Wow, was Barbra ever great in this one! The delivery of the songs, in which she often gets so intoxicated with the great music and lyrics that she starts swaying. The acting, which certainly is none too bad, either. The sheer beauty of her performance is indescribable. Really, I am not exaggerating. She is radiant in just about every frame of the film that she appears in; she practically glows! She is gorgeous, she really is! You cannot help but love this kid from the moment she steps onto the screen. She is funny, she is touching, she is electric, she is wonderful, and she is so many other things.

Omar Sharif certainly is suave as her leading man (And you know exactly how he feels, because you love her, too!), and Kay Medford is also good as her mother. William Wyler's direction is right on the money. And those costumes and sets! But, of course, the film belongs to Barbra. It may drag quite a bit near the end, but she pulls it through. This was her first film, before the egomania, (evident in only her second film, Hello, Dolly!), before the sappy stuff. This was made when she was a fresh young talent who had "so much to offer." And boy, did she deliver the goods in this one! If you see this, you can certainly consider yourself one of the luckiest people in the world.

Every time a film is made about a real-life figure, particularly a show business figure, people love to complain that the movie is not accurate regarding the facts of that person's life. If the truth be told, if movie biographies were strictly about the facts, no one would go to see them, because for the most part, the facts don't make for great entertainment and Fanny Brice is no exception. The 1968 musical FUNNY GIRL has been maligned for years because it is not a very accurate representation of the facts of Fanny Brice's life. If you want to learn about Fanny Brice's life, read a biography or go on the internet, but if you want to see an amazing movie musical spotlighting a legendary performer at the beginning of her amazing career, then you can't beat FUNNY GIRL, the 1968 musical based on the 1964 Broadway musical that made Barbra Streisand a star. Streisand tied with Katharine Hepburn for the Best Actress Oscar for this charismatic star turn as the young girl from Henry Street who becomes a big star of the Ziegfeld Follies and has a heartbreaking romance with a charming gambler named Nick Arnstein, played by Omar Sharif. Streisand is in practically every frame of this film and never makes you wish otherwise...one of the great performances in the history of cinema...whether she is defying Florenz Ziegfeld by refusing to appear in the finale or chasing an ocean liner to be with Nick, Streisand gives the one-woman performance of a lifetime here. Directed by Oscar-winner William Wyler, Streisand is lovingly photographed and effectively showcases the Jule Styne-Bob Merrill score, which includes classics like "People" and "Don't Rain On My Parade". Some changes have been made in the score from the stage musical but Streisand makes it all work and the finale "My Man" is just devastating. It's not an accurate biography of the vaudeville legend, but as a dazzling and entertaining movie musical, it's hard to top this one.

Funny Girl for me did drag in the second half and fairly badly and some of the script is contrived with some lines in the second half that may make one cringe. However, Funny Girl is a beautifully done film and without a doubt one of Barbra Streisand's best films. And Fanny Brice gets my vote as her best performance, it's a fantastic performance that was fully worthy of the joint Oscar and it is from personal view one of the greatest film debut performances ever. Her singing cannot be faulted, a big, well-supported and beautiful voice that was capable of much emotion as can be heard in My Man, and acting-wise she does do funny and poignant brilliantly, just love her facial expressions as well. Omar Shariff is handsome and ultra-smooth in his role, and the two do show some passionate chemistry together, while Mae Questel is hilarious, Kay Medford has sincere fun in her small role and Walter Pidgeon is endearingly curmudgeon. Anne Francis doesn't have a whole lot to do but is very charming. Other than Streisand the other high points are the score and songs. The score is lushly orchestrated with lots of bombastic energy and pathos without ever being syrupy. The songs are equally marvellous, the rousing Don't Rain On My Parade and the truly emotional My Man being the highlights. The way the numbers are staged are not static nor are they overblown, an achievement seeing as there are a few lengthy ones in there, People is particularly well-done in this regard. The story has pacing issues but still manages to be fun(with some very cute jokes from Streisand), charming and touching, and there are some very good production values particularly in the opulent costumes though the colourful sets and fluid cinematography are notable too. This may be the first and only musical William Wyler made but as far as directors-who-only-directed-one-musical Funny Girl does stand out as one of the better ones by quite some way, never pedestrian or heavy and there is at least a sense that he knew what he was doing. All in all, not perfect with the pacing and scripting issues but it is well worth seeing for Streisand, whose performance alone is worth two stars already. Adding the music, supporting cast, production values and how to me emotionally investing the story was Funny Girl for all its comparatively small imperfections is a great film. 9/10 Bethany Cox