Malatesta's Carnival of Blood

1973

Action / Horror

2
Rotten Tomatoes Audience - Spilled 27%
IMDb Rating 5.3/10 10 957 957

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Plot summary

After the Norris family's son goes missing at a run down local amusement park, they take jobs there in an effort to uncover what happened to him and meet a cadre of unsettling characters.


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February 28, 2016 at 04:42 PM

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Lon Chaney as Quasimodo / The Phantom
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532.21 MB
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English 2.0
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1 hr 18 min
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1.12 GB
1920*1040
English 2.0
NR
23.976 fps
1 hr 18 min
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Movie Reviews

Reviewed by BA_Harrison 4 / 10

How? Why?

Malatesta's Carnival of Blood was thought to be a lost movie until 2000, when the director eventually released the film on DVD. Some might argue that it would have been better if the film had stayed lost, but then fans of trippy z-grade garbage would have been deprived of what has to be one of the weirdest movies of all time.

The film takes place in a dilapidated carnival whose owner, the enigmatic Malatesta (Daniel Dietrich), appears to be a total stranger to the term 'health and safety'. The rides not only look like death traps, they ARE death traps, the people who go on them winding up as tasty snacks for the ghouls who live in the caverns below, or simply losing their head (as one poor guy does while on the rollercoaster!). The newest employees at the carnival are Mr and Mrs Norris (Paul Hostetler and Betsy Henn), and their teenage daughter Vena (Janine Carazo), whose job it is to run a shooting gallery. However, the real reason the Norrises are there is to try and find out what happened to their son, who went missing while at the carnival. Friendly carnie Kit (Chris Thomas) tries to help Vena stay alive for the duration, but the attraction's vampiric manager Mr. Blood (Jerome Dempsey) has his heart set on drinking her blood.

Crazy camerawork, eccentric performances (a wild-eyed litter-picking ghoul, singing cannibals, a transvestite fortune teller, and Hervé Villechaize as creepy dwarf Bobo), incomprehensible dialogue, and set design that consists largely of assorted junk, and large sheets of plastic, aluminium and bubble wrap: Malatesta's Carnival of Blood is quite unlike anything I have seen before, and quite unlike anything remotely resembling coherent film-making. The action randomly veers off into nightmarish surreality at the drop of a hat, and features bizarre characters who drift in and out of scenes, while director Christopher Speeth exercises his creativity with his oddball aesthetic combined with disconcerting sound design (the weird visuals including back projection of horror classics The Phantom of the Opera and The Hunchback of Notre Dame). There's even some fun gore to be had: the aforementioned rollercoaster decapitation, death by litter-picking stick, a juicy spike in the eye, and the half-eaten body of some poor schmuck.

The result is an undeniably unique experience, but so is pouring a bucket of fire ants down your trousers.

3.5/10, rounded up to 4 for Villechaize talking in rhyme.

Reviewed by drownnnsoda 7 / 10

Alice in Wonderland, on acid, at the carnival (with cannibals)

"Malatesta's Carnival of Blood" follows a husband, wife, and their young adult daughter who visit a rundown amusement park posing as potential new employees; they are actually there to locate their missing son, who worked at the carnival. To their horror, however, the park's mysterious proprietor, Malatesta, is hiding a gaggle of cannibals in caverns beneath the rides.

This little-seen horror flick plays like "Alice in Wonderland" on bad acid, but in a good way. It is remarkably low-budget, with sets that often appear to be vinyl-lined tents standing in as limestone caves (unconvincing, to say the least), but the shortcomings oddly don't seem to matter because they are obscured by the stylish cinematography and general atmosphere of complete and utter weirdness.

In similar fashion, the screenplay for "Malatesta's Carnival of Blood" is also a slipshod effort, with little connective tissue to make sense of what exactly is going on (even the main characters' arrival at the carnival is barely elucidated, making it somewhat confusing as to why they are there in the first place)--and yet again, it doesn't really matter, because the film is more a mood piece than anything. Surreal visuals reign supreme, with creepy carnival props, underground halls of mirrors, silent movie theaters where the cannibal ghouls congregate to watch movies(!?)--the weirdness never ceases.

The film's main character, Vena, leads the audience through the proceedings as she spends a hellish night in the amusement park searching for her missing brother, and the proceedings have an "Alice in Wonderland" sensibility about them. The actual nature of the villains here is also not totally explained, but their ghoulish appearance in slathered-on grey makeup manages to be effectively captured in the claustrophobic cinematography. In the end, the film doesn't really register as a narrative piece, but it succeeds magnificently as an otherworldly, nightmarish adventure that resembles a bad trip. 7/10.

Reviewed by Woodyanders 8 / 10

Singular 70's horror oddity

The Norris family get jobs working at a seedy old carnival as a cover for searching for their missing son who disappeared after visiting said carnival. Eccentric manager Mr. Blood (a flamboyantly sinister portrayal by Jerome Dempsey) turns out to be a vampire while evil owner Malatesta (an unnerving performance by Daniel Dietrich) rules over a gaggle of ghastly ghouls who watch silent movies when they aren't feasting on human flesh.

Director Christopher Sheeth, working from a quirky and inspired story by Werner Liepolt, makes excellent and effectively unsettling use of an actual rundown amusement park, does an adept job of crafting a supremely spooky'n'surreal dreamy atmosphere, relates the disjointed, yet still intriguing and idiosyncratic plot at a hypnotically deliberate pace, brings a take-no-prisoners nihilistic sensibility to the kooky proceedings, and delivers a satisfying sprinkling of grisly gore. Token breakout star Herve Villechaize contributes a stand-out turn as flaky poetry-spouting dwarf Bobo. Moreover, there's sound acting from Janine Carazo as the sweet Vena Norris, Lenny Baker as freaky transvestite fortune teller Sonja, William Preston as deranged groundskeeper Sticker, Chris Thomas as the amiable Kit, and Tom Markus as hook-handed creep Bean. The accomplished cinematography by Norman Gaines offers a wealth of stunning visuals; the shots of the ghouls watching silent movies in a dingy basement theater are especially striking. Best of all, this film radiates a truly off-kilter eerie vibe that's both distinctive and impressive in equal measure. Essential viewing for aficionados of outré underground indie fright fare.

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