Lust for Life


Action / Biography / Drama

Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 81%
IMDb Rating 7.4 10 8622


Uploaded By: FREEMAN
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April 29, 2016 at 03:34 PM



Kirk Douglas as Vincent Van Gogh
Anthony Quinn as Paul Gauguin
Marion Ross as Sister Clothilde
Henry Daniell as Theodorus Van Gogh
720p.BLU 1080p.BLU
882.36 MB
23.976 fps
2hr 2 min
P/S 0 / 18
1.84 GB
23.976 fps
2hr 2 min
P/S 2 / 15

Movie Reviews

Reviewed by alec-woodward 9 / 10

Van Gogh & Kirk Douglas

Vincent Van Gogh was Kirk Douglas's finest role, and I believe no other actor could have bettered Douglas's performance. I have always wondered how much Kirk identified with Van Gogh, and his state of mind.

Reviewed by HotToastyRag 2 / 10

Why glorify van Gogh?

I realize this is a famous movie, so if you're a Kirk Douglas fan, you're going to end up watching it, but I just didn't like it. For starters, it's a Vincent van Gogh biopic, and I'm not particularly interested in his life. After I watched the movie, I found myself even less interested in his life.

Yes, we all know his paintings, but Vincent van Gogh was far from a model citizen. He was moody, mentally ill, mean, and obsessive. Why does treating women badly, yelling at your friends, and caring about nothing but your art mean that Vincente Minnelli should direct a film about your life? I didn't see the point, and even though the fantastic actors Kirk Douglas and Anthony Quinn played van Gogh and Paul Gauguin, respectively, the movie is far from interesting.

If van Gogh is your favorite artist, yes, you'll want to see this one. But for those of you just looking for a good Kirk performance, rent The Bad and the Beautiful. Anthony Quinn won an Oscar for Lust for Life, but if you're a fan on the lookout for a great performance, he's much better as an emotionally tortured husband in Hot Spell.

Reviewed by JohnHowardReid 8 / 10

Despite two or three problems, a must-see movie!

Copyright 1956 by Loew's Inc. A Metro-Goldwyn-Mayer picture. New York opening at the Plaza: 17 September 1956. U.S. release: 21 September 1956. U.K. release: 25 August 1957. London opening at the Curzon. Australian release: 7 March 1957. 10,991 feet. 122 minutes.

NOTES: Young photographed the European locations, Harlan the Hollywood studio scenes.

Academy Award, Anthony Quinn, Best Supporting Actor, defeating Don Murray in "Bus Stop", Anthony Perkins in "Friendly Persuasion", Mickey Rooney in "The Bold and the Brave", Robert Stack in "Written on the Wind". Also nominated for Best Actor, Kirk Douglas, losing to Yul Brynner in "The King and I"; Norman Corwin for Best Adapted Screenplay, losing to "Around the World in 80 Days"; Color Art Direction, losing to "The King and I".

Negative cost: around $2.5 million. Initial domestic rentals gross: $1.6 million. Foreign rentals: around $1 million. Initial loss: around $1.2 million.

The final film to be photographed in Ansco Color, a process which M- G-M had actively helped to develop.

VIEWER'S GUIDE: Not suitable for children, but make them watch it anyway.

COMMENT: Based on Irving Stone's superficial and romanticized biographical novel of Vincent Van Gogh, "Lust for Life" was adapted for the screen by (of all people!) radio playwright, Norman Corwin. The result is the one-dimensional characterization and comic caricatures of "The Odyssey of Runyon Jones". A faulty script was then aggravated by handing it over to a sympathetic director — Vincente Minnelli, a specialist in caricature cameos. Minnelli has enjoyed himself hugely; we have his sarcastic observation of the roisterers at the fair, and to cap one of the film's more solemn and dramatic moments, the scatter-brained stupidity of the asylum doctor, hilariously portrayed by Lionel Jeffries.

Nonetheless, Kirk Douglas and Anthony Quinn handle the script better than could be expected, and as might be anticipated from the director of "The Bad and the Beautiful", Minnelli's treatment of the scenes of dementia are quite effective. Miklos Rozsa's evocative score is also to be commended, as is Dore Schary's enterprise in allowing the film to be produced at all — one of the reasons why he got the sack.

Visually the film contains some attractively composed French and Dutch exterior scenes and the reproduction of the paintings is often above average, although CinemaScope seems an inconvenient shape for the display of such canvasses (Frederick A. Young and Russell Harlan photographed).

For his brief role as Paul Gauguin, Anthony Quinn received the lion's share of the critical acclaim, as well as his second Academy Award as Best Supporting Actor. Kirk Douglas, however, won the New York Film Critics Award as Best Actor for his interpretation of Van Gogh.

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