A View to a Kill


Action / Adventure / Thriller

Rotten Tomatoes Critics - Rotten 36%
Rotten Tomatoes Audience - Spilled 41%
IMDb Rating 6.3 10 77320


Uploaded By: OTTO
Downloaded 57,225 times
December 10, 2012 at 01:53 PM



Roger Moore as James Bond
Christopher Walken as Max Zorin
Tanya Roberts as Stacey Sutton
720p.BLU 1080p.BLU
950.08 MB
23.976 fps
2hr 11 min
P/S 2 / 20
1.85 GB
23.976 fps
2hr 11 min
P/S 2 / 15

Movie Reviews

Reviewed by ShadeGrenade 9 / 10

Roger keeps the British end up one last time

Days before the rogue Bond movie 'Never Say Never Again' - which starred Sean Connery - opened in London at the end of 1983, Cubby Broccoli managed to pull off a champion spoiler. He announced that Roger Moore - who had declared his retirement from the role earlier that year with 'Octopussy' - had signed for a seventh movie, provisionally titled 'From A View To A Kill'. In other words, it didn't matter whether or not 'Again' was a hit, because Moore was still going to be around in the future. Loosely based on Ian Fleming's short story ( which appeared in the 'For Your Eyes Only' collection ) 'A View To A Kill' appeared two years later, again directed by John Glen. Critics who had claimed the 56-year old star too old for the role had to eat their words - in fact, he looks in better condition than Connery did in 'Again'. The plot by Michael G.Wilson and Richard Maibaum has Bond investigating the nefarious activities of millionaire 'Maz Zorin' ( Christopher Walken ). When I saw this originally, I chuckled. "They've remade 'Goldfinger!", I thought. "Only with microchips instead of gold bullion!". The two films are similarly structured. Instead of cheating at cards, Zorin is fixing horse races with the aid of steroids and micro-chips. Whereas Goldfinger wanted to increase the value of his gold by blowing up Fort Knox, Zorin wants to increase the value of his micro-chips by triggering an earthquake along the San Andreas Fault, California, thus destroying Silicon Valley.

'Kill' is a long way from 'Goldfinger' in terms of quality, of course, but it is much better than 'Again'. The equivalent 'Oddjob' is the enigmatic 'May Day', played with gusto by singer Grace Jones. Strangely, she never gets to fight Bond, which is a pity as the posters gave the impression such a skirmish was going to the movie's highlight. The action scenes start with an impressive Siberian skiing sequence ( marred only by the use of the Beach Boys' 'California Girls' ), and go on to include May Day jumping off the Eiffel Tower, Bond losing half his car in a chase, Bond and 'Stacy Sutton' ( Tanya Roberts of 'Charlie's Angels' ) trapped in a burning lift shaft, a chase involving a runaway fire engine in San Francisco, and Bond and May Day in a flooding mine, culminating in a climax involving an airship and the Golden Gate bridge. One of the film's pleasures is seeing Moore alongside Patrick Macnee of 'The Avengers', cast as 'Sir Godfrey Tibbett', Bond's sidekick. There is an amusing scene with Bond posing as a rich man and Tibbett as his chauffeur. It is a pity Tibbett was written out so soon. More of him and less of Fiona Fullerton's arch Russian agent - 'Pola Ivanova' - would have helped the movie no end. Moore was reputedly uncomfortable with some of the more violent aspects, such as Zorin machine-gunning to death his own men.

With its lively 'Duran Duran' theme song, 'A View To A Kill' was another big hit when it opened in the summer of 1985. Though it was not formally announced at the time, it was obvious that Moore was not coming back. Ditto Lois Maxwell as 'Miss Moneypenny'. His tenure as 007 - seven films across twelve years - marks him as the longest serving incumbent in the role. He might not have pleased humourless Ian Fleming fans, but there is no denying that he was massively popular with the general public. His successor, Timothy Dalton, was closer to the original Fleming character but the public chose not to endorse him. It was not until the arrival of Pierce Brosnan in 1995 that Moore was successfully replaced. The look of pleasure Moore put on the faces of cinema-goers world-wide took a long time to fade.

Reviewed by cinemajesty 7 / 10

Bond Fourteen

Movie Review: "007: A View To A Kill" (1985)

Producers Albert R. Broccoli (1909-1996) and Michael G. Wilson (b. 1942) send off actor Roger Moore in his seventh performance as "James Bond" with an honorable $30 Million Dollar production budget, high class special effect work and the most compelling antagonist duo, since Kananga & Solitaire in "Live and Let Die" (1973) here with musician / singer Grace Jones and actor Christopher Walken, who performs as sharp-minded industrialist Max Zorin and his highly-trained bodyguarding sidekick May Day.

Director John Glen comes back to his "For Your Eyes Only" (1981) roots in delivering a clear cut 125 Minutes "007" action-thriller that embraces some hard-boiled stunt work from skiing in Antartica, Parisian car chases and a special occasion showdown location at "Golden Gate" bridge's wire balancing act with a fist fight between Zorin and Bond; Moments when blonde 29-year-old bond girl Tanya Roberts stays passive as just being an "007" beauty-spreading sidenote.

Second appearances of actor Robert Brown (1921-2003) as "M", filling in since "Octopussy" (1983) after Bernard Lee's death in 1981. "007's" mission briefing accompanied with a pin-pointed Miss Moneypenny flirt, portrayed by sharp-beating actresss Lois Maxwell (1927-2007). She and Roger Moore are building a fine chemistry to delight "A View To A Kill" as their final "007" universe appearances before the picture continues in fair well-paced manner, especially at a suspenseful horse racing espionage scene and the infamous mine massacre interior, making, even at today's standards, this Roger Moore farewell picture an highly enjoyable movie ride from beginning to finish.

© 2017 Felix Alexander Dausend (Cinemajesty Entertainments LLC)

Reviewed by JohnHowardReid 5 / 10

Disappointing TV-style movie!

Admittedly, "A view to a Kill" certainly starts off with a bang, but, alas, it's all downhill from there, as the project quickly deteriorates into a talk, talk, talk fest, illuminated by lots of boring, and downright irritating, television-style close-ups.

The movie's advertising phrase catchwords, "Bond As Never Before", is certainly right on target. Never has Bond looked so old and haggard, as played here by an aging Roger Moore. Even his photo on the cover of the M-G-M DVD has necessitated being touched up! (Look at it through a magnifying glass and you'll see what I mean!).

The movie's advertising catch phrase, "Bond As Never Before!" was right on target. It turned out to be Roger Moore's final performance as James Bond. A shame! Less TV-style close-ups and more medium and long shots could have maintained the illusion that Bond was still as chipper as ever!

"Moneypenny" is also looking old and weary!

On the credit side, a lot of money has obviously been spent on actually shooting the movie. There are certainly some good stunts and a small fortune has undoubtedly been spent on crowds of extra players and filming scenes on real locations.

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