Dog Day Afternoon

1975

Action / Biography / Crime / Drama / Thriller

43
Rotten Tomatoes Critics - Certified Fresh 90%
Rotten Tomatoes Audience - Upright 95%
IMDb Rating 8 10 204074

Synopsis


Uploaded By: LINUS
Downloaded 99,589 times
March 08, 2016 at 05:06 PM

Director

Cast

Al Pacino as Sonny
Carol Kane as Jenny
John Cazale as Sal
720p.BLU 1080p.BLU
896.78 MB
1280*714
English
23.976 fps
2hr 5 min
P/S 6 / 40
1.88 GB
1920*1072
English
23.976 fps
2hr 5 min
P/S 6 / 24

Movie Reviews

Reviewed by Antonius Block 8 / 10

Great portrait of New York in the 70's, and Pacino is captivating

I love the wonderful sense of New York in the 1970's that this film gives us. The characters, dialog, and shots on location in Brooklyn are all highly authentic. It's Al Pacino who really makes the film though, with a performance that is captivating and endearing. He's bumbling and ill-prepared as the leader of this bank heist, yet he's cagey and street-wise as a New York rat.

We first get a glimpse of how amateurish these criminals are when one of the three bails early on in the robbery, which is a comical moment. We also smile at Pacino's handling of the situation. He realizes the importance of the hostages he suddenly finds himself holding, but far from being heavy-handed, he tries to be decent with them. He whips the crowd up into an anti-establishment frenzy by shouting "Attica!", throwing wads of money into the air, and paying for pizza delivery. He gets into a shouting match with a police sergeant (Charles Durning). He talks to his wife, mother, and transgender lover (Chris Sarandon), and each conversation is touched with pathos, and fantastic. To his mother he says "I'm a fuck-up and I'm an outcast. If you get near me you're gonna get it. You're gonna get fucked over and fucked out." It's the outcast underdog that we find ourselves rooting for.

I love the simple acceptance of his sexuality, which is incidental and doesn't devolve into some type of stereotype - well ahead of its time. Director Sidney Lumet shows the seamy side of New York, but at the same time, its humanity. The characters are blunt, but understanding of one another when they simply say what they want. The relationships in this tense stand-off are fascinating.

I also liked how Lumet gets us into the story immediately. We learn the backstories and characters of the criminals, including Pacino's henchman (John Cazale) gradually, and in little moments, such as finding out he fears their escape plan because he's never been on an airplane before. The film works as both a hostage drama and as a character study. It may be a teeny bit too long at 125 minutes, but has held up well over the years, and is definitely worth watching.

Reviewed by grantss 9 / 10

Superb

Easy to dismiss initially as just another bank heist caper, it gets better and better the more it goes on. Lumet feeds the viewer details and subtle twists, revealing more of the characters and their stories over time. By the end it is as much a theme- and character-driven movie as a plot-driven movie. The social commentary is brave and innovative, especially for a movie from 1975.

The other change is in the seriousness of the subject. Initially the movie is quite funny. Sonny (Al Pacino) and Sal (John Cazale)'s attempt to rob the bank is so bad it is hilarious. However, their is always the thought that tragedy is not far away, and Lumet keeps this idea ticking throughout the movie.

Great acting by Al Pacino. Great direction by Sidney Lumet.

Reviewed by jgt-12830 10 / 10

Less that 10

How can anybody give this movie less than a 10? It's a perfect movie in every way. The acting alone is legendary, the performance by Pacino probably the greatest single job of acting ever done.

Read more IMDb reviews

2 Comments

Be the first to leave a comment