So in this third segment of the Puppet Master Epic, we are transported back to World War II and the Nazi's. Forever looking for the upper hand the German military command has come across rumours of Andre Toulon. It's said his marionette show has puppets without strings. If the Riech could mobilise such a force then they would be unstoppable. After Toulon refuses to help Major Kraus his wife Elsa is murdered. Upon his escape, helped by his trustworthy puppets, Toulon sets out for revenge.

Even though this is primarily a revenge story the writers, Charles Band and C Courtney Joiner, give the audience so much more. There's intrigue, adventure, action, and human interest. This tome is one of the better and stronger stories in the collection. This makes this film a rarity... it's better than the original. Like that movie, this straddles a few genres. This isn't just a horror flick. You have dark fantasy and chiller elements in the tale too. The best thing about this film is the fact the puppets are not evil. Killers yes, evil no. For example, when Jester has to attack to save Toulon he looks positively worried as he dashes across the floor. The brilliant thing with Jester is his ability to change the emotions on his face. So, yes he looks worried but he still attacks. It's still this dichotomy, for me, that lifts the story above the average and away from the horror genre.

Add to this the nice direction of David DeCoteau, who has no trouble getting down to the marionettes level, and the film gets stronger. It's also wonderful he had a bigger budget. Whereas the two previous films had limited sets, here we have over five different locations and some outdoor shots. DeCoteau is good at using subtle lighting to create atmosphere along with a sense of unease, and the soundtrack helps with this creation.

The special effects are beautiful and gruesome - the end Major Kraus puppet especially. Done in low light so he's silhouetted just makes it eerier to see. Add the blood jettisoning from his wrist and I admit I, "Oooh"'ed. The puppets themselves were handled brilliantly and the numerous techniques should keep the viewer asking, "how did they do that?" It was expressly nice to see the creation of Leech Woman.

Then we have the acting. Once again, this is stronger than the previous films. On the whole, Guy Rolfe is good as Toulon, though when his wife is murdered the acting is a little apathetic. I expected more anger and outrage. The star of this show is Richard Lynch as Major Kraus. He has the perfect tone to the character and makes the film with his easy nastiness. Now I love Walter Gotell, he's such a superb actor, and he is here as General Mueller... though I have to ask myself did he take the part because most his role was set in a brothel and he was surrounded by semi-clad beautiful girls... Hhmmm!

This is the second film in the series that I would gladly recommend. For me though, the first movie still has something, which is elusive for me to name, that makes it a film to rewatch time after time. If you're a multi-genre fan, based primarily in horror and dark fantasy, you should enjoy this film. It is very enjoyable and an ideal way to spend a creepy dark night in with your beloved...

Feel free to check out my Absolute Horror, Obsidian Dreams (Fantasy), and Killer Thriller Chillers lists to see where this movie ranks - or to check for an interesting movie to watch.

1941. Berlin, Germany. The Nazis go after benign puppeteer Andre Toulon (the excellent Guy Rolfe) so they can learn the secret of how he makes his puppets come to life. Toulon retaliates by unleashing his deadly little pals on the Gestapo brutes. Director David De Couteau, working from a clever and inventive script by C. Courtney Joyner, relates the hugely entertaining story at a snappy pace, maintains a generally serious tone throughout, offers a flavorsome evocation of the period setting, and delivers a handy helping of splashy gore along with a decent sprinkling of yummy gratuitous female nudity. The fine acting from a sterling cast rates as a real significant asset: Ian Abercrombie as the zealous and obsessive Dr. Hess, Sarah Douglas as Toulon's loyal and loving wife Elsa, Walter Gotell as the slimy and lecherous General Mueller, Kristopher Logan as the slippery and meddlesome Lt. Eric Stein, Aron Eisenberg as spunky young fugitive Peter Hertz, and Matthew Faison as Peter's concerned father. Veteran bad guy thespian Richard Lynch almost steals the whole show with his wonderfully wicked portrayal of the ruthless and ferocious Major Krauss. The ever-luscious Michelle Bauer has a memorably sexy minor part as foxy prostitute Lili. Moreover, it's a total treat to see the grotesque, yet still oddly personable puppets bump off detestable Nazi scumbags in assorted grisly ways (Major Krauss's terrifically ghastly fate in particular is a complete doozy). Both Adolfo Bartoli's sharp cinematography and Richard Band's supremely eerie score are up to speed. One of the strongest and most impressive installments in this franchise.

I reckon this is the first one where we really establish the Puppets as "good". If you fight one of the "ultimate" evils (bear with me on this one or play along), than you have to be good, no matter how evil you are yourself. Or at least how mean and vicious, not to mention entirely violent and murderous. But that's the tale of the Puppets.

And their master of course. The one in the movie and the ones behind the scenes of the movie, doing a really good job controlling them - pun intended. Effects are nice and the story may take us back, but I guess you have to stick with the story - or not. You know just watch it for the deaths and carnage. Whatever works for you. I reckon movie wise this is the best I've seen yet (up to movie 7 at this point).