved them. The film ultimately acts as a powerful, sobering reminder that most of us aren't doing what we really want to do.

Plenty of great style on display here from director Frankenheimer. There's a wonderful "wobbly camera" drunk scene that is so realistic, you'll feel as though you've been hitting the bottle yourself. There's also consistent effective use of point-of-view shots and unusual angles. In terms of subject matter and directorial flair, this film is incredibly innovative...it's taken years for us to catch up to this kind of material, and yet we still haven't topped it. Definitely in my top twenty.

Reviewed by preppy-3 8 / 10

Depressing as they get

Arthur Hamilton (John Randolph) is a middle-aged man. He has a nothing job and feels he has no purpose or direction in life. He can't even make love to his wife anymore. He is offered a new life by the Company--a secret organization. They will "kill" off Arthur and give him a new face, a new body and a new identity. He comes back as Tony Wilson (Rock Hudson). However, can he be happy in his new life?

Exceptional black and white cinematography by James Wong Howe; great direction by John Frankenheimer (all the extreme closeups and off kilter camera angles keep you uneasy); a perfect score by Jerry Goldsmith (the organ fits perfectly)...but this is almost unwatchable.

It's VERY depressing, very downbeat and (at times) way too slow (the beginning). It's easy to see why this was a box office bomb--it's way too depressing for the average viewer. The things I mentioned above help make the film bearable as does the acting.

Randolph is superb as Hamilton--you feel his pain and misery. Hudson, surprisingly, is pretty good. Sometimes he's not that good but there are certain sequences when he's exceptional--particularly at a wine party, a cocktail party (where he actually got drunk to play it realistically) and he explodes during the harrowing ending. The ending is one of the most horrific sequences I've ever seen. I felt like bolting from the theatre.

A one-of-kind horror thriller. I can't say I enjoyed this, but I'll never forget it. It has a big deserved cult following.

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