Crime / Drama / Mystery / Thriller

Rotten Tomatoes Critics - Rotten 13%
Rotten Tomatoes Audience - Spilled 18%
IMDb Rating 4.7 10 1350


Uploaded By: OTTO
Downloaded 37,826 times
October 01, 2014 at 03:46 PM



Rachel Nichols as Amy Intrator
Trevor Morgan as Louis
Mike Vogel as Floyd Intrator
Ciarán Hinds as Jerry Quinn
1.44 GB
23.976 fps
1hr 36 min
P/S 1 / 2

Movie Reviews

Reviewed by Michael Ledo 4 / 10

Jerry Lewis is not random

Eugene McCanick (David Morse) is an unlikeable Philadelphia cop who has a bad relationship with his son and everyone else on the planet. He has no trouble lying to his partner. When Simon Weeks (Cory Monteith) gets paroled, McCanick is told to stay away from him which lasts for two scenes.

The film consists of McCanick attempting to find Weeks through young male prostitutes, of which Weeks was one. The movie is told with flashbacks to amplify the lies of our main character. I watched the film not knowing where it was going through boring action and drama scenes, hoping the film would make sense and redeem itself. Unfortunately, once I had figured out what I was watching, I couldn't wait for it to end. Sorry. No spoilers.

Not my cup of poison.

Parental Guide: F-bombs. No sex or nudity.

Reviewed by CousinBagunca 3 / 10

Rich expectations, poor execution.

Wow, what a rollercoaster, but one you ride after eating, so it makes you feel kinda sick, kinda bad...

McCanick (2013) is a wrong movie. It's all wrong since the beginning. All that keeps us pushing foward towards the end is the question: "what's his problem with Simon Weeks?"; and the answer is sour, bad and bland, mediocre at its best.

What I felt is that they went for a great idea of a plot, but couldn't make it happen right. It goes all shallow and unexplained until the very end, which, when it happens, just leaves you wondering why couldn't you just skip until the end and saved yourself the trouble.

The acting is OK, which keeps you going, but everything falls flat. Nothing to see here.

Reviewed by zardoz-13 7 / 10

Grim, Dark, and Unsavory Cop Drama

"Raze" director Josh Waller's melodramatic police yarn "McCanick" qualifies as an above-average but unsavory thriller about a troubled Philadelphia detective whose life spirals downward into tragedy. As the unhinged homicide detective with a past that he prefers to keep secret, David Morse is terrific as the eponymous protagonist McCanick. He behaves like Gene Hackman's psychotic, drug-busting N.Y.P.D. cop in William Friedkin's "The French Connection." Indeed, Waller stages a scene somewhere in the middle where McCanick pursues a suspect, Simon Weeks (the late Cory Monteith of "Glee"), on a subway train, but Weeks manages to board the train minutes before it pulls out of the station. A frustrated McCanick scrambles out of the station into the street below and hijacks a citizen's car and following the train to the next station. What starts out as just another standard-issue police procedural about a corrupt cop turns into a confusing narrative about a cop who is more concerned with his bisexual behavior. Weeks and he shared an intimate moment at Weeks' apartment when McCanick and he hugged and kissed each other and McCanick offered him a place to stay. Throughout scenarist Daniel Noah's script, two stories appear to unfold and crossover. The first half of "McCanick" isn't bad. McCanick and his ill-fated police partner, confront some dastardly drug dealers in an apartment. Not only does McCanick blast the evil African-American drug dealer, but he also accidentally guns down his partner, Floyd Intrator (Mitch Vogel of "Cloverfield") and then attributes the blame to Weeks. Naturally, this infuriates McCanick's superior, Captain Jerry Quinn (Ciarán Hinds of "Munich") who worries about McCanick's demeanor and the secrets cluttering up their past as well as their colleagues in the precinct.

"McCanick" isn't a bad film, but it is flawed. Primarily, the plot gets a little confusing and takes a bad turn. Imagine "Training Day" with a white protagonist who is a little more sympathetic but ultimately doomed. You may like McCanick, but the character has several bad characteristics that pull at arm's length. He emerges as a villain in the end. David Morse's performance is outstanding as a man in turmoil whose last act is pretty horrific. The rest of the performances are serviceable, with Hinds doing wonders with a small part. Waller generates atmosphere with his on location lensing in Philadelphia, and cinematographer Martin Ahlgren always thrusts us into the best possible place to see the action unfold. Traditional audiences that love film noir thrillers will enjoy this more than popcorn and beer spectators that want to see an action-packed epic. If you like to feel good at the end of each movie that you watch, "McCanick" may alienate you. You'll feel more relieved than satisfied.

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