D-DAY THE SIXTH OF JUNE is a slightly nauseating gung-ho Hollywood version of the famous battle, bogged down in a bog-standard love triangle which occupies much of the running time. The British forces, in the form of Richard Todd, are shown as heroic but slightly stiff, while the Americans, in the form of Robert Taylor, are down to earth and affable. Dana Wynter is the girl caught between the two but the love triangle material couldn't be any less interesting if it tried. The battle scene at the climax is badly handled and staged in the dark for the most part, and the most fun I got out of this was John Williams' (DIAL M FOR MURDER) wry turn as the brigadier. If you want the definitive D-Day picture, look no further than THE LONGEST DAY.

For many years, I avoided watching "D-Day the Sixth of June" because I assumed it was a film about the D-Day invasion. I was shocked to learn that it really was NOT about D-Day...and was much more a romance than a war film. What a surprise.

The film begins on a transport ship taking some commandos on a raid just before the main D-Day attack. A British officer (Richard Todd) and an American one (Robert Taylor) meet each other for the first time and they both realize they have something in common...they are in love with the same woman. The film then does a brief flashback about the relationship between Todd and Dana Wynter and a much longer flashback about the relationship between Taylor and Wynter. The latter is complicated because Taylor's character happens to be married.

This film plays more like a soap opera in many ways than a war film. In this sense, it's a bit similar to "From Here to Eternity"....though a bit less grand in scope. After all, the battle sequences consists of a few dozen men at a time and lacks the scope of the attack on Pearl Harbor in "From Here to Eternity". However, they both are very good films...soap and all.

Overall, this is a very good film despite the ubiquitous use of the song "You Never Know"...a song you come to hate after a while. Still, very well made and worth seeing.

Another big-budget WWII adventure, filmed in color and widescreen by Fox in the '50s - and a misleadingly titled one, as it barely concerns the crucial 1944 Normandy invasion it references (not surprisingly Fox returned to this subject, and tackled it much more comprehensively, in THE LONGEST DAY [1962])! As a matter of fact, the film's one genuine battle sequence, while quite well done, occurs only after having gone through some 80 minutes of incessant talk; the bulk of this footage is devoted to a romantic triangle, told in lengthy flashbacks, which comprises American Robert Taylor and Brits Richard Todd and Dana Wynter, plus a rather irrelevant subplot involving maverick Colonel Edmond O'Brien! That said, the film is glossily proficient and remains highly watchable as the kind of unassuming entertainment turned out on a general basis by Hollywood in its heyday...