Rotten Tomatoes Critics - Rotten 36%
Rotten Tomatoes Audience - Spilled 50%
IMDb Rating 5.2 10 303


Uploaded By: FREEMAN
Downloaded 44,238 times
May 01, 2018 at 12:19 AM


Nick Offerman as Henry
Jon Hamm as Will
Amber Tamblyn as Bethany
720p.BLU 1080p.BLU
962.24 MB
23.976 fps
1hr 54 min
P/S 16 / 73
1.82 GB
23.976 fps
1hr 54 min
P/S 11 / 83

Movie Reviews

Reviewed by Larry Silverstein 4 / 10

Good Intentions But Just Too Much of a Melancholic Slog

Very slow-paced, cerebral, and melancholic movie that centers on the artifacts and objects we accumulate over our lifetime that contain so many memories of the lives we've led. They usually come to the forefront when we lose loved ones, have a tragedy such as a fire or natural disaster occur, or simply decide to pick up and move.

About 2/3rds of the way through the film a sudden tragedy occurs which sends the movie into even more of a depressive dive. There is a most solid cast here, with varying amounts of screen time, but the movie never seems to coalesce into the dramatic effect that the filmmakers intended

Reviewed by Michelle 10 / 10

A movie that will get you thinking

This film was fantastic, it pulls on the heart strings and makes you realise that everyone has a story, is going though a heartache or struggle of some sort. It is also the actors that stand out in their performances, I felt as though I was there with them on their journey through pain and suffering as none of us are immune. The film shows the lives of 3 different families, and how getting old and being alone is not the way one should live. Some of the children want their piece of the pie where others have nostalgia over memories shared as children and realise that a house is just a house and nothing is forever. We accumulate so many items in our lives and to whom are they special for once we depart this earth. I highly recommend this film. You won't be disappointed as it will definitely get you thinking and stop sweating on the small stuff like most of us do.

Reviewed by Turfseer 4 / 10

Meditation on the "Objects in your Life" proves a fruitless endeavor

Nostalgia is director Mark Pellington and screenwriter Alex Ross Perry's collaborative effort that could have been aptly subtitled, "The Objects in Your Life." The big question that's raised here is whether (for example) all that bric-a-brac you've accumulated up in the attic over the years is worth saving (and perhaps venerating) or is simply a collection of junk that needs to be thrown out. Nostalgia focuses on these objects and one in particular (an old baseball signed by Ted Williams) that becomes a MacGuffin of sorts, connecting two disparate stories which constitute the bulk of the proceedings in a narrative that can be best classified as an ensemble piece.

Perry's tale begins deceptively, focusing on Daniel (John Ortiz) an insurance assessor/adjuster, who appears to revel in listening to claimant's confessions regarding the aforementioned objects. Daniel's first visit is with a curmudgeon, Ronald (Bruce Dern), who balks at going through his accumulated "stuff" looking for valuables to the chagrin of his granddaughter, Bethany, who obviously feels that parting with some of the bric-a-brac, is a practical and worthwhile idea (owing to the potential financial remuneration involved).

Daniel's meditation on the existential value of these nostalgic remnants sets the stage for his second visit with Helen (Ellen Burstyn), who has just lost her home in a fire. As Chuck Bowen writes in Slant, all the characters are "suffering saints" and "every scene concerns people's attachments to things that trigger past moments."

Perry hands Bustyn a very long-winded monologue who meditates on the importance of her late husband's baseball, so intricately tied up with their life together. At first she appears overly attached to the baseball and just like Bethany, her son and daughter-in-law feel such an attachment unhealthy.

But eventually Helen comes around and decides on a trek to Las Vegas where she agrees to sell the ball to a collector, Will (Jon Hamm). Before we move on to the third story, the ball inspires another long monologue about the scourge of old age where Helen mournfully acknowledges she'll pass on and will be forgotten.

Once the baton is passed, Will is now the focus of a narrative that emphasizes his lack of fulfillment, due a heartbreaking divorce with his ex-wife. He visits his sister at the family home where they need to clean out the attic. The objects there (including the swimming pool) evoke childhood memories for Will but all the meditation brings the narrative to a virtual standstill.

Suddenly, out of the blue, Perry injects a family tragedy to spice up the drama in the form of the death of the sister's daughter, killed in a freak car accident. Catherine Keener, as the sister, gives the strongest performance in the film, as she breaks down over the death of her child. Nonetheless Perry's handling of his theme about the objects in your life goes awry when he has the father of the girl (James Le Gros) bemoaning how all her photos have been lost once her cell and iPad are destroyed in the car accident.

Ray Green writing in The Wrap correctly notes Perry's faux pas: "Apparently Hamm and LeGros have never heard of social media, where the average teen's every meal, night out and camping trip is chronicled across friends' profiles in greater detail than Boswell gave to his "Life of Samuel Johnson." It's a straw-man argument, and a fusty old-guy one at that."

Ultimately Nostalgia doesn't have much to say and is dependent on its classical sounding score, which intrudes into almost every scene, and attempts to create more feeling than what is actually written on each page of this well-meaning but shallow screenplay.

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