Brave is a beautiful and moving new fairy tale that fits seamlessly into the genre; Princess Merida is a wonderfully multi-facted heroine; the film shapes itself around problems that are familiar and understandable and will be well-understood and appreciated by kiddos and parents alike; the supporting characters that are given the most attention are well-crafted (but too bad for those others that fall by the wayside). The visual effects are flawless, in my opinion, the best if all Pixar films.

Brave is at its best when it's smartly and charmingly changing what we think think a Disney Princess can be, but it wavers when it tries to somehow reinvent the Pixar wheel. The film lacks the trademark Pixar wit we've come to expect from the animation studio's productions, and some humor feels shoe-horned in for the sake of having some laughs; the directorial kerfuffle that took place in the middle of production is not overwhelmingly obvious, but there is a distinct laugh of singular vision driving the film and its tone wavers throughout.

It may not live up to the incredible standards of the Pixar brand, but Brave offers young audiences a lot of entertainment and adventure. Highly Recommended.

8/10

This should have been an easy review to write. Brave should have been a film that cemented itself as one of the all time greats, a necessary addition to any Top Films list. It should have been a film that claimed a place in our hearts as so many other Pixar films have in the past. But it's not. And writing this review is proving anything but easy. It's hard because I'm sitting at my Dell Latitude feeling bewildered at how a film from the best animation studio in the world left me feeling lukewarm at best.

A bit of background on the film first; this film went through two directors. After Brenda Chapman left the film for reasons I don't know, Mark Andrews was hired as a shoe in. This wasn't the first Pixar film to have multiple directors, just unplanned multiple directors. This is where my major problem with this film stems. Everything from Brenda Chapman is textbook Pixar class and charisma, but once Mark Andrews gets the reins (and you WILL know when it happens), the film takes an abrupt and uncomfortable shift towards the dark, and really challenges the boundaries of PG. It feels like two different films tacked on to one another with Gorilla Glue, it's as if the directors had no collaboration with each other. A real shame because up until it takes this dark turn, the rest of this film is a class act bursting with potential.

However to lament on the pitfalls is to ignore the positives. Pixar created two characters with copybook classic credentials in Princess Merida, and her father Fergus. Merida as the independent, self-confident, inurbane princess has a tongue-in-cheek charm and a personality that brings a genuine smile to your face. The other hero of character is Fergus, his character of a bumbling king with an overpowering queen is cliché, but he's executed brilliantly and is the provider of the majority of humor on Brave. Another immensely impressive aspect is its supremely dazzling animation aesthetics, the resplendent beauty of the Scottish countryside sometimes stealing scenes from its characters. Whether or not you agree that's brilliant is more subjective.

Now this may seem like the ranting of a spoilt wannabe movie critic weaned on delusions of grandeur, and hollow satisfaction from demeaning films with hype behind them, but I can assure you my size 10.5s remain firmly on the ground. This film is still a damn sight better than a majority of animated films out there, and it no doubt sets a new bar for animation quality other films won't be able to reach without a pole vault. I generally like this film and its good moments are plentiful and remind you why we love these films so much. Pixar films are utterly infectious when done correctly, Brave isn't up to the standards of their best, you won't fall in love with it, but forget the scale of its predecessors and you'll definitely be impressed by it.

I dunno what to make of "Brave". It says PIXAR before the title, but this is very much a Disney movie, from the gags and rhythms right down to the cutesy tone. I think that's the biggest thing; it's just kinda generic. Which is disappointing because it's set in the underused Scotland (and features some really picturesque locales). But mostly, it's the weak story, and it feels surprisingly long for 90 minutes. There was some great buildup with Merida's archery, but no payoff for such an independent female warrior.

It started out with promise, but falls right in line with "Tangled" and "Frozen" product.

5/10