I Saw the Light


Action / Biography / Drama / Music / Romance

Rotten Tomatoes Critics - Rotten 21%
Rotten Tomatoes Audience - Spilled 47%
IMDb Rating 5.7 10 5207


Uploaded By: FREEMAN
Downloaded 2,315 times
June 25, 2016 at 03:28 AM



Elizabeth Olsen as Audrey Williams
Tom Hiddleston as Hank Williams
David Krumholtz as James Dolan
Bradley Whitford as Fred Rose
720p.BLU 1080p.BLU
898.13 MB
23.976 fps
2hr 3 min
P/S 4 / 12
1.87 GB
23.976 fps
2hr 3 min
P/S 8 / 11

Movie Reviews

Reviewed by SnoopyStyle 4 / 10

thin biopic

Hank Williams (Tom Hiddleston) marries recently divorced single mom Audrey (Elizabeth Olsen) in 1944 in an Alabama gas station. He's a hard drinking country singer with some small success. She starts singing with him despite objections from the band and his mother (Cherry Jones). Audrey's constant calling gets Fred Rose (Bradley Whitford) to sign them. They stop Audrey's singing as Hank strives to perform in the Opry. His constant back pains leading to alcohol and pain killer use is finally diagnosed as chronic spina bifida occulta. After his divorce from Audrey, he has a brief affair with Bobbi Jett resulting in a daughter. He meets teenager Billie Jean Jones (Maddie Hasson) and later marries her. He would die on January 1, 1953.

There is nothing substantive here. One would be better off to listen to Hank Williams music while watching a documentary about his life. It's very thin and I'm not talking about Hiddleston's physicality. One rarely gets a sense of the man or his marriage. There is no tension. There is no sense of his life or his work. His struggle with his back and alcohol is the obvious path but the movie doesn't elevate his pain. This is a waste of perfectly good talents. I laid all the blame on Marc Abraham who is more a producer than a writer or director.

Reviewed by David Ferguson 5 / 10

I've Lost My Heart it Seems

Greetings again from the darkness. Most Hollywood musical biopics follow a similar and predictable structure, which is why Walk Hard: The Dewey Cox Story was so easily able to parody the genre. Of course, the legendary singer/songwriter Hank Williams deserves more than predictable storytelling … but unfortunately, that's exactly what he gets here.

Tom Hiddleston delivers a spot on physical impersonation of Hank – right down to the slightly hunched over (due to Spina Bifida Occulta) posture and bouncy onstage waggle. Yes, the very British Tom Hiddleston, who plays Loki in The Avengers and Thor movies, has managed to capture the presence of one of the all-time great Country and Western icons. Mr. Hiddleston worked on the beloved songs with Rodney Crowell and delivers some very nice singing - so nice in fact that the singing is distracting and misleading. Hank Williams sang his songs in angst … a tortured soul seemingly without choice in his need to share his art. No one could be expected to perform with that emotion, and the void is obvious.

As source material, director Marc Abraham (Flash of Genius, 2008) utilizes "Hank Williams: The Biography" co-written by George Merritt, Colin Escott, and William MacEwen. It may be the least creative title possible for a biography, and the movie correlates perfectly. We track Hank's early days as a struggling singer whose dream is to someday perform on the hallowed stage of The Grand Ole Opry, to his gas station marriage to Audrey May (Elizabeth Olsen), through his alcoholism, drug use, womanizing, superstardom, fall from grace, and ultimately tragic death at the age of 29.

Despite the nature of Williams' short life, the film only skims the surface and rarely digs too deeply. The steady stream of women/wives is difficult to track … perhaps that's the point. Audrey is the only one who gets much screen time and Ms. Olsen plays her as an ambitious shrew who comes across as impossible to like and as unwilling to work at the relationship. A staggering number of Hank Williams songs are embedded as merely interludes separating scenes of misery for all involved … especially Hank, who seems to find little joy in life.

We've all seen the destruction that fame often leads to, and when combined with Hank's painful back disorder and relentless alcoholism, it's little wonder his body simply surrendered at such an early age. The movie just seems a bit too high-gloss for such a tortured soul, and despite the best efforts of Tom Hiddleston, the film is not worthy of someone who left the musical legacy of Hank Williams.

