Action / Western

Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 79%
IMDb Rating 7.4 10 9784


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May 20, 2015 at 01:36 PM



David Canary as Lamar Dean
Paul Newman as John Russell
Diane Cilento as Jessie
Richard Boone as Grimes
814.75 MB
23.976 fps
1hr 51 min
P/S 0 / 9

Movie Reviews

Reviewed by jpdoherty 8 / 10

Late Classic Western.


20 Century Fox's HOMBRE is an excellent and engaging western! Although somewhat unappreciated when it was first released in 1967 it has since gained cult status and is now recognized as a splendid example of the genre. Like the brilliant "The Stalking Moon" made the following year HOMBRE initially suffered from the drop in appeal of westerns with the general public that occurred in the sixties. But now with the production of the western all but extinct and western fans yearning for it to make a meaningful return (sans inane revisionist remakes like the awful "3 Ten To Yuma") - Hollywood's past efforts at producing them in the forties, fifties and sixties have gained considerable popularity with a younger generation. This has resulted in the works of John Ford, Raoul Walsh, Anthony Mann, Delmer Daves, Budd Boetticher and Henry Hathaway becoming just about as popular today as they were all those years ago.

From a fine novel by Elmore Leonard HOMBRE was brilliantly written for the screen by Irving Ravitch and Harriet Frank. Produced by Ravitch and Martin Ritt it was beautifully photographed in Panavision and Deluxe colour in the mountains of Arizona by veteran genius cinematographer James Wong Howe ("King's Row"/"Body & Soul") and was masterfully directed by the underrated Martin Ritt.

Paul Newman is John Russell - a white man raised by the Apaches. He is a discriminated passenger on a Stagecoach occupied by an array of quirkish characters. Jesse (Diane Cilento) is on her way to Bisby to start a new life after her marriage proposal is turned down by (about to go bad) Sheriff Frank Braden (Cameron Mitchell) ("I don't want a wife Jesse...I want out!"). There's Dr. Favor (the always wonderful Fredric March) as the Indian Agent who has just embezzled the Indian funds from the reservation accompanied by his beautiful and pert wife (the lovely Barbara Rush). And Cicero Grimes (Richard Boone) who intends to hold up the Stage and with his waiting gang make off with the Indian funds. But after a series of events in which Russell kills some of the gang and retrieves the money it falls to him to lead the hapless passengers all the way back to town on foot. They take refuge in an abandoned mine-works fending off Grimes and his men until finally Russell confronts Grimes face to face and his Mexican gunman (Frank Silvero). "that Vaquero is more than a fair hand with a gun" Grimes warns Russell followed by what is a climactic but ultimately tragic fast draw shootout.

Performances are quite exceptional from the entire cast! Newman is terrific in what is one of his best ever roles. It is certainly the best western part he played. Terrific too is veteran Fredric March in what would be his third and final film. The rarely seen Diane Cilento (Mrs. Sean Connery at one time) is superb in the female lead and never better is Martin Balsam as the Stage driver. But the acting honours has to go to Richard Boone as the baddie with the cracker of a name Cicero Grimes. His role not terribly unlike that which he played ten years previously in the Randolph Scott classic "The Tall T". And lest we forget the effective brooding score contributed by composer David Rose which lends a melancholy and reflective quality to this memorable and outstanding western.

Classic line from HOMBRE....... When Grimes sees he has been duped by Russell with empty saddle bags he snarls quietly......."Well now....and what do you suppose hell is going to look like?".

Reviewed by bjbrownell 8 / 10

A wonderful slice of strength, needed, but not appreciated or loved.

This film made Paul Newman my favorite male actor for decades. It affected the way I have seen every one of his roles, even his salad dressing. The story line brings John Russell's (Newman) personal strength of character and survival into sharp contrast with many of the other characters' own sense of strength, and therefore the viewers' as well. There are villains all around and innocent (and not so innocent) victims for the taking. Personal values of all kinds (racial, greed, criminal) are set up for display and comparison against Russell's simple personal strength and integrity like a painting competition at a state fair.

My most remembered quote from this film is Russell's response to Dr. Favor(the embezzler)when Favor attempts to educate Russell that white (implying civilized) people stick together and help each other out and Russell responds, "They better".

Reviewed by Leofwine_draca 7 / 10

A film that keeps you involved

HOMBRE is a very good American western featuring Paul Newman, hot off Cool Hand Luke, in the title role. If Cool Hand Luke saw Newman at his deepest and most emotional, HOMBRE sees him playing a totally different part: ice cold, his feelings hidden beneath a tough and leathery old skin. He plays a white man raised on an Apache reservation and thus suffering the scorn of his fellows. He ends up taking a fateful trip on a stagecoach waylaid by bandits and must use his survival skills to help keep his fellow passengers alive.

The film has a leisurely pace and a long set up, but everything works well here. Each character has a little story all of their own and the actors centre the roles well. Diane Cilento is particularly good as the damaged woman that Newman butts heads with, but the likes of Fredric March, Cameron Mitchell, and Martin Balsam don't disappoint either. Richard Boone is particularly imposing as the chief villain in the story, and the action is handled expertly with some great twists and turns along the way.

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