Joe

1970

Drama / Thriller

5
IMDb Rating 6.9 10 2354

Synopsis


Uploaded By: FREEMAN
Downloaded 10,201 times
August 14, 2018 at 12:30 AM

Cast

Susan Sarandon as Melissa Compton
Peter Boyle as Joe Curran
K Callan as Mary Lou Curran
Dennis Patrick as Bill Compton
720p.BLU 1080p.BLU
883.36 MB
1280*682
English
NR
23.976 fps
1hr 47 min
P/S 3 / 9
1.69 GB
1920*1024
English
NR
23.976 fps
1hr 47 min
P/S 3 / 10

Movie Reviews

Reviewed by Lee Eisenberg 7 / 10

Some people shouldn't try to cross paths; unfortunately, they do.

"Joe" is one of those movies where, although you think that it might go along smoothly, ends up hitting you like...I can't come up with an analogy. It showed not only that America's long-standing idea of unity was moot, but also the various aspects within our society. Melissa Compton (Susan Sarandon) is the ultimate flower child, while her father Bill (Dennis Patrick) is a clean-cut executive. One day, Bill accidentally kills Melissa's boyfriend. In the immediate aftermath, Bill gets acquainted with Joe Curran (Peter Boyle), an ultra-right-wing, rabidly racist working stiff. As a result, the two of them end up associating more and more with the hippies, whom Bill finds unpleasant and Joe outright hates. But in the end, everything has dead serious consequences.

True, some parts of the movie are a little bit dated, but it's a good juxtaposition of America's two sides during the Vietnam War. And rest assured, the residual effects of all that will probably never go away.

Reviewed by aimless-46 9 / 10

Still Very Relevant

Caution-possible spoilers aheadÂ….. Just watched 'Joe' for the second time. The first time was 30+ years ago on an Air Force Base. I was reminded of that by the Air Force overcoat with Tech. Sgt. stripes wore by the boyfriend/dealer; we airmen had quite a laugh the first time that appeared on the screen because that is a 'lifer' rank. Over the years I have carried several other images from the film. Foremost was the absolutely beautiful and vulnerable daughter of the executive. As someone else commented, you could not take you eyes off her. I did not realize until now that this was a 20-year old Susan Sarandon in her first movie. What a loss that she did not do more movies when she looked like that. I also recall the irony of having a counterculture hero like Peter Boyle playing the title role of a right-wing gun nut. Not unlike George C. Scott playing generals in Dr. Strangelove and Patton. And of course the shocking ending made a lasting impression.

30+ years ago it was the most talked about movie that ever played on the base. We thought it was a great film then and I have been reluctant to see it again because I was afraid that it would be as disappointingly dated as Easy Rider. But watching it today I was amazed at how well the film has held up. It is a very strong script with few holes although you have to wonder about the boyfriend immediately getting out of the bathtub when Sarandon gets in with him.

Searching for an explanation of why this film is still so entertaining I have to think it has something to do with the perfect physical casting. Boyle was physically believable as Joe (as others have pointed out his portrayal would inspire the Archie Bunker character a few 'years later). Did Ted Knight model his 'Caddyshack' character-Judge Smails after the Dennis Patrick's advertising executive in 'Joe'? They look alike and sound alike. Patrick was totally believable as the wrapped-too-tight upper middle class executive. And Sarandon's doe-eyed innocent with the Raggety Ann doll still evokes a protective response from all male viewers-perfect casting.

The nude and drug scenes actually hold up (they were very provocative for their day) and are as explicit as anything to be found in 'Thirteen'. About the only thing that dates this film is that the violence is not realistic or graphic. 'Joe' was about the same time as 'The Wild Bunch', and the tone of movie violence had a just begun to change.

Another reason this film holds up is that events in the past couple of years have brought back the relevancy of the theme and context of this film. In the film both types of 'conservatives' are portrayed as full of fear and hate toward the unconventional ways of the counterculture; and filled with envy at their free and hedonistic lifestyle. The counterculture is portrayed as mocking the straight culture; and although paranoid toward conservatives (legitimately so given that this was just a couple months after Kent State) they cannot resist flaunting their lifestyle in an attempt to antagonize. The political landscape is not all that different 30+ years later. I'm not sure conservatives envy young people and liberals as much as 1970, but they fear and hate them more.

An excellent film that surprisingly is as relevant now as it was in the early 1970's.

Reviewed by classicsoncall 8 / 10

"It's your ass now Compton!"

I recall so many things about seeing this movie back during it's original theatrical release - the post Woodstock afterglow of peace and love, along with the pre-Watergate tension of fear and paranoia. It's hard to believe that it's thirty seven years later, and I can still remember the thoughts going through my head while watching the film with my best friend. Like marveling at Peter Boyle's characterization of the ultimate redneck, sure to typecast him the rest of his career (Oh, how wrong!), and how the counter culture jarred the sensibilities of most of the country. To this day, my buddy and I still use Joe Curran's line from my summary above when faced with a dilemma; curious how a simple line like that can stay with you for decades.

It's curious to read comments about the film from others on this board, particularly the ones stating that the film has a dated quality and how over the top the characters were. Still, if you were around during that time, the picture gives a pretty accurate portrayal of the polar opposites that existed back then, pretty much side by side as the events in the story reveal. If you really want dated, when was the last time you heard the words Macy's and Gimbel's in the same sentence, or a line like Joe's - "Come on, get with the Pepsi generation". For historical perspective, you have that great Nixon poster lingering in one of the background scenes - "Would you buy a used car from this man?" With minor intricacies like those, director John Avildsen captures many of the subtle but ever present hints of how life was four decades ago.

Today's viewing was only the second time I've seen the movie, and I have to admit I don't remember Susan Sarandon in one of the lead roles, but then again, this was her very first picture. The scenes of nudity and free love were something actually quite new and bold at the time, shocking in fact, as film makers began to experiment with their ability to push the envelope of propriety and convention. "Joe" took a major leap in that regard, particularly since it was a 'mainstream' picture.

With the passage of time, the thing that impresses me the most about Peter Boyle was how he overcame the stereotype of Joe Curran to appear in or star in some of my very favorite pieces of work. I mean, how do you go from "Joe" to that hilarious rendition of 'Puttin' on the Ritz' in "Young Frankenstein"? And my absolute favorite episode of 'X-Files' has Boyle as Clyde Bruckman, in both a tender and tragic, funny and serious portrayal that turns the tables on Scully and Mulder more than once. And as a career capper, Frank Barone has to be one of the funniest characters in the history of television. Even repeat episodes in syndication are funny as he-- whenever the elder Barone lets loose with one of his observations. He is one actor that this viewer sorely misses already.

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