Released in 2011, "Ironclad" is based on the real-life siege of Rochester Castle by the pompous and loathsome King John (Paul Giamatti) in 1215. In real life the castle was protected by 95 to 140 knights supported by crossbowmen, sergeants, and others, but in the film there are less than 20 fighting men. I suppose this keeps the social interplay in the fortress less complicated. The main protagonist is a solemn Templar, Thomas Marshal (James Purefoy), loosely based on medieval knight/statesman William Marshal. The others include the historical leader of the defense, Baron William d'Aubigny (Brian Cox), a squire (Aneurin Barnard), and various characters played by Jason Flemyng, Jamie Foreman, Rhys Parry Jones, amongst others.

I won't tell you what happens in the film, but in real life King John takes the castle and the nobles were either imprisoned or exiled. Also, the foreign mercenaries John enlists were mostly Flemish, Provençals and Aquitainians, not Danes, and the French didn't arrive until six months after John took the castle. Speaking of the Danes, they're depicted as decidedly pagan when Denmark was already thoroughly Christianized by that point. Lastly, William d'Aubigny was not an ennobled wool merchant and what happens to him at the end of the siege is fictional.

If you can handle historical deviations like these "Ironclad" is a very worthwhile medieval film. The action is realistic and brutal and the main characters are decent to strong. The score and cinematography are top-rate. On the womanly front, Kate Mara plays the platonic wife of Baron Reginald de Cornhill (Derek Jacobi), who becomes infatuated during the siege by the mysterious Templar. Will Marshal give-in to her feminine charms or won't he? Also on hand is Bree Condon as the utterly stunning full-maned brunette Agnes. Unfortunately, not enough is done with the women.

Although not as good as "King Arthur," "Tristan + Isolde" and "Black Death," my three favorite medieval movies, "Ironclad" plays better IMHO than (the overrated) "Braveheart." I'd put it on par with 2010's "Robin Hood," "Rob Roy" and "First Knight."

The film runs 121 minutes and was shot entirely on location in Wales, UK.

GRADE: Borderline B or B+

While not very deep, and light on character development, IRONCLAD is a well-made medieval action movie which is like BRAVEHEART crossed with THE MAGNIFICENT SEVEN. The story is about the siege of Rochester Castle during the final years of King John of England's reign. A group of seven men, led by a Knight Templar (James Purefoy) go to Rochester Castle to defend it against King John who his hellbent on retaking lands that he lost after signing the Magna Carta. The reason for it being Rochester Castle is because it was strategically important for the monarchy. During the first part of the movie, the team is assembled and the premise is set up rather well with an expository introduction (there is some voice-over sprinkled throughout the film). The latter part of the movie is the siege, and this is definitely the strongest part of the movie. The battle scenes are brutally violent and bloody, as limbs and heads are hacked and slashed in a variety of ways. What's even better is that most of it was accomplished using good-ole prosthetics, as opposed to CGI. However, up to this point, we don't really know much about the characters outside of Purefoy's Thomas Marshal. During a lull in between battle sequences is when the movie starts to pay attention to the characters. Even Paul Giamatti's villainous King John is given time to shine, which makes the film more balanced. Other than Giamatti, the best performance is given by James Purefoy, who is given the best treatment in the screenplay as a conflicted Knight Templar. As a man who has seen lots of bloodshed in his time as a knight, he begins to have second thoughts about his calling and, in the process, finds love with one of the women at the castle. Normally, when you talk about romantic subplots in movies, particularly action movies, they often feel tacked on or superfluous. Not so here, as the romance is in service of the characters and isn't overplayed. Other standout elements would be the cinematography, and the way the battle sequences were shot. They really put you into the thick of battle and give a good sense of what it might have been like to fend off an enemy in a confined space. The effects work during these sequences was also outstanding. The score was also well-done, and stirring when it needed to be. Overall, this movie is pretty good and definitely worth seeing. There are some philosophical questions pondered late into it, and while nothing really deep is said, it does add a little depth to what could have been just an ordinary medieval kill-fest. Recommended, especially to people who enjoy period war movies.

Director Jonathan English delivers a capture-the-castle story of medieval warfare in IRONCLAD, an under-the-radar British flick that fulfils every expectation. This small scale siege flick pays homage to THE MAGNIFICENT SEVEN and doesn't offer up much that we haven't seen before, but it unveils a hard-hitting story of brutality and heroism in such a way that you'll be glued to your seat. The last similar film we had to this was Neil Marshall's Romans-vs-Picts chase movie CENTURION, but Ironclad is even better, with less shaky cameras and better effects.

Heading the cast is James Purefoy, by now an old hand in historical films and having perfected his glowering look in SOLOMON KANE. Supporting him are a disparate bunch, incorporating seasoned veterans (Brian Cox, Derek Jacobi, Charles Dance), entertaining British character actors (Mackenzie Crook and Jason Flemyng) and some other ne'er-do-wells. Against him is vitriol-spewing King John, played by Paul Giamatti, who chews and spits to his heart's content.

The story is slim and bolstered by a slew of outstanding battle sequences which focus on the blood and grime of the era. Enemies are hacked to pieces, limbs are lopped and torture abounds in these brutal times, so don't go in expecting kid-friendly fare. The decent cast lifts the level of the script above that of the B-movie, making this a cut above the rest, and the true-life story is one that's worth telling. If only they made more films like IRONCLAD!