North western England, young Ria (Temple) runs away from an abusive man with his stash of cocaine. She hides out in Blackpool hoping to find a way to sell the stash so she and her best friend can get on with their lives away from drugs and abuse. There she meets Joseph (Spall), a run down older man who has only thoughts of killing himself because of something in his recent past. The two bond, they somehow feel safe with one another. Inevitably the abuser Dex (Ryan) finds out where she is and it comes to a showdown on the shores of Blackpool.

This was a good story, not fully original but everyone who makes one of these puts their own spin on it. I hadn't heard of any of the actors but not surprising as it is a British film and that certainly didn't stop me from watching it. The film moved along a bit slow at first and I kept getting a bit confused with all the flashbacks that were happening and there were a lot of them. Closer to the end the flashbacks started making sense.

No CGI here, wasn't needed and if there were I certainly couldn't see it. It was just a story about drugs and abuse and two opposites who form an unlikely friendship. It was enjoyable and emotional, I likely won't see it twice but I'm not sorry I watched it.

This movie centers around the bond between two lost souls - one driven by guilt, the other by desparation. Both are painfully lonely, yet seemingly unaware of this fact. This movie does start off slowly - but people are complex, especially these characters, so it would not be realistic to have them immediately portrayed. The young woman has experienced much hardship, yet remains optimistic - too optimistic considering the role that life has handed her. Spall is incredible as one of the most tortured souls portrayed in a film. Be patient with this movie - their pasts are gently rolled out and only then do we barely begin to understand how they ended up in their current emotional states. The soundtrack was dreadful - much too powerful a movie - it needed a powerful soundtrack,

Engrossingly downbeat melodrama about two disparate, down-on-their-luck characters who meet far from cutely in a dour bar in a no less moribund, off-season, brine-lashed Blackpool. While frequently grim, depressing, and emotionally raw, 'Away' never feels oppressively maudlin of self-consciously negative, since it is hard not to sympathize with the downwardly spiralling protagonist's desperate predicament, especially when they are given so much heart-wrenching humanity by gifted actors Juno Temple & Timothy Spall. This unflinchingly terse tableau of two profoundly damaged, doomily displaced souls cruelly ravaged by the arbitrary tempests of a hard-knock life ultimately proved to be a surprisingly edifying experience, and while the cinematically sweet conclusion my initially seem overly sentimental, it is, perhaps, wholly deserved. Fans of earnestly existential UK indie-dramas set within the darker interstices of everyday life should seek out talented film-maker David Blair's melancholy, darkly sardonic feature.