Reviewed by jpblair-07110 4 / 10

Missed opportunity for epic scene

I don't think I've ever caught a movie on opening day, but I couldn't resist fighting the crowd to see "I Saw The Light" on opening night. Wasn't much crowd to fight. I was the first to purchase tickets for the 7:15 show at the Warren. The reviews haven't been good, but I want to start out and say if you are a fan of Hank Williams, go see the movie. I read all the books and watch all the movies. I appreciate any attempt to keep the music of Hank alive and on the forefront. The last few days, there has been a lot of talk about Hank and this latest film. Sixty-three years after his death, and we are still talking about him and the media is putting out stories on this latest biopic about the greatest hillbilly singer ever. Over sixty studio recordings of which over 30 charted. No one else has done that! It was a short career, but will probably require a mini-series to actually tell the story to meet our expectations. Tom Hiddleston's performance is commendable. He has the look and is a great actor. He also had the benefit of working with country legend Rodney Crowell to prepare for the film. With today's recording technology, the music will be perfect. However, Tom fails to capture that "tear" (as in crying tear) in his voice that Hank had. He didn't appear to be about to lose control of his emotions when singing "Lovesick Blues" or "Cold Cold Heart". The music is great, with some of the best sidemen in Nashville contributing. Tom's movement while singing seemed a bit awkward. It seemed instead of bouncing up and down, like Hank did from exerting the emotion in his music, Tom had a choreographed circular motion. However, he looked like Hank. I became immediately jealous of his perfect "Hank" nose (which makes mine look like Jamie Farr). I give Rodney an "A" for his production of the music. The movie tends to jump around all of the dark characteristics of Hank without fully exploring them. These "dark" areas haunted Hank during about 5% of his time of stardom (in my opinion) while the other 95% was great music and good times (albeit in pain). While the Colin Escott autobiography is considered one of the best, other books by band members Jerry Rivers and Don Helms give a more accurate allocation of the fun Hank vs the dark Hank. The film missed an opportunity to create an epic moment during Hank's opry debut when he reportedly performed numerous encores of Lovesick Blues (and I've heard first hand reports from Martha White, who happens to be my Mom, who was there that night). I'm not a director of any sorts, but I would have used the title song performance of "La Bamba" as my example of creating such an epic moment. I think they also missed an opportunity to tie in the hospital scene of Hank bringing Audrey roses resulting in his writing Cold Cold Heart. And why not some drama surrounding Lilly boarding a pregnant Bobbie Jett and Billie Jean at the same time? Or the drama of the three way fight between Lilly, Billie Jean, and Audrey after Hank is dead, resulting in Lilly and Audrey "tag teaming" against Billie Jean. Or the birth of Bobbie's baby, Cathy, just days after Hank's funeral with Bobbie turning over custody to Lilly before moving to California? I didn't see any glaring inaccuracies, probably due to Colin Escott being an advisor. They give a disclaimer at the end of changing some timelines for dramatization, but none immediately stood out to me (possibly leaving out The Willis Brothers as the first band he recorded with on Sterling instead of Red Foley's band?). The wardrobe, instruments, amps, and cars were fun to watch in the film along with the vintage scenes from the opry. Audrey's (Elizabeth Olsen) vocals were very close to real, in my recollection of her recordings, so I'll give Elizabeth an A also. I'm not a professional movie critic, but if I were directing it, I would have added a "National Lampoon" ending like Animal House and Stripes where a short bio tells what happened to each character after Hank's death. Toby Marshall, Audrey, Bobbie's baby, Bocephus, and Billie Jean are stories in themselves. Again, please go see the movie. Maybe the movie's success will inspire other artists or even a mini-series (I'll nominate Jason Petty to play Hank and maybe he will let me play Big Bill Lister or George Morgan). Or better yet, go buy Colin's book, and Jerry's and Don's and check out Brian Turpen's books. For what it's worth, that's my review. Couple more things. Tom's version of the Luke The Drifter recitation was very good. He did better at mimicking Hank's vocal intonations on that number than he did with the regular speaking role. Also, another interesting scene that I would have added would have been Hank's dealings with Jack Ruby in Dallas (and using his alias, Herman P. Willis to avoid him).

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