Ginger Snaps


Action / Drama / Fantasy / Horror / Romance

Rotten Tomatoes Critics - Certified Fresh 89%
Rotten Tomatoes Audience - Upright 78%
IMDb Rating 6.8 10 36834


Uploaded By: OTTO
Downloaded 39,864 times
July 17, 2014 at 10:27 AM



Lucy Lawless as Announcer on School's PA System
Mimi Rogers as Pamela
Emily Perkins as Brigitte
720p.BLU 1080p.BLU
809.06 MB
23.976 fps
1hr 48 min
P/S 2 / 20
1.64 GB
23.976 fps
1hr 48 min
P/S 2 / 14

Movie Reviews

Reviewed by jenlabmush 10 / 10

Everyone has their 1 movie.

Everyone has that one movie to them. That one that they could watch over and over again and never grow tired of it. For some, it's the original Star Wars Trilogy, shoot, I knew a person, for her, it was Rent, but for me, it's Ginger Snaps. First saw it, thanks to my dad working at Blockbuster at the time, was given a screener of it prior to it's release, and truly loved the movie from then on. And when I say can watch it over and over again, not get tired, I kid you not, one time, put the DVD on loop and had it play 24/7 for the longest time. Tonight, thanks to Shout Factory, watched it on Blu Ray, and truly loved that!!! Now, Shout, let's get to work on releasing the other two in the series on Blu Ray. OK? lol

Reviewed by Kezia Cole 4 / 10

Semi-original but vastly over-hyped teen horror schlock

It's possible I'm biased, but I've never managed to make it all the way through this movie in one sitting. I just get so bored.

Ginger Snaps is often feted as a smart, slick, witty teen drama/horror/comedy hybrid, using werewolf movie tropes as a metaphor for puberty, loss of innocence, and a character study of two sisters growing apart. It does have some snappy lines and genuinely funny moments, such as Brigitte (Emily Perkins) and Ginger (Katharine Isabelle) consulting the supermarket's 'feminine hygiene' aisle as Ginger's lycanthropic changes blur with the clunky plot point of her first period, but for me those are also the scenes that highlight the movie's weakness.

For my taste, the preoccupation with Ginger's burgeoning womanhood - her menstruation, her 'wolfishness' portrayed through aggressive sexuality (including flipping the roles on a pushy boy who has the nerve to ask her "who's the guy here?" shortly before she pins him down and bites through his chest), pleasure- seeking, and short-tempered moodiness - are a set of clich├ęs that never feel as clever or deep as they seem to think they are. The scene in which Ginger compares blood lust to the joy of masturbation never fails to make me cringe. It doesn't help that writer/co-story writer Karen Fawcett's dialogue sounds less like genuine teen-speak than the esprit d'escalier of a 35 year old remembering high school.

Maybe it's because Brigitte and Ginger are so hard to identify with, being cast so firmly as outsiders from the start, with their shared obsession with death, a la Harold and Maude. Emily Perkins' performance - swaddled in baggy clothes, and hiding behind a forest of uncombed hair - is whole- heartedly committed to a vision of teen awkwardness, but the excessive wild-eyed staring overwhelms any sense of nuance or character development which could have brought the story some genuine depth in its first two thirds, and adds to the feeling of playing scenes for laughs instead of balancing dark humour with real emotion.

The movie's practical effects are unusual, and I don't have a problem with that, though it seems to put off a lot of horror fans, and the lycanthropy is not the conventional kind. Most of the liberally splattered gore scenes are effected with high speed cuts and crunchy sound effects rather than a more psychological approach, which feels like an odd choice given the movie's attempts at locating itself so firmly inside the sisters' shared bond.

Ultimately, Ginger Snaps may be many people's idea of a sharply comic modern(ish) take on horror movies - and particularly the role of women in horror - and if it speaks to you like that then great; such is the power of representation in movies. Unfortunately, for me it feels severely dated, clunky, and unrelatable, and it's easy to see the excitement about the movie as chronic over-hyping. If you go in expecting a teen drama with naked-molerat-werewolves and a somewhat second-wave feminist message, you might be pleasantly surprised, but if you remember the 90s trope of being too cool to take anything seriously and found it annoying then, you may want to give this movie a wide berth.

Maybe there'll be a reboot one of these days to smooth off the rough edges from a potentially promising idea?

Reviewed by MaximumMadness 10 / 10

"Ginger Snaps"- Refreshing, subversive and wickedly entertaining. One of the best werewolf flicks ever made.

An immense success by any stretch of the imagination, the phenomenal "Ginger Snaps" is a winning combination of horror and humor, filled to burst with satire, subversion and plenty of thrills and chills. Even sixteen years after its initial release, it remains a wickedly entertaining and refreshing take on the werewolf legend, courtesy strong visual direction, a witty script and some absolutely wonderful performances. It's a cult masterpiece, and deserves far more attention and admiration than it currently claims. I do firmly believe that it is not only easily amongst the best werewolf films ever made... it is perhaps even among the best horror films ever made.

In the Canadian suburbs of Bailey Downs, the Fitzgerald sisters lead a depressive life. Death obsessed Goths who get their kicks creating mocked "murders" for school projects, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins) are social misfits who just can't fit in, and have created a suicide pact to murder themselves by age 16 should they still be stuck in their droll, painfully boring life. With a wild animal on the loose that is terrorizing the neighborhood and killing family pets at an alarming rate, the sisters decide to play a prank on their school's resident mean-girl Trina (Danielle Hampton), by making it appear her beloved dog is the latest victim. However, on this fateful night, Ginger also happens to get her first period, and it soon draws the attention of the real beast, which bites and mauls her.

Narrowly escaping, the sisters soon realize that the bites are healing at an unnatural rate. Over the following weeks, as Ginger begins her journey into womanhood, Brigitte begins to notice disturbing changes in her sister... changes that might not be from puberty and maturation... but might be the effects of the creature's bite! He sister might be becoming a werewolf! And so, Brigitte must team up with drug-dealer Sam (Kris Lemche), in order to try and use his chemical expertise to find a cure to Ginger's terrible ongoing transformation!

Director John Fawcett guides this tale with a sense of visual bravado, expertly crafting a hard-hitting and consistently hilarious mood and tone through keen storytelling. His smooth, flowing camera-work and quirky use of strange angles and occasional ambitious movement has a very nice feeling to it, hearkening back to the good-old days of horror before modern trends of shaky, gritty stylings began to take over. It's very tactful, slow-building and deliberate, which is quite a pleasant surprise for a film that's relatively contemporary.

The script is co-written by frequent "Queer as Folk" and "Orphan Black" scribe Karen Walton, who is just a joy. Her quirky dialog and wonderful use of metaphor and subversive humor helps elevate the idea to fantastic new levels. At its heart, it's a story about what it means to become an adult- more specifically, to become a woman. And with its clever use of becoming a monster as a metaphor for puberty, Walton crafts an incredibly wild and entertaining tale that all should be able to relate and identify with. She also injects plenty of pitch-black humor that really helps give the film a unique identity and makes sure to pull the rug out from under you just enough times to keep you on the edge of your seat.

The performances are also a vital key- the cast is lovely. Isabelle makes for a wild and unhinged character. She's just a ton of fun, and you get a whole range of emotion from what she does with the Ginger character. You will both laugh and cry thanks to her throughout the entire runtime. Emily Perkins knocks it out of the part as our protagonist Brigitte. Perkins has always been likable and notable in the horror community, thanks to her child-actor roots in films like Stephen King's "It." And here, she really stretches her wings, with an incredible role that's just dripping with everything an actor could want. She commands the role of Brigitte with grace and style. Lemche and Hampton, along with others such as Jesse Moss round out the supporting characters perfectly. In particular the highly likable Lemche, who does a great job with his quirky character. But I gotta give the most props to Mimi Rogers in the wonderfully insane supporting role as the mother of our leads. Rogers is just so much fun, portraying the sort-of perfect "supermom" who begins to show cracks beneath the surface when her idyllic existence is questioned. Perfect role.

Add to that a top-notch production, and you have the formula for a classic! Cinematographer Thom Best does an amazing job with the lighting and composition, delivering grand imagery to compliment the story. Editor Brett Sullivan (who went on to direct the sequel "Ginger Snaps: Unleashed") does a fine job with the pacing and piecing together of sequences. And composer Mike Shields delivers the goods with his moody and mournful score. The central theme of the film still stands as just a gorgeous and melancholy composition- one of the finest horror themes in years.

It truly is a shame that the film is not a household name, and has been relegated to the status of "cult film." It's a complex, genre- bending masterpiece that delivers non-stop laughs and screams, and it should be highly recognized for this. But it was a sad victim of poor timing, losing much of its audience due to events like the Columbine Massacre and other world tragedies that pushed audiences away from its tale of teens in peril. Here's to hoping that as the years go on, its small but dedicated audience continues to grow and grow. Because this film deserves all the fans it can get!

"Ginger Snaps" is a perfect 10. It's one of the finest werewolf films ever made. One of the finest horror-comedies ever made. And perhaps even one of the finest horror movies ever made, period.

Read more IMDb reviews


Be the first to leave a comment