A Quiet Passion


Biography / Drama

Rotten Tomatoes Critics - Certified Fresh 92%
Rotten Tomatoes Audience - Spilled 52%
IMDb Rating 6.6 10 3438


Uploaded By: FREEMAN
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July 15, 2017 at 05:58 AM



Jennifer Ehle as Vinnie Dickinson
Keith Carradine as Father
Cynthia Nixon as Emily Dickinson
Emma Bell as Young Emily
720p.BLU 1080p.BLU
911.54 MB
23.976 fps
2hr 5 min
P/S 4 / 85
1.9 GB
23.976 fps
2hr 5 min
P/S 6 / 47

Movie Reviews

Reviewed by Nicholas Ruddick 10 / 10

A Superb Dramatization of the Life of a Great American Poet

Emily Dickinson isn't the easiest subject for a feature-length biopic. True, she is the greatest female poet in the English language, maybe even in world literature. But her life was uneventful in the extreme. She never married and probably died a virgin. Her love affairs were conducted by correspondence. She became reclusive as she got older, donning a white dress, rarely leaving home, and holding conversations through doorways. She wrote poetry—a kind of literature appealing only to a tiny minority of readers and not amenable to film adaptation. Moreover, with a few exceptions, her poems are difficult: she specialized in extreme mental states and thorny intellectual paradoxes. And she died in complete obscurity—it's only by good fortune that the 1800 poems she wrote still exist. At her death the vast majority of them existed only in a single handwritten manuscript and could easily have been consigned to flame as the ramblings of an eccentric spinster.

So Dickinson's biography hardly conforms to the typical story arc or dramatic requirements of the average American film. Until now, the most successful dramatization of the life of this poet who lived an interior existence, both literally and figuratively, was the one-woman play The Belle of Amherst, which needless to say emphasized her isolation.

Terence Davies's film knows and accepts all this, yet remembers that Dickinson in her own time was not a great poet, except perhaps only in the farthest reaches of her own imagination. Instead of a lonely genius, Davies conjures up a Dickinson who was very much a social being, even if her interactions were largely restricted to her family. Cynthia Nixon's Emily is a flawed, totally plausible, and deeply sympathetic woman of her time.

This is a brilliant film in the way it exploits the resources of the medium. The performances are universally excellent, and the dialogue is as witty as it must have been among clever Emily and her circle. Davies captures the claustrophobic interiors and repressed souls of still- Puritan mid-19th-century small-town Amherst, Massachusetts. The editing and pacing are superb, as for example in a slow 360 degree pan around the Dickinson sitting room that begins and ends on Emily's face.

But it's also brilliant in the way that it interprets Dickinson's life. How did the Civil War impact her Amherst domesticity? Why did she wear a white dress? What did she feel when her brother Austin, who lived with his wife Susan next door, started conducting an adulterous affair in her own living room? How did she feel to be dying slowly and horribly of kidney disease knowing that her poetry (her "Letter to the World" as she put it) was almost totally unread? Did the hope that she'd be appreciated by posterity reconcile her to her fate? Nixon's Emily behaves in each case as a human being would, making her predicament painful to watch. But it's strangely exhilarating too—we watch knowing that Dickinson's "Letter" has most definitely been delivered.

The film is slow-paced and developed as a series of vignettes. There's quite a lot of poetry in voice-over. At no point does it pander to 21st- century sensibilities. It will not be to the taste of the majority of the cinema-going public. Nor will many Dickinson cultists enjoy it, as they often prefer to idealize or mythologize her rather than think of her as a flesh-and-blood woman. But as a plausible biography of one of America's greatest poets, this film is nothing short of a triumph.

Reviewed by Paul-Connell 8 / 10

Surprisingly good

I dragged myself to see a film about someone I knew nothing about - except from a line in a Simon and Garfunkel song - and the odd mention from friends years ago - assuming it could easily be a scriptwriters fantasy world - but at least a costume drama outlining the person, her surroundings and time.

It was in fact very moving - drawing you into a the completely unknown mind of this women and the people around her - no one left the cinema immediately but just stayed and stared - were they as upset as I was ?

It was all the more interesting coming one day after a very interesting documentary of the journey of the Mayflower migrants from 1608 when they fled to Holland for a new life and then to a ship in 1620 to cross the Atlantic so their children would still be English and not Dutch puritans - the documentary forces you to step into the minds and motives of these people, who should have perished but managed to survive due to a powerful faith - which appears just nonsense to me - but it does come from the times - the evolution of human consciousness.

Emily Dickinson is there 200 years after - still in a fossilized society - soon to be taken over by Irish Catholicism in Boston - in a style reminiscent of a theater play of the day - at first too witty and full of riposte, but which slowly takes hold of you.

The actors are all good, but the driving force is the question of what it was like to be a woman in this time - what did they actually think and do - why did Emily and her sister not marry but stay at home - was the world outside, and the society of men, so cold, foreign and formal that they stayed where they were sure there was warmth.

A good film if you want to realize you don't really understand how other people see the world - and to be moved by the fact they simply exist and feel, and are then snuffed out like a candle flame.

Reviewed by Slipped_Sprocket 3 / 10

Script is terrible, story is inaccurate, acting uneven, film tedious and sad

The only positive comment I can make after wasting over two hours watching this sorry mess of a film is that Cynthia Nixon does a creditable job of acting in spite of a lame and mordant script. Most of the rest of the cast for the most part sounds as if they were doing an initial read-through. The direction is stagy and there is an excess of glacially slow pans around candle-lit interiors that contribute nothing to the story line, such that it is. The story told is highly inaccurate. It characterizes Dickinson as a reclusive, shrewish, depressive, neurotically cruel bitch. ED actually had some close and possibly even romantic relationships both in her youth and in middle age -- you would not know that from this selective script.

The script also fails to convey her love of Nature and her quiet joy in life, even when she cloistered herself. In fact she was more widely known for her expertise in gardening than her poetry while she lived, but she is barely shown outside her rooms throughout the movie. There are many imagined unpleasant confrontations and bitter exchanges between characters in the film that have no apparent basis in reality. It's more a contrived soap opera in period dress than bio-pic; "Desperate Housewives of Amherst" might have been a more accurate title.

As to direct contradictions to the truth: Dickinson's sister in law was an acquaintance known to her years before she married into the family -- the film shows her as a stranger being introduced to the family after the marriage. Dickinson also NEVER met her brother's mistress, Mabel Todd, let alone caught them in flagrante delicto, as shown in the film. In fact, Todd respected ED's work and was one of the people who made sure that Dickinson's poems were posthumously published. ED was also not emotionally close to her distant mother, though the film turns their relationship into a sappy cliché. In a final blow to ED's memory, the film shows her coffin being hauled to the cemetery in a horse drawn hearse. In fact, per her wishes, her loved ones placed her favorite flowers in the casket with her and then carried it by hand through fields of buttercups to the family plot.

This film left myself and my companion (a published poet who teaches writing at University level) feeling drained, depressed and disappointed. There were so many aspects of ED's personality and incidents in her life that could have enriched and enlivened this film -- perhaps they were left on the cutting room floor? Honestly, if you have not read Emily Dickinson's poetry before seeing this mordant flick, you are not going to be inspired to do so afterwards.

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