Cape Fear

1991

Crime / Thriller

23
Rotten Tomatoes Critics - Certified Fresh 75%
Rotten Tomatoes Audience - Upright 77%
IMDb Rating 7.3 10 146558

Synopsis


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1280*544
English
R
23.976 fps
2hr 8 min
P/S 9 / 40
2.04 GB
1920*816
English
R
23.976 fps
2hr 8 min
P/S 14 / 52

Movie Reviews

Reviewed by Duncan Gowers 10 / 10

Not Scorcese's best, but pretty good!

Martin Scorcese's filmography as director is one of the most accomplished in modern film history. While Cape Fear can't even hold a candle next to "Taxi Driver", "Raging Bull" and "Goodfellas", it is still a fabulous remake of the 1962 noir classic and it keeps the viewer on the edge right through until the closing credits.

Robert De Niro (in yet another brilliant teaming with Scorcese behind the camera) plays Max Cady, a psychopathic rapist who was sent to jail 14 years earlier for such crimes. He leaves prison with vengeance. Not for his victims or his prosecutor, but his defence councillor, Sam J. Bowden, played by Nick Nolte. It seems Bowden did not defend Cady to the best of his ability. Cady knows this and wants some payback.

Cady's initial return into Bowden's life could not have come at a worse time. Bowden has been forced to move his family to Florida after his infidelities threatened his marriage and career. His wife is distrustful and worst of all, Bowden is on the verge of beginning another affair with a female workmate. Added to that, his daughter is at the difficult age of 15.

Almost by ozmosis, Cady understands these problems in the Bowden household and acts on them. He begins terrorising Bowden and his whole family, taking it from one extreme to the next.

What makes Cape Fear such a good film is the rapidly increasing sense of claustrophobia. Scorcese makes a point of using almost only close up shots towards the end of the film. It is a great touch that makes the viewer that much more scared as the film goes on.

Along with that, Robert De Niro is superb as Cady. Only occasionally does the role slip into parody. Mostly he is expertly evil.

Nick Nolte is good if not great, the same for Jessica Lange as Leigh Bowden. It seems as if they were void of any great lines in this film, which is unfortunate given their immense talent. Julliette Lewis is absolutely brilliant as the young daughter, Danielle. She slips effortlessly between curious sexual awakenings, rebellious teen and straight thinking woman. Add in small roles for Robert Mitchum and Gregory Peck (the leads of the 1962 version) and you have a great ensemble cast.

So not the best Scorcese film ever, but some tight editing, great camerawork, a haunting theme and devilishly over-the-top acting help make this a frighteningly fun movie to watch. Strongly recommended.

Reviewed by Idocamstuf 9 / 10

One of the better thrillers of the 90's

I have wanted to see this movie for quite some time, and I finally saw it, and I thought that it was great. I am a huge Martin Scorsese fan, and I would have to say this is one of his most true to life films, even though its not his best film. The acting is great,and so is the music. The film will send shivers through your body. This is also one of DeNiro's most underrated performances and deserved more attention at the time of its release. Its also great to see some of the actors from the original version show up in cameo roles. If you like horror films and thrillers, you will most likely enjoy this. ***1/2 out of ****. A recommended viewing.

Reviewed by Dan1863Sickles 9 / 10

The Great Un-American Classic!

This brutal, violent and suspenseful thriller combines a scorching performance by Robert Deniro, sumptuous location photography, and a powerful script that raises disturbing questions about religion, sex, and class distinctions in our so-called classless society.

At first glance Max Cady seems to be just another creep, a rapist and convict out to torment and humiliate a nice, upper-middle class family. "He's an ex-con," yuppie lawyer Sam Bowden smugly says, with fatuous self-satisfaction. But gradually it becomes apparent that things are not what they seem. The wholesome, "superior" middle class family is rotten with corruption, while the vicious, "psychotic" ex-con is a man of extraordinary courage, intelligence, and spiritual strength. Even his most horrible acts of violence are connected to the corrupt and self-serving behavior of his "betters." What makes this movie work so well is that director Martin Scorsese breaks away from his usual mean streets milieu. If Max Cady had been an Italian wise guy, the movie would have made excuses for him. The outcome would have been predictable. But here the great director remains an impartial observer of criminal behavior, rather than a sentimental apologist for ethnic violence. (As in GANGS OF NEW YORK.) Max Cady is pure evil, but he speaks the truth about the evil of allowing class distinctions to flourish in a so-called "democracy." When it came out, this movie was reviled by critics, especially by effete yuppies like Terence Rafferty at GQ and VANITY FAIR. Most of them whined about the violence, but it was painfully clear that what really disturbed them was the possibility that an ugly ex-con really could be smarter, tougher, and more virtuous than a spoiled yuppie lawyer.

Shocking!!!

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