Jersey Boys


Action / Biography / Drama / Music / Musical

Rotten Tomatoes Critics - Rotten 53%
Rotten Tomatoes Audience - Upright 63%
IMDb Rating 6.8 10 29113


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October 24, 2014 at 12:48 PM



Christopher Walken as Gyp DeCarlo
Kathrine Narducci as Frankie's Mother
Francesca Eastwood as Waitress #1
James Madio as Stosh
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925.95 MB
23.976 fps
2hr 14 min
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1.95 GB
23.976 fps
2hr 14 min
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Movie Reviews

Reviewed by tyingling7766 8 / 10

Why the bad reviews for such a good movie?

Oh what movie. See what I did there. One of The Four Seasons best songs and a nice play on words with it. But yes, this is a good movie. I don't know why it rated so low on IMDb. So here we go to the review.

Synopsis: Jersey Boys is a musical biography of the Four Seasons-the rise, the tough times and personal clashes, and the ultimate triumph of a group of friends whose music became symbolic of a generation. Far from a mere tribute concert (though it does include numbers from the popular Four Seasons songbook), Jersey Boys gets to the heart of the relationships at the center of the group-with a special focus on frontman Frankie Valli, the small kid with the big falsetto. In addition to following the quartet's coming of age as performers, the core of the show is how an allegiance to a code of honor learned in the streets of their native New Jersey got them through a multitude of challenges: gambling debts, Mafia threats and family disasters. Jersey Boys is a glimpse at the people behind a sound that has managed to endure for over four decades in the hearts of the public. Starring: John Lloyd Young, Vincent Piazza, Michael Lomenda, Erich Bergen Director: Clint Eastwood

Clint Eastwood proves yet again why he should never stop making movies. He is a brilliant, brilliant film maker. Just look at the history of this man. He has proved time and again that he is the man who should be asked in the top five directors first to direct a movie. This being his first musical was not a bad venture.

One great thing that Clint did was cast people who acted in the musical to begin with. That did nothing but help this movie. The guys who were playing the roles of the Four Seasons played them before, so they knew the material. They already had it in their heads how it should go.

I found out throughout the years that most people didn't know that the four guys were connected to the mob in more ways than one. At first, I didn't believe it. Then I looked into the matter. And if it wasn't for the mob, a lot of the musicians out of Jersey wouldn't have gotten any farther than they had. I'm glad that they left that part in. It really is an intricate part to the story.

The last thing I need to talk about is the soundtrack. I mentioned it earlier, but these guys singing sounded almost like the real singers. The soundtrack is not the best part, but it is very close to it. Just for the fact of the soundtrack is enough to watch this movie.

I strongly encourage everyone to watch this movie. Just give it a try, it will surprise you.

Rating: 8 out of 10

Reviewed by Dan1863Sickles 7 / 10

In Spite of All the Odds, A Solid Film

When I think of New Jersey -- I think Clint Eastwood.

When I think of Italians -- I think Clint Eastwood.

And when I think of rock and roll -- I think Clint Eastwood.

Even with all the obvious handicaps, I was amazed at what an effective movie this was. I was expecting the actors to lip-synch to the actual Four Seasons classics, but instead they do all their own singing (and dancing.) The results aren't always spectacular, but they're always entertaining.

I loved the way the movie didn't shy away from the darker side of the Four Seasons' story. ("I just buried a child, Jimmy. I don't want to sing another love song.") I was also pleasantly surprised that one of the key men behind the Four Seasons' musical success was openly gay and was treated with respect by both the screenplay and the other characters. Maybe the biggest surprise for me was how effectively Vincent Piazza adds humor and warmth to the tough as nails Italian gangster type he played so brilliantly for five years on HBO's BOARDWALK EMPIRE.

My hand to God, this movie was the best rock and roll musical ever produced by Clint Eastwood -- especially the big song and dance number over the closing credits!

Reviewed by classicalsteve 10 / 10

Amadeus Meets Goodfellas: Street Punks of Jersey Create the Defining Pop Sound Prior to the Beatles

In 1959, the music died: Buddy Holly, the Big Bopper and Ritchie Valens died in the most infamous plane crash in the history of Rock 'N' Roll, and Elvis Presley was drafted into the army. In music a number of one-hit wonders entered and left the pop-culture music stage until a bunch of street hoodlums formed a singing group which would become the defining sound of the early 1960's prior to the Beatles. They went under a host of different names, until they settled on the Four Seasons and eventually Frankie Valli and the Four Seasons.

John Lloyd Young as Frankie Valli and Erich Bergen as Bob Gaudio lead a tremendous cast of superb actors in this thoroughly enjoyable and intricate behind-the-scenes exposé of one of the biggest pop music phenomena prior to the Beatles. Some of the story techniques are similar to Amadeus and Goodfellas in which voice overs of the different characters tell the story at different times. The very beginning of the story is somewhat confusing. Eventually we learn that Valli's older friend Tommy DeVito (Vincent Piazza) is a kind of Jersey equivalent of Santino "Sonny" Corleone of "The Godfather". He gets into trouble in the streets, convincing Valli and a few other friends to hijack a safe from a local business. Eventually he decides to form a singing group and he asks Frankie and Nick Massi (Michael Lomenda) to join.

For a time they are a trio with different drummers. Their sound isn't bad but their songs are a bit "derivative" of other songs already on the radio. Then they solicit the help of Bob Gaudio, a song-writer who had one hit under his belt as co-writer of "Short Shorts". They become studio back-up singers under Bob Crewe but they can't land a recording of one of their own songs. Crewe claims their songs still aren't unique enough, until Gaudio presents the group with "Sherry" which becomes the group's first hit single which will define most of the group's sound during the early 1960's with Valli's falsetto the trademark voice occasionally punctuated with the bass voice of Massi.

Simultaneously, a sub-plot is developing in which Tommy has gotten in with loan sharks and the meter keeps running high. Eventually, it's time to pay the piper and the group is left holding the tab. The group disbands leaving just Valli and Gaudio. Gaudio writes a song which would become a kind of farewell anthem of the sound of the early 1960's but in a way looks forward to some of the music of the 1970's. Unlike the sound of "Sargent Pepper" of the Beatles, the song becomes an unlikely hit. Initially the records producers and executives felt the song would bomb because it wasn't Rock but wasn't really Pop/Easy Listening either. It's not Rock per se but a pop sound which would become part of the pop sound of music which appealed to a slightly older audience apart from the sound of Rock which was taking over the teenage Baby Boom audience. It would become Frankie Valli's biggest hit up until that time.

With the rise of the Beatles, The Who, Jefferson Airplane, and the Rolling Stones, the Four Seasons became somewhat eclipsed. Music enthusiasts sometimes forget the Four Seasons were the Beatles of their day, producing a string of hits some of which have withstood more or less: "Sherry", "Walk Like a Man", "Ragdoll". I would certainly not crown the Four Seasons as the best group of the 1960's but they certainly had something to say in music. And Frankie Valli became the most popular falsetto singer of the late 20th century until Michael Jackson.

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