Hunchback of the Morgue

1973

Horror

8
Rotten Tomatoes Audience - Spilled 43%
IMDb Rating 6.2 10 499

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672.79 MB
1280*682
English
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23.976 fps
1hr 27 min
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1.29 GB
1920*1024
English
NR
23.976 fps
1hr 27 min
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Movie Reviews

Reviewed by Coventry 8 / 10

Hungry for Love … and it's Feeding Time!

"The Hunchback of the Morgue" might just be Paul Naschy's – may he rest in peace – coolest movie! It's quite ironic that the Spanish horror icon became mostly notorious for his Wolf Man cycle, while actually his best movies have got absolutely nothing to do with lycanthropes or full moons. His werewolf flicks are fun enough, but personally I much more enjoyed "Inquisition", "Blue Eyes of the Broken Doll", "Rojo Sangre" and now especially this uniquely demented little exploitation treasure. "The Hunchback of the Morgue" has got it all: mad as hell scientists, deformed killers, gooey monsters, acid baths, corpse snatching, flesh munching, rancid decapitations and gigantic jars filled with entrails. Most remarkable, however, is that this gross and exploitative horror movie nevertheless manages to insert quite a lot of genuine drama and touching romance! Specifically during the first act the drama is harrowing. Gotho, employee in the local hospital's morgue and the laughing stock of the entire village because of the hideous lump on his back, is madly in love with the beautiful Ilse, basically just because she's the only person who treats him with dignity and kindness. But unfortunately Ilse has terminal tuberculosis and passes away whilst Gotho is being beaten up outside. Gotho goes to Dr. Orla for help, but he turns out to be a completely deranged amateur Baron Frankenstein. Orla commands our hunchbacked friend to steal bodies, dead and alive ones, and feeds them to his creation. This "thing" literally emerged from a jar of intestines on a desk, but quickly grows into an insatiable munching machine.

Okay, admittedly this may all sound a little confusing and incoherent. It is, actually! "The Hunchback of the Rue Morgue" unceasingly introduces new characters and add new plot lines until the finale and it's practically impossible to give an all-capturing summary of this film. The incoherence of the script isn't the least bit bothering, especially because the film is fast-paced and full of gory action the entire time. Gotho hacks off people's heads with axes, throws their bodies in acid and even locks them into medieval torture devices! And yet, even whilst he's committing the most vilest of murders, he manages to gain quite a bit of your sympathy and compassion. It's entirely Paul Naschy's own accomplishment to make his characters – even the most bonkers ones – come across as amiable and heroic. "The Hunchback of the Rue Morgue" is also a very effective horror film because the atmosphere is continuously morbid and practically all settings and scenery are sinister. Last but not least the film also "enjoys" a notorious reputation because one of the decapitation scenes was filmed using a real human corpse and because allegedly the rat-burnings were real as well.

Reviewed by ma-cortes 7 / 10

Nice Naschy film with good acting as hunchback Gotho and lots of blood and guts

A poor unfortunate hunchback named Gotho (Paul Naschy or Jacinto Molina ) whom the little boys hurl stones and in charge of the Morgue of a hospital Feldkirch falls in love with an ill girl who happens to be the only person who is kind to him and he cares her . Each day he brings her flowers until that the sickly young deceases. He never really believes her death , but one day she sadly dies as he thinks she is just sleeping. The girl eventually ends up at the morgue hospital Feldkirch where she is being ready for burial. Naschy's character flips out at the desecration of the girl's body and kills two autopsy's helpers , starting a murderous spree , being his first victim a student . The police begins to look for him and two Inspectors (Manuel De Blas , Antonio Pica )are investigating the deeds . This is when the Hunchback meets up with a mad scientist ( Albert Dalbes) who is helped by his assistant (Vic Winner) whose girlfriend (Maria Pershy) rules the girls reformatory . Gotho asks for help the doctor whose work isn't accepted by the general society to relive the body his lover . The megalomaniac scientist accepts in change of Gotho assists him on his experiments bringing to life a strange creature . The doctor Horla ( this name is homage to Guy De Maupassant's novel title El Horla) is a prestigious scientific , he promises the Hunchback that would re-animate the girl's body if the Hunchback brings him fresh body-parts from the graveyard and live victims. Gotho kidnaps and kills girls from a nearly reformatory . The doctor uses the parts to create a horrible creature and the experiments are realized in tunnels and caves from Inquisition time. The mad doctor pretends on feed his monster with human beings . But the hunchback will terminate with the sinister plans of the malicious doctor .

It's a delirious story about ¨amour fou¨ with multiples literary references , partially based on writings of known writers as Lovecraft , Mauspassant , Burne Jones , Edgar Allan Poe , among others ; all of them thrown in . It results to be a strong tale as well as sensible flick with melodramatic elements in which Gotho falls in love with a sickly young and a gorgeous Rosanna Yanni . Very good performance of Naschy as hunchback with below average intelligence who works at the morgue. Naschy deservedly won the prize George Melies the best performance in Fantastic Festival of Paris and other several prizes . Creepy and eerie images as when authentic rats attack Nashy and turned to be very difficult the filmmaking . The picture contains a crazy love story , but also lots of blood and gore as when Gotho stabs and decapitates the men in one of the several scenes of gore in the movie . It's a modern reprise of the stories of various writers as Necronomicon's H.P.Lovecraft , Robert Stevenson's Body snatchers , Mary Shelley's Frankestein and touches of Victor Hugo's Hunchback . Flawed but interesting screenplay by Jacinto Molina who blends diverse themes . Colorful and evocative cinematography by Raul Perez Cubero , furthermore atmospheric score by Carmelo Bernaola . Appropriate sets and production design by Cubero and Galicia who worked in many Spaghetti Western . The picture is professionally directed by Javier Aguirre . Rating : Good , it will appeal to mad-cults movies and Naschy fans ; it's one of the best films .

Reviewed by The_Void 7 / 10

Interesting Spanish horror effort

Paul Naschy made a hell of a lot of Spanish horror films, many of them were not all that good; but there are a few gems among his vast body of work, and The Rue Morgue Massacre is certainly one of his better efforts. The film is something like a Spanish version of Hammer Horror; the style of it actually reminded me a lot of the final Hammer Frankenstein flick 'Frankenstein and the Monster from Hell', which was released a year later than this film. Most of The Rue Morgue Massacre takes place in underground catacombs, and director Javier Aguirre springs his atmosphere from there. The plot is a tale consisting of two main themes; social rejection and mad science, and we focus on 'Gotho' (Paul Naschy) - a hunchback with no friends other than a sick young girl. Gotho's life is miserable, and it gets more so when his only friend in the world dies. Gotho believes her to be sleeping, and this is capitalised on by a mad doctor who promises to wake her if Gotho helps him with experiments, which focus on creating new life...

The film doesn't feature a great deal of gore, but it is a very nasty flick. Most of the action centres around corpses and body parts, which helps to give it a nasty atmosphere and this is increased by the dreary set design, which almost gives the viewer the impression that the film is taking place in hell. The plot itself runs rather slowly, though the film never gets boring as there's always enough going on to keep the audience intrigued. Paul Naschy is a varied actor, though sometimes his performances aren't very good. He fits into the role of the hunchback well in this film, however, and actually manages to generate some sympathy in spite of the fact that his character is a murderer. The most interesting element of the plot is, of course, the whole thing surrounding the monster that the mad scientist is trying to create. This subplot is fairly well done; what we get to see looks interesting, though it has to be said that the plot turns out to be disappointing when we finally get to see the monster at the end. However, this is still a very interesting effort and I can certainly recommend it.

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