10 Cloverfield Lane


Action / Drama / Horror / Mystery / Sci-Fi / Thriller

Rotten Tomatoes Critics - Certified Fresh 90%
Rotten Tomatoes Audience - Upright 82%
IMDb Rating 7.2 10 226150


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June 04, 2016 at 08:12 PM

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769.99 MB
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1hr 43 min
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1hr 43 min
P/S 7 / 82

Movie Reviews

Reviewed by Metra Ton 2 / 10

Makes Paranormal Activity look legit.

I haven't realized that there were sequels to the questionable Cloverfield until I've watched The Cloverfield Paradox, and, while that movie doesn't deserve a particular review and could be summed up with "Mediocre, but passable" - this one really, really shocked me. In a bad way. What was the point of this movie?

Okay, the original Cloverfield has found footage, lots of CGI, franchise-setting aliens(years before Pacific Rim), some hero interaction, some hero action, but, of course, all within the ridiculously panned out camera capture. Still, it was "original". Cloverfield Paradox, again, tries to at least... add to the story. Somehow. It... tries, something already seen many times before, but still tries.

What is "this"? Mystery? How the hell is it a mystery? Horror? Eh...drama? That's a two hours worth of cheap sound effects that start nowhere, go nowhere and end up nowhere. That's what.

So what do we have? Apparently a basic b*. Who is running away... or something. Who has an accident, wakes up, finds herself hurt(duh) and... guess what... taken care of! With medical stuff and even a leg brace. And... that she is shackled to the wall. What's her first reaction? Well, most adequate people would probably call out, or at least analyze the situation. Because maybe whoever took care of her - doesn't want her to wander around, just like nobody wants patients to run around form the hospital. Pretty basic stuff. What does she do? All kinds of idiocy. All to find out that the mysterious savior... brought her food. Instead of any kind of normal exchange, she goes out like she is in some Saw movie: "Please, please, don't hurt me". Damn, the b* deserves to be done right there. But - the man gives her the crutches and the key... tells her to get accustomed. Wow. Okay. So how does she react? She sets off a fire alarm, sharpens the edge of a crutch and tries to assault the man. Wow. Hilarious. Injured, debilitated, hungry, not knowing "anything" - she tries to take out the man, who clearly tries to keep her alive. This is some JarJar Abrams level of script here. I bet the director asked: "So how the duck am I supposed to shoot that bull?" And the answer was: "Oh... come on... make it mysterious or scary or something. This is the best we've got and the franchise needs milking, so unless you don't want you paycheck, you better think of a way to make it happen. Don't worry about the audience. If they were dumb enough to like Cloverfield, they aren't going to complain".

Anyhow, over the next hour we find out that there is another guy, that the situation outside is actually bad, that living inside isn't too bad, yadda-yadda. All would seem reasonable to have a more practical talk by now. Instead... we get a scene, where our Wonder Woman(WW is probably only the 2nd dumbest female in movies, right after this one) crawls to a power room to reset the air conditioning and she finds... Well, supposed evidence that the man, who saved them - is probably lying. Later it goes down the road of Dawn of Justice: "If there is even 1% chance that he is bad, we HAVE to take that chance!" So... instead of setting up a controlled situation, where they can confront him... verbally, we get a lot of montage. Which, in the end, results in a pretty forced situation, where the man, who already suffered quite a bit from their presence, finds out that they are planning something. And, in the most fluffy way, the guy decides to take the fall for the girl. And he does that just the right way. Instead of either trying a lie, or at least saying something plausible, he says that was making a "weapon", so that he could "take out" the man and be "the hero" to our girl. Wow. The level of stupidity here has surpassed 9000. So, it's supposed to be a shock that the man straight up shoots him.

From there on, the movie gets to the worst part - the most forced and unlikely escape, some alien activity outside, our girl single-handedly taking out an alien spaceship and braving out to help the people in hospital. Because she is, apparently, a clothes designer, who managed to do a few tiny stitches and who just got balls enough to go Ripley.

I don't even know why I give this two stars. Maybe because the heroes tried to act... particularly the anti-hero. He really carried this movie. And because it's a Cloverfield movie and I was dumb enough to watch it for that. Because there are no redeemable qualities in this movie. No plot, no lore, no franchise ties, nothing. It's a horrible, unthinkable, C-level script that got the funding, the greenlight and the franchise name in the title. It could literally be the worst movies of late, if it was some indie movie. You just change the finale slightly, ever so slightly, and 90% of the movie can stay EXACTLY the same.

In the end, we find out that the man was indeed a bit paranoid. And had a quarrel with his wife. Yes, apparently it wasn't the wife, who took the daughter. It was him. Absolutely common case of denial. And now he wanted to save another girl, clearly SAVE, and raise instead. Yes, he didn't want that guy in there, but... as long as he behaved, he wasn't an issue. Some time could've gone by, they could've bonded, he may even have seen reason. If they would all get cleared and try to escape the house, fighting off aliens and trying to get to the survivors - I'd give this 6-7\10. Easily. Because if the movie dedicated more time to the actual franchise, whose name it carries, and if it had the script that made even the basic modern level of stoned sense - it could, again, be passable, if not decent.

Unfortunately, the movies doesn't do it. Doesn't do anything. It spits on you, it sits on you, it wastes your time, trying to exaggerate every possible situation, make every possible mistake and in the end - force the most predictable outcome. This is a clear example of how NOT to write movies. Because, lord be my witness, I've seen more creativity from Paranormal Activity parodies. The dirty and explicit ones. Ugh....

Reviewed by J. (CountJonnie) 7 / 10

Very entertaining movie, on various levels

10 Cloverfield Lane is not a sequel, but more a tie in, or a side story. Like the original it builds on claustrophobia and not really knowing.

A woman (Winstead) gets into an accident and wakes up in a cellar in the ground, owned by John Goodman. Goodman welcomes and helps her, but doesn't intent to let her go, because happenings outside that sound to crrazy to be true. This gives the feeling of a creepy, claustrophobic atmosphere, where that which is safe, feels dangerous. There the cat and mouse game begins, and Winstead is a prisoner hellbent on escaping, while trying to keep Goodmans thrust. The question is raised, will she be able to go, and if she does, what will she encounter?

The movie works as a horror movie and a thriller. Goodman is perfect as the crazy guy with good intentions. Winstead is strong as the empowered victim. Together they carry a movie where for a long time nothing happens, but with palpable tension. And although movies like Cloverfield Paradox will make you stop wanting to see more about Cloverfield, 10 Cloverfield Lane will make you ask for more.

Reviewed by mocaler 6 / 10

A clearly tacked on ending lowered the quality

The main story before and in the bunker was quite good. I did expect some kind of connection to the original Cloverfield movie but not the rushed action sequence of the ending. It would have been better to have some kind of a reveal in the end where maybe something Cloverfield related is seen in the distance like when she looks up and sees living birds, she then sees something in the distance. But we instead get an ending action sequence which seems to have been hurrying tacked onto the the main story. It deflated the quality of the rest of the story. It also uses a technique in the last act with which I am quite bored. The final action scene is in the dark. Too many movies shoot CGI heavy scenes in the dark. I think that it is a cost saving thing. In the case with this movie, it transitions from day to might too quickly, almost like the rest of the movie was already filmed and the final act was tacked on but on a budget. It doesn't totally spoil the movie. It will depend on where the franchise goes since the end scene was basically a cliffhanger.

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