For a crime drama Luv isn't a bad movie, it's not a masterpiece but it's worth watching once. The relationship between the young Woody (played by Michael Rainey Jr.) and his ex-con uncle Vincent (played by Common) is interesting to watch, as the uncle shows the kid how you supposed to act as a man in the real world. The real world in his eyes, because his world is just gangster hustling even though he tries to get out of it. I thought the young Michael Rainey Jr. did a good job with his performance. For such a young kid he clearly has a good future in the acting business. The story itself is easy to watch. I would have used another soundtrack though to make it more appealing. To me that was the weak point of the movie. All in all it's worth a watch but don't expect to be blown away.

What an odd coincidence having Luv recommended to me and finally getting around to seeing this urban, gang-related and crime-filled Baltimore drama with zero redeemable characters on the same day as the real-life Baltimore riots. Beyond that, I appreciated what the indie filmmakers were trying to create here, but it was difficult to watch due to the extreme number of horrible individuals we were, I guess, supposed to root for. Even our "hero," or the low budget, distant cousin of Denzel Washington's Det. Alonzo Harris from Training Day, was so despicable with every action he took, it was a tough sell. Basically, we follow this Uncle around as he complete unravels and shatters his nephew's life to the point of almost no return. In fact, if they made a sequel, the nephew, then grown up, would be the new hero/bad guy we'd hate. That all said, again, I appreciate the efforts here as, while wildly independent, it was competently made and had strong, secondary actors to at least elevate the film during their scenes. But, all-in-all, it's a downer and a sad fictional tale of hate, greed, revenge, bad influences and soulless characters unfortunately mimicking the harsh reality of today's riots.

Artfully directed by Sheldon Candis," LUV" is a compelling, low-budget tale of Vincent, a recently released convict who takes his young nephew, Woody, on a day-long excursion through Baltimore to give him lessons on how to survive in the urban jungle that is his home (Woody's mother lives in North Carolina while his grandmother is currently raising him in Maryland). This includes, among other things, teaching him how to drive and how to shoot a gun. But the main focus is on Vincent's attempts to go straight and to secure a loan for a restaurant he wants to open. But the young man soon discovers that it isn't all that easy to cut the ties with one's criminal past, and Woody bears witness to some pretty horrendous events throughout the course of the day.

Taken as a whole, "LUV" is considerably less than the sum of its parts. The screenplay by Candis feels strangely doughy and underdeveloped, often leaving us bewildered as to what exactly Vincent is up to and who it is he's interacting with at any given moment. That being said, "LUV" manages to hold our interest due to the immediacy of its style and the naturalism of its performances. Common makes us care about Vincent; we see him as an ambitious young man who, despite his natural inclination towards crime - an inclination obviously resulting from the difficult circumstances in which he was raised - appears to be genuinely trying to turn his life around. That the world and his past seem to be conspiring against him is what makes the tale so poignant. Vincent may not be the perfect role model for his young nephew, but he is probably the best the boy is going to have for the foreseeable future.

But it is young Michael Rainey, Jr., in a star-making performance as Woody, who walks off with the film. Even at the tender young age of eleven, Rainey is already a natural in front of the camera and it is his wholly believable reactions to what is taking place around him that strike a responsive chord in the viewer. Indeed, we are willing to go on this structurally awkward and artistically uneven journey simply for the privilege of reveling in his performance. Rainey, in essence, becomes the thread holding all these seemingly random and arbitrary events together. One looks forward to great things from him in the future.