Miguel (Alexander Waechter), a man afflicted with a particularly unrealistic facial scar, is sent to an asylum for rape and murder. With little evidence that he is cured, he is released five years later and immediately resumes his hobby of peering and leering at highly made-up women bedecked – barely – in stunning early 1980's attire. One reason for his behaviour appears to be his forbidden love for his sister Manuela (Nadja Gerganoff), who is happy to parade herself around him in suggested poses and revealing clothes but is appalled at continuing their forbidden relationship.
Various characters come and go, sinister suggestions of stalking young girls is accompanied by Gerhard Heinz's mostly magnificent score (Pink Floyd were originally approached), and improbable and brightly coloured murders take place.
Euro sleaze, eurotrash, eurotica or euro-horror: there are plenty of labels for allegedly exploitation films such as 'Bloody Moon', but a lot of them are unfairly maligned by the lazy definition. A lot of films directed by Spanish Director Jess Franco are far better than their reputations suggest. This, however, fits squarely within that category (Franco himself has labelled it s**t). It is Franco's contribution to the slasher genre.
The first half is remarkably tame. For the most part, watching this is something of a chore, with much of the running time seemingly made up from scenes spliced in from other films. Stunning locations and pretty girls and boys aside, this is something of a chore, especially when the characters display such unstinting stupidity, often on the promise of sex.
Yet it is worth continuing. The murders increase in frequency and bizarre gratuity (beheadings, stabbings and a knife protruding somewhat improbably from a nipple). The character of Angela (Olivia Pascal) staggers from witnessing one obscene set-piece after another and understandably is the scream-queen of this particular project. The scenes she witnesses actually gather together the somewhat isolated moments from earlier on and give them a coherency I wasn't expecting.
In the end, against my earlier misgivings, 'Bloody Moon' ends up with a satisfying bloodbath filled with imaginative moments and a fairly convincing twist. Not Franco's best film, then, but somewhere in the middle.
Horror / Mystery / Thriller
Horror / Mystery / Thriller
Miguel, a young man with a horribly disfigured face, goes on a rampage at a masquerade party and rapes a girl. He then brutally hacks up the young woman with a pair of scissors. Miguel is institutionalized at a mental asylum for five years. Afterward, he is released into the care of his sister, Manuela. Along with their wheelchair bound mother, they operate a boarding school for young woman, called Europe's International Youth-Club Boarding School of Languages, on the Spanish resort of Costa Del Sol. Miguel is intrigued by Angela, a long-haired brunette, whom he first saw on the train ride from the sanitarium. The creepy Miguel follows her around. Miguel meets with Manuela to request that they resume their incestuous relationship. She reminds him that it was this relationship that made him emotionally unstable five years earlier. She says they cannot because nobody understands them: "Only if we could get rid of everyone, then things could go back to the way they were." Then Angela's ...
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April 27, 2016 at 08:36 AM