I can recall only a few times that movies have genuinely shocked me, not with a plot twist in a mystery or thriller, but with pure audacious, in-your-face moments. Those moments make an impact. They don't bruise; they scar. They brand an image or a quote into my memory that rests there forever. Heathers delivers a handful of these moments within its first 20 minutes. You can attempt to describe this movie anyway that you like, be it satirical, provocative, hilarious, wild, etc. One thing is certain about Heathers, you will not forget it.

Heathers is a disturbingly dark comedy dripping with hyperbolic satire about high school life. Every character is exaggerated. The kids are either sadistic or secretly psychotic or both. All the adults are clueless, so of course they handle each conflict with incompetence. Yet somehow the plot makes the characters appear by comparison, which is say that things get pretty crazy.

This drastically sensationalized world of high school (littered with great quotes) makes Heathers a genre-defying classic.

Boldly exploring the world of teen social life in a way for more daring and original than "16 Candles" or "The Breakfast Club" (oh, these kids are more than just their stereotypes? I never knew), Heathers takes us behind the scenes of the most popular clique in school, called the Heathers. The three founding members, all named Heather, insist on referring to each other by first name only which creates some cute confusion in the opening minutes. The film takes an abrupt dark turn shortly afterward.

The leader, Heather Chandler, needs only to utter a few sentences to reveal herself as one of the most shockingly cruel and timelessly quotable teen characters in cinema history. So shocking are her lines that they still drop jaws in 2016. I wouldn't dare spoil the great quotes from Heather or the ones from Heather or any quotes for that matter, but suffice it to say that you will never think about mineral water, brain tumors or chainsaws the same way again.

As we witness the appalling ways of Heather as she mentally mutilates the less popular, we also observe the apathy with which her actions are met. Only Veronica seems phased by how her best friend (who she hates) treats people. Since she's the only sensible character in the movie, Veronica comes up with the only sensible way to solve the Heather problem: kill her. "Accidents" ensue leading to a perceived suicide epidemic throughout the city. In death, the tormentors become martyrs celebrated for the giving lives they did not actually lead. Despite the phony praise passed onto the dead, virtually everyone's reactions to the suicides are laughably deadpan or selfish. Some seek attention by accepting blame. Others worry only about canceling school. The school's lower class students notice the glorification of suicide and view it as their best chance at popularity.

The comical take on murder/suicide is dicey. But viewers should understand it as an attempt to mock the allure some bestow on suicide. Even if this bold effort ruffles some feathers, the film presents a moral statement: all people should be treated with decency.

This deserving cult classic is still as crisp and contemporary 20 years later as it was when it came out (actually, I can only guess how much impact it had upon its release; I was only 10 at the time and probably wouldn't have understood the high school dichotomy even if I had seen the film then). The blood-black humor is still as biting and sharp as ever, and the best lines still induce morbid laughter ("I love my dead gay son" is a personal favorite). And a top-notch cast of 80's actors who really deserved to end up doing more with their careers (except the ones who actually DID do more, most of whom should have stopped right here) carried this material with such grace, the film really hasn't aged at all.

There is a timeless feel to Heathers, and it's something that definitely struck me watching this film today. Here's the confession: I am writing this review after watching Heathers for the first time. Of course, I had heard about this film for years, but somehow it stayed out of my DVD library until just recently. After finally taking in this much lauded classic, I'm sorry I waited so long.

But, perhaps approaching this film with today's eyes lends a useful gauge of its true effectiveness. After all, I watched the film simply to watch it, and I had no historical or sentimental ties to it to cloud my judgment of exactly how much I enjoyed it. The fact that Heathers is so great, despite the fact that it came out of an era during which high school films were made in a very specific mode, thus have mostly aged very poorly, speaks volumes about its quality.

Let me explain... Picture teen films made in the 90's during that dark period where pagers, not cell phones, were the apex of communications. Of course, all the hip kids at the time would have a pager, so naturally, references to this ultra-modern form of technology would enter into the plot, or at least the peripheral. Someone watching a film from this period today would immediately notice this antiquated device, and the film would then date itself. Heathers has no such attachments to its era, and in fact, it looks very little like any high school film made in the 80's (or ever, actually). The use of almost no music in the film adds to this mystique, and since there's no Simple Minds song guiding the action, we can't quite place the Heathers' link to popular culture there. Ditto with the fashion, which, aside from some pretty intense hair-dos, doesn't place our characters into any historical context. The teens in this film don't strut around in legwarmers or Member's Only jackets, and even if they did, this would have an ironic coolness about it in today's retro culture.

I only point this out to demonstrate that Heathers seemed to have much more on its mind than entertaining teens for a couple of hours. It takes significant forethought to omit anything that places significance on the time and place the story unfolds and focus all of the elements on the darkly delightful story instead. Heathers wouldn't work nearly as well, or apply so encompassingly, if it tied itself to a singular post of time. One of the reasons the film holds up so well today is that it looks like it could have very well been made today. This fact makes the rumors I've heard of a remake in the works one of the worst ideas of all time... and that's really saying a lot considering how many classic films have been tainted by a wretched modern make-over/cash-in (oh, that's right... we're supposed to call them "re-imaginings").

You can easily find the plot and any other pertinent information on the very listing you browsed to come to this review, and certainly Heathers is a film that has been discussed so much that I won't be able to add any significant perspective to it. Rest assured, I won't try.

I'm only here to say that I finally watched Heathers, and found it deserving off all the hype that I've encountered in the decades this film has existed. The satire is cutting and brilliant and the themes are universal, and will remain universal as long as there are millions of insecure teenagers on this planet vying for the ever-present enigma of "acceptance". Hell, most adults are still searching for that themselves, which would sort of make Heathers a film that grows up with you. That's no simple feat, and the very fact that 20 year-old jokes about mass murder are still funny today says as much about humanity as the film does about the dynamics of popularity.

I'll admit I arrived to the party late, but I can assure you this: it won't take another 20 years for me to watch this again.

In Ohio, Veronica Sawyer (Winona Ryder) is a teenager trying to participate in the clique at the Westerburg High School of her schoolmates Heathers: Duke (Shannon Doherty), McNamara (Lisanne Falk) and Chandler (Kim Walker). She supports their nasty and shallow behavior just aiming to be a popular student. One day, the newcomer in town Jason Dean (Christian Slater) starts dating Veronica and he questions her relationship with the Heathers. When they accidentally kill one of the Heathers, they forge a suicide note and even dead, she becomes more popular among the students. Other students become also tempted to commit suicide while Veronica learns that Jason Dean is a psychopath.

Most American high school students are usually presented to the world in comedies as imbecile. "Heathers" makes no exception and goes further and further in the critic, showing them very shallow, trying to be popular at any price and without questioning life. The behavior of their fathers and mothers is also stupid. This original dark comedy has a great potential of a cult movie. Winona Ryder and Christian Slater in the beginning of career shine in the cast performing cynical roles. "Heathers" is one of the best American teen movie and worthwhile watching. My vote is seven.

Title (Brazil): "Atração Mortal" ("Mortal Attraction